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An Immersive Interplay of Light and Color at Volume Gallery in Chicago

The Chicago studio Luftwerk have made a career out of exploring the interplay of color, light, and colored light, as so many artists before them have done and so many will continue to do. But the defining factor of their work has always been its interaction with architecture, whether the duo were projection-mapping a light show onto Falling Water or bouncing trippy patterns off Anish Kapoor's bean in Millennial Park. This month, however, they left behind that construct to mount their first solo gallery show, at Chicago's Volume Gallery, where it's their ideas alone that are on display.
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Detroit designer Chris Schanck at Friedman Benda

In a New Show, Chris Schanck Debuts Furniture Fit for an Alien King

If you're familiar with Detroit-based designer Chris Schanck's work, you can probably easily conjure an image of it in your mind — primitive yet shiny, lumpen yet somehow slick at the same time. Since 2011, when he was an MFA student at the Cranbrook Academy of Art, Schanck has been developing and refining a technique he calls Alufoil, which is responsible for that shiny, otherworldly aesthetic — it often looks as though Schanck is making executive furniture for an alien king.
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VI, VII_Exhibition view_Eva LeWitt at VI, VII_10 Courtesy of VI, VII, Oslo_Photography by Christian Tungeopener

In a New Exhibition in Oslo, Eva LeWitt (Yep, That’s Sol’s Daughter) Comes Into Her Own

It can be difficult to approach the work of New York artist Eva LeWitt and not immediately attempt to place it in context with the work of her father, the late, great conceptual artist Sol LeWitt. So it makes sense that LeWitt, for her new exhibition at VI, VII Gallery in Oslo, might try to escape comparison entirely by using materials in such an opaque way that they reframe your initial appraisal of the work — you first must understand what exactly it is you're looking at.
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Eny Lee Parker

Eny Lee Parker’s New Ceramic Chainmail Has a Secret Message Encoded in Its Links

Where do you go after you've been named this year's "breakout American design star" AND one of the best fashion brands of 2017? If you're Eny Lee Parker, you just keep churning out incredible new work, even if you're in the throes of an upcoming cross-country move. The triple-threat ceramicist/furniture designer/jewelry maker debuted a new collection this weekend, and while the new work covers some familiar ground (thick ceramic legs as table bases), Parker also dug deep into a new obsession: ceramic chainmail.
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This Up-And-Coming Italian Designer is A Master of Materials

Looking like glossy collages left too long in the sun, Strata — a collection of glass plates and lamps by Venetian designer Lucia Massari for Swing Design Gallery — are vibrant, delicate, and weirdly fun. Massari fuses differently colored flat sheets of glass in an oven, and the results teeter between two and three dimensions. Sticking with a few neutrals and a pop of color or two — yellows, violets, and blues — the casual overlapping of smooth ovals, chunky grids, and basic rectangles create unexpected, but harmonious, geometric textures.
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In a New Show, 3D Printed Objects So Real They Look Fake

Called "Transitional Speculation," the show blurs the line between the digital and physical worlds even more than Wang Söderstrom's work normally does: While their 3D illustrations often have a whiff of handicraft, here, they've made tangible objects — primarily printed in 3D — that seem to take on the blobby, hyper-real aesthetic a rendering would typically have.
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Shop the Obsessive Collections of 10 New York Creatives, Starting Today

After the umpteenth time I found myself typing "Blenko ice glass" into a search bar, I started to wonder what it would be like to give my object obsessions a purpose, rather than just accumulating more things I can't fit into my apartment. Thus OCC Market was born. Opening today at the Lower East Side boutique Coming Soon, it's a shoppable exhibition of obsessive compulsive collections by 10 object enthusiasts in design, food, and fashion.
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Joseph Albers
Variant ''Orange Front''
1948–58
Oil on Masonite
59.6 x 68.5 cm 
Solomon R. Guggenheim Foundation, Venice
Gift, The Josef and Anni Albers Foundation,
In honor of Philip Rylands for his continued commitment
to the Peggy Guggenheim Collection 97.4555
© Josef Albers, by SIAE 2008

Josef Albers is One Of Design’s Biggest Influences — See What Inspired the Artist Himself

Things have changed quite a bit since we began Sight Unseen eight years ago, but one interview question has remained steadfast in our arsenal: Who are your biggest influences? And while the same answers tend to pop up often enough — Barbara Hepworth, Agnes Martin, Luis Barragán, Donald Judd — there's one name that seems to get checked more than anyone else: Josef Albers, the 20th-century artist, educator, and designer, whose book, Interaction of Color, is one of the most essential design texts ever written. But in a new exhibition at the Guggenheim, Josef Albers in Mexico, one of Albers's own greatest influences is laid bare.
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Curious “Foam” Forms Made of Ceramic and Metal, Now on View at Aram Gallery

Though they may look more like sea sponges, the collaborative works of Marina Dragomirova and Iain Howlett — aka Studio Furthermore — are in fact made from cast ceramic and aluminum alloy, using a process known as "lost foam casting." On view at The Aram Gallery in London through January 20, Studio Furthermore's latest collection of mirrors, pots, lighting, and tables were inspired by Icelandic rocks and mineral ores, lava rocks, and magma debris.
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Field Experiments Fisher Parrish Gallery

Bricks, Rubber, Concrete, and Stone: Field Experiments’ New Collection is Made From the Building Blocks of NYC

When Benjamin Harrison Bryant, Paul Marcus Fuog, and Karim Charlebois-Zariffa founded Field Experiments in 2013, they were inspired by the prospect of venturing to an exotic locale, removing themselves from their daily lives, and having that new place inform their work. But in their latest venture — a show at Brooklyn’s Fisher Parrish gallery on view through December 17 — the terrain has shifted to the familiar: New York City.
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