Joanna Williams of Kneeland Mercado on Sous Style

There are a lot of reasons we've been reading Sous Style since former Elle photo director Pippa Lord first launched it in 2011: the casual, contemporary feel of the food photography, the glimpses into the homes and private lives of some amazingly cool women, and of course, all those incredibly gorgeous men(!). But we also love when Lord surprises us with different types of approaches to mixing food with fashion, design, and culture, including a post she did recently on textile-sourcing maven Joanna Williams of Kneeland Co. Mercado — in it, Williams reveals both the stories behind some of the items she's brought back from various cities to sell in her Los Angeles shop, as well as all of her favorite things to eat while visiting those places. Check out an excerpt from the story after the jump!
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Week of January 13, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: vintage Brooklyn hipster interiors, shelves inspired by Venetian bridges, a new website for Josef and Anni Albers, Sottsass Bacterio bookends (above), and more.
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Dario Buzzini and Barbara Busatta on Machine Series

For all the excitement around the game-changing rise of rapid prototyping, it's always felt a little abstract to us — mostly limited to actual prototyping, MakerBot-style tinkering, and a few crazy, high-end projects meant above all to flaunt the capabilities of the technology. Yet with the launch of Machine Series, a new brand of housewares made using fused deposition modeling (FDM), co-founders Dario Buzzini and Barbara Busatta are attempting to make a case for the potential of 3-D printing to create a commercially viable line of attractive and functional everyday objects. "The focus of this exploration has been to elevate 3-D printing, a technology that is very much talked about but is relegated to either cumbersome, amateurish results or over-expensive artistic applications," write the Italian-born, New York–based pair in the brand's press release. "We believe that by exploring the full potential of FDM, we are able to create items that are as simple as they are sophisticated and as elegant as they are innovative." The designs are also fully open-source, so all the files used to produce them are available online. Buzzini and Busatta took some time to tell us more about the project, after the jump.
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Ryan Lauderdale, Artist

Ryan Lauderdale is a Brooklyn-based artist who was born in Cushing, Oklahoma, and graduated from Hunter College in 2012 with an MFA in Combined Media. It's fitting that we discovered him on Pinterest, as his thesis project dealt with the way parts of culture and history get presented, remixed, and diluted online.
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Josephine Choquet, Designer

As longtime talent scouts in the field of design, we can say this with absolute confidence: There are only a handful of schools out there whose students consistently produce well-resolved, magazine-ready work. ECAL, of course, is one of them, and you'll see several of its recent grads on Sight Unseen in the coming months, starting with today's interview with Joséphine Choquet. We featured one of the French talent's projects just before the holidays — a line of acetate sunglasses made in collaboration with another ECAL up-and-comer, Virgile Thévoz — but wanted to come back and finish the job with a short profile cementing her status as one to watch. Like many young designers these days, Choquet is particularly interested in old craft techniques and simple materials, which she then marries with her love of line, pattern, and contemporary art. Check out some of her past and present work after the jump.
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Studio AH–HA’s Stationery Collection

We don't do this very often at Sight Unseen — post about the same subject twice in the span of two weeks — but in this case, we couldn't help it: When the young Portuguese graphics duo Studio AH–HA submitted their answers for our recent Up and Coming profile, they included eight impeccably styled photos of their personal stationery collection, and we couldn't bear to let the images go to waste. There are few things more beautiful than old paper goods, as anyone who's ever perused the goods at Present and Correct, or the mountains of vintage office ephemera available on Etsy, can surely attest. So we asked AH–HA's Catarina Carreiras and Carolina Cantante to share the stories behind the objects in the photos they shot for us, many of which they inhereted from Carreiras's late grandfather.
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Week of December 30, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, and events from the past seven or so days. This week: psychedelic design prints, Bruno Munari masks, ombre ceramic raindrops, interior landscapes by Jonas Wood (pictured above), and more.
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Studio AH–HA, Graphic Designers

