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Design Miami Sneak Peek: Sabine Marcelis’s New Resin and Neon Lamps

If there's one thing we've always hated about Miami, aesthetically speaking, it's all the neon signs. Yet they're a big part of the city's visual identity, making it all the more fitting that at this year's Design Miami show, Belgium's Victor Hunt gallery will be exhibiting a brand new edition of Eindhoven grad Sabine Marcelis's neon and cast-resin lamps — the Dawn series — that offers a moment of redemption for those gaudy illuminated tubes.
Six Art Exhibitions to See Now

Six Art Exhibitions to See Now

We don't know much about the art world schedule's typical ebb and flow, but judging by all the stunning shows that have crossed our transom in the past week or two, this fall seems like a winner. There are so many exhibitions we're dying to see that we decided to put together a little roundup of our favorites.

James Hyde’s Varieties of Useful Experience at Volume Gallery

He just opened a sprawling solo show at the Chicago design gallery Volume, but if you're not familiar with the work of James Hyde — or at least not to the degree of other Volume alums like Jonathan Nesci, Tanya Aguiñiga, or Stephen Burks — you're not alone. And in fact, that's kind of the point: Hyde, who began his career in New York in the '70s, is a painter, and even when his works take the form of sofas or lamps, they remain squarely in the realm of art.

Thaddeus Wolfe at R & Company

Thaddeus Wolfe's latest experiments are on view now at a solo show at R & Company in Tribeca, and we're including some of our favorite pieces here today. Inspired by everything from the deterioration of urban surfaces in his Brooklyn neighborhood to the vicissitudes of mushroom foraging, each piece goes so far beyond any preconceived notions of glasswork that it becomes something else entirely.

Nicolás Aracena Müller at Chamber

If you happen to have been wandering under the High Line in New York's Chelsea neighborhood sometime over the last week, you might have seen something you don't see every day — the bespectacled, wild-haired Chilean designer Nicolás Aracena Müller making chairs from found scraps of wood in the gallery windows of Chamber, a concept shop and exhibition space opened last year by Juan Mosqueda.

Paul Wackers at Morgan Lehman Gallery

Most of you probably know Brooklyn artist Paul Wackers for his paintings, which depict plants, rocks, and shelves full of abstract knick-knacks. But his work really comes alive when it's exhibited alongside his ceramics — as is currently the case in his new Morgan Lehman show "Thank You For Being You" — which makes it appear as though the paintings have come to life.

Yonatan Vinitsky at Rome’s Frutta Gallery

"Loose Ends," an exhibition by Israeli artist Yonatan Vinitsky was on view at Rome's Frutta Gallery from March until May of this year, but it will be a long time before we get these rightly amazing images out of our heads. For his solo show, the young Haifa-born, London-based artist created eight coiled-metal sculptures, which hung suspended from the ceiling, as well as eight wall-based works that represented blown-up reproductions of the kind of backseat storage pockets you find on public transportation.

Marcin Rusak’s Inflorescence and Other Artefacts

It may seem daring to open an exhibition on the eve of the annual design carnival that is graduate show season in London but Marcin Rusak doesn't have to worry about a lack of attention. It was a big year for the London-based designer, who kicked off his artistic career with exhibiting at the Victoria and Albert museum and securing the coveted Perrier-Jouët Arts Salon Prize for emerging talent within just a year of graduating from the RCA last year. His first solo show, "Inflorescence and Other Artefacts," is a display of dichotomies, constantly flipping between natural and synthetic, authentic and fake, beautiful and seductively grotesque, forcing viewers to form their own opinion about the value of the objects on display.

Slowly by Sam Moyer at Galerie Rodolphe Jansen

While the Chicago-born, Brooklyn-based artist Sam Moyer has played around with fabric painted to look like marble in the past, the geometric panels suspended in gorgeous bronze armatures that she recently installed at Galerie Rodolphe Janssen in Brussels are, in fact, the real deal. Meant to interact with the space's striking ceilings and the summer light that filters through them, the slabs are cut so thin as to be almost semi-translucent, a subverting of expectations about the way certain materials are supposed to look, feel, and function — a common theme in Moyer's work, and one that will sound familiar to many designers, which is probably why we've found ourselves so drawn to her.

ECAL Takes Over Apartment 50 in Le Corbusier’s Radiant City

Since it was renovated in the early 2000s and restored to its original 1952 condition, Apartment 50 in Le Corbusier's famous Cité Radieuse housing complex in Marseilles, France, has played host to a rotating cast of designers — Jasper Morrison in 2008 followed by the Bouroullecs, Konstantin Grcic, and, perhaps most successfully, Pierre Charpin. But a group of Swiss design students may have just completed our favorite intervention yet.