The newest are mounted on polished brass. “I made a couple of these panels that almost read like boards, that relate to some of my other collages and objects and are starting to nod towards narrative,” says Eichhorn. “It’s creating a loose story around this kind of cult of plants where some of my forms and objects are coming from. My last show at Ebersmoore gallery in Chicago (since closed) envisioned this cult and what it would do with some of these plants.”