Working as a design journalist confers some pretty amazing benefits — travel to international design fairs, VIP invitations to parties, the occasional holiday gift — but this, right here, is hands down our favorite part of the job: discovering something so new and exciting we get a rush just from being the first to be able to share it with you. We originally met Portuguese graphic designer Catarina Carreiras a few years ago during the Milan Furniture Fair, where she was helping staff the installation of her then-employer, Fabrica, and we've kept in touch with her ever since; in 2011 she joined forces with fellow designer (and OMA alum) Carolina Cantante to start the communication and design agency Studio AH—HA, which now operates out of Sam Baron's office in Lisbon. Carreiras still does work for Sam and Fabrica, but as of this very story, she and Cantante are officially announcing the existence of their burgeoning practice — and its brand new website — to the rest of the world. You'll want to stare at the duo's gorgeous work for ages; seeing as it's the last story we'll be posting until January 2 as we embark our annual holiday hiatus, you'll have plenty of time to do just that. Happy new year, and enjoy!
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Come All Ye Faithful, Curated by Carson Chan

In our most recent Saturday selects post, we pointed out a recent mini-trend of design exhibitions being staged in residential contexts, including the subject of this post: Come, All Ye Faithful, a show in which Berlin-based curator Carson Chan has replaced all of the objects in Zürich curator Florian Christopher Seedorf's home with works by his favorite European artists and designers. Opening last month and running through January 12, the exhibition was timed to coincide with the holiday shopping season, when consumerism runs rampant and people are in a state of frenzied acquisition. With Come, All Ye Faithful — which also functioned as a kind of tongue-in-cheek holiday pop-up shop, since everything in it is for sale — Chan wanted to examine the consequences of all that acquiring. "When purchased objects enter the home, they assume new roles, entangling themselves with the lives and emotions of their new owners," he explains in his curators' statement. "Come, All Ye Faithful is an exhibition that observes our relationship with the objects we live with." Chan took time out of his busy holiday schedule to answer a few questions about the project for Sight Unseen.
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Hans Ulrich Obrist’s Lost Interview with Ettore Sottsass, From Surface Magazine

It's no secret that we're devotees of the work of the late Italian design legend Ettore Sottsass, but to the extent that everyone we know has been caught up lately in the more superficial elements of his influence — the post-modernist colors, patterns, and geometries — we jumped at the chance to share with you this reminder of his intellectual legacy: one of several previously unpublished interviews with Sottsass conducted by Hans Ulrich Obrist in 2001. It was given to us as a little holiday present by Surface magazine's new editor Spencer Bailey, who oversaw its inclusion in the Dec/Jan Art Issue, which was co-edited by ForYourArt founder Bettina Korek and is the fourth since Surface was redesigned and reimagined this past July. Says Bailey: "Last fall, I was talking with Serpentine Gallery co-director Hans Ulrich Obrist over dinner in London about his unpublished interviews with artists and designers. He mentioned that he has several with Ettore Sottsass, so I asked him to send them to me. This one in particular blew me away. Hans Ulrich is a master interviewer, and Sottsass is, well, Sottsass. When I was putting together Surface's first annual Art Issue, I just knew I had to publish it." Sight Unseen is the only place on the web you can read the entire edited interview as it ran in the magazine — check it out after the jump, including images added by us, and don't forget to subscribe to Surface when you're done!
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Daniel Entonado, Illustrator

Daniel Entonado is a Madrid-based illustrator, textile designer, and graphic designer whose drawings are dense, whimsical, and often totem-like. We stumbled on his work randomly on Instagram, but apparently according to some he's the "zine king of Madrid" — check out selections from his portfolio below, then see one of his zines in action on Vimeo.
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Week of December 9, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, and events from the past seven or so days. This week: a designer-made winter salad recipe, a stunning new furniture collection by POOL (pictured above), tools so chic they make us want to start gardening, an explosion of pop-up stores and sand piles, and more.
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