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09.20.23

Q+A

It’s Colin King’s Tastefully Curated, Beige-Hued, Branch-Forward World. We’re Just Living In It.

If you were paying close attention, you might have noticed Colin King's slow creep towards ubiquity over the last five years. First came the styling credits for unabashedly chic interiors, like Giancarlo Valle's New York apartment in Architectural Digest, or any number of the exactingly produced homes for Athena Calderone's, Live Beautiful. Then came the brand work — styling for the likes of Anthropologie, Hay, and B&B Italia — and the collabs: a collection of small goods for the Danish brand Audo, a rug series for Beni, and a collection for West Elm, among others. But things really began to ramp up when King's book, Arranging Things — a lavishly illustrated how-to guide to his own particular style — announced its 2023 release. By all accounts, a book by a stylist — normally a solidly behind-the-scenes job — is somewhat of a novelty. While those on the inside may be well-versed in the who’s who of creatives realizing magazine editorials and brand campaigns, rarely does someone break out and make themselves known in the mainstream. But King has achieved just that.
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09.13.23

Interiors

Vintage Starck, Burl Wood Veneer, and Collectible Furniture From the Current London Scene Define This Modern Cottage in Rural England

You’re probably most familiar with the work of designer and gallerist Max Radford through his Instagram. Mostly, the account acts as an archive of design research, where he posts projects he comes across in vintage books, as well as the work of the contemporary designers he shows with The Radford Gallery, the roving exhibition platform that pops up in London locales and European design fairs a few times a year. (Radford's most recent show, a dual exhibition by Amelia Stevens and Matthew Verdon, featured stainless-steel furniture from the former and lamps in hemp and translucent fabric from the latter). But behind the scenes, Radford is also an interior designer and architect, and his first project — a contemporary cottage in rural England — ties together all of the threads he’s amassed such a following for online.
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06.15.23

Excerpt: Exhibition

At the Venice Design Biennial, Popping Up in an Out-of-Season Beach Cabana and a 100-Year-Old Bocce Court

Behind a battered green door on a quiet canal snaking through Venice’s Dorsoduro neighbourhood, far from the shoulder-to-shoulder throngs of tourists that populate the narrow corridors close to Piazza San Marco, is the city’s last bocce court, opened over a century ago. Most days, the area’s elderly residents convene there to throw bowls, gossip, and sip apéritifs (usually a ruby red Select spritz). But for a few weeks this May and June the sports club has given up one of their precious lanes to an entirely novel endeavor, the recently opened Venice Design Biennale.
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03.27.23

Current Obsession

Revisiting the Poetic Work of Japanese-Born, Italian-By-Choice Designer Kazuhide Takahama

If there's one chair most design enthusiasts know by Kazuhide Takahama, it’s the Tulu. You’re likely familiar with its sled base composed of slim, welded-steel rods and its square upholstered backrest that seems to be floating independently in the center of a metal frame. It’s popping up more and more — from eBay listings to frescoed palazzos in Italy — and it’s no wonder. It’s a beautiful piece — subtle, minimal, and formally innovative for the late 1960s when it was designed — but despite the Tulu’s popularity, the rest of Takahama’s work is not nearly as recognizable. But as the casual collector becomes more and more aware of his work, we’ve decided it’s high time to take a deep dive into the work of Kazuhide Takahama.
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09.29.22

Interiors

For a New Artist Residency, Five Up-And-Coming Studios Remake a Traditional House in Greece

For 4Rooms, an artist residency on the tiny Greek island of Kastellorizo, Società delle Api’s Silvia Fiorucci, alongside Salone del Mobile editorial director Annalisa Rosso, tapped four up-and-coming designers — Studio Brynjar & Veronika, Phanos Kyriacou, Julie Richoz, and UND.studio — to totally make over one room of the house each, with the French studio Superpoly taking over the common areas (including the excellent kitchen, above).
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08.15.22

Fair Report

A Favorite French Design Festival Returns With a Crop of Fresh Talent

If you assumed earlier this year, based on a barrage of dreamy, sun-drenched Instagram posts, that all your favorite French designers — India Mahdavi, Pierre Yovanovitch, Dorothée Meilichzon  — seemed to be vacationing in the same idyllic beach town in the French Riviera, you would be almost correct. Actually, they were attending the 16th edition of Design Parade, the French design festival that has become a go-to for spotting new trends and discovering the next wave of buzzy young designers.
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05.05.22

Up and Coming

Lukas Cober’s Practice Grew From Building Surfboards in his Teens

From a young age, there was never any doubt in Lukas Cober's mind that he would pursue a career in design. “I have always been into crafts, so for me, it was clear at a very early stage that I would be building things with my hands” says the designer, who grew up in Aachen, a small medieval city at the tripoint of Germany, Belgium, and the Netherlands. But Cober inevitably embarked on his current path by pursuing a somewhat surprising endeavor for such a hopelessly landlocked city. “At one point in my late teens, I got heavily into the art of hand-shaping surfboards,” he recalls, “which sparked my fascination with functional art and gave me a deep understanding about to approach aesthetics."
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04.06.22

Up and Coming

Introducing Manon Steyaert, the French Artist Making Plastics Look Pretty

By now, you might be aware that latex is having a bit of a moment in the fashion world. But have you ever seen sheets of the stuff applied to — or, more specifically, becoming — the canvas? We hadn't, or at least we hadn't seen instances where it was not only used but was in fact the main event, which is precisely why we found the work of Paris-born, UK-based artist Manon Steyaert so interesting.
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Paolo Pallucco 1980s archive furniture
03.09.22

Excerpt: Exhibition

A Retrospective of 1980s Furniture Visionary Paolo Pallucco Opens in Paris

If you’ve been following the trend cycle of archive and vintage furniture over the past few years, you'll have noticed by now that the 1980s are back in a big way. We’ve recently covered a few — like Czech Modernist Bořek Šípek and Italian artist-designer Pucci de Rossi — but it seems like every month there's a new figure that's resurfaced and reevaluated in the present day. The latest is designer and manufacturer Paolo Pallucco, whose brief stint at the helm of his eponymous brand produced some of the most radical furniture of the decade — and who is now the subject of a new exhibition in Paris at Ketabi Projects.
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03.01.22

Up and Coming

A Young, Milan-Based Designer Inspired by the Brutalist Architecture of Eastern Europe

There are two distinct threads that run through the work of Milan-based, Macedonia-born designer Daniel Nikolovski. The first is a penchant for storytelling. His objects and furniture all seem to point to an obscure reference or emerge from a well-thought-out backstory; the forms that make up his EYE Lamps, for example, were inspired by Yugoslavian monuments, like the Brutalist buildings Kenzo Tange constructed in Nikolovski’s hometown of Skopje following an earthquake that decimated the city in 1963. The other major tenet of his work is craftsmanship, which is actually the reason he ended up in Italy at all.
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Sophie Dries shoe store
02.25.22

Sighted

A Whimsical Parisian Shoe Store By One of France’s Biggest Up-and-Coming Talents

Sophie Dries's design for the Michel Vivien store is relatively simple, in that it centers around a 50-foot-long undulating walnut wood wall pierced with glass and wooden floating shelves. But it is the art and objects — abstract, totem-like sculptures, stools by Pierre Chapo used as pediments for displaying shoes, plush velvet seating, and lighting by Jacques Biny and Charlotte Perriand — and the way she artfully arranges them that make the space so interesting.
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