Favorite material to work with: In the beginning of her career as designer, Meijer worked mainly with ceramics. “It’s incredible that by mixing clay and water you can make amazing shapes. It’s like making something out of nothing. But you need precision and patience for it.”

A Drawn Interview with Mieke Meijer

If you read Sight Unseen often enough, you know that we’re supporters of all things creative, collaborative, and multidisciplinary. Matylda Krzykowski may be known for her curating talents (which we’ve featured here once or twice before), but she’s also a designer and a blogger — in other words, she’s someone who gets as few hours of sleep each week as we do. Being such a like-minded individual, we invited Krzykowski to contribute a guest post for Sight Unseen in a format similar to the one she employs on her own site, Mat and Me: Interviews that invite personalities from the design world to respond to questions with small, charming pencil drawings rather than mere spoken words. She in turn posed the challenge to Mieke Meijer, an Eindhoven-based product designer who recently contributed to the first in a series of projects at the new Depot Basel space, an open-ended design workshop in an old Swiss grain silo for which Krzykowski sits on the curation board. We’d been following Meijer’s work ourselves ever since we spotted her Gravel Plant project in Milan last year, which channels the geometries of industrial buildings into a system of storage modules whose functions are as myriad as their randomized profiles. Posted here is a selection of the drawings she submitted, plus photos that Krzykowski shot while visiting her studio last month. The captions have all been written by Krzykowski.

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