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Tatiana Bilbao furniture
11.04.19

Excerpt: Exhibition

A New Furniture Collection by Tatiana Bilbao, the Mexican Architect On Everyone’s Lips

The Mexican architect Tatiana Bilbao is known for a kind of socially conscious, contextually sensitive, human-centered approach — so in hindsight it was only a matter of time before she would turn her attention to the realm of interiors and the way people interact within a space. If you're in Copenhagen this month, we would highly suggest first going to see Bilbao's solo exhibition at the Louisiana Museum of Modern Art to learn about her ideas and working methods. But then head straight back into town to Étage Projects, to see Bilbao's first furniture collection.
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10.24.19

Excerpt: Exhibition

The Soft Serve Aesthetic of Anton Alvarez’s Extruded Ceramic Sculptures

The Flavour Is So Strong — Anton Alvarez’s second solo exhibition at the Stockholm gallery Larsen Warner — opened last week, situating Alvarez’s hyper-colorful, texturally striking sculptures within a peaceful white setting at the gallery’s new space in Ostermalm. Alvarez has always been interested in formal instability, and these new objects — a continuation of his work with a kind of automated ceramic extrusion — challenge our perception of weight as well as gravity, while embracing the imperfections inherent to the process of transforming wet clay inside a kiln.
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10.15.19

Excerpt: Exhibition

At a Paris Gallery, Furniture and Art in Colorful Conversation

We've always been fans of exhibitions that put furniture in conversation with art, but often those exhibitions are a solo affair. On view currently at Galerie Derouillon in Paris, though, is an exhibition in which an artist and a furniture designer instead riff on one another's work: Called Conversation, the exhibition features furniture made by the French designer Frédéric Pellenq and paintings and objects by artist Alexandre Benjamin Navet.
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09.17.19

Excerpt: Exhibition

A Himalayan Salt Chair and a Purple Ombré Space Bench Were Among Our Favorites at This Year’s In Good Company

There were many quote-unquote "winners" in this year's In Good Company exhibition, which opened last week and was co-curated this time around by Fernando Mastrangelo and Milanese design doyenne Rossana Orlandi. But this year, there was an actual winner as well — someone who would be chosen by a jury of peers and offered $5000 to further their practice.
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09.16.19

Excerpt: Exhibition

For LDF, 20 Designers Made Masks Representing How They See Themselves, And the Results Are Hilarious

Having been invited to curate an LDF exhibition for SEEDS gallery on the theme of Nature/Nurture, the design studio M-L-XL decided to focus on human nature, and one of its darkest facets in particular — the masks we put on in order to present an idealized version of ourselves to the world, especially in the image-obsessed age of social media. The resulting show, however, is one of the wittiest, most playful LDF presentations we've seen in awhile, with 20 designers representing their identities through handmade masks ranging from the beautiful to the hilariously grotesque.
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08.07.19

Excerpt: Exhibition

A New Show Takes Inspiration From the Same Idea That Drove Duchamp and the Dadaists

For Hilda Hellström’s latest exhibition at Étage Projects, opening this Friday, the Swedish-born, Copenhagen-based artist looked to a rather unusual source for inspiration: a semi-obscure literary idea known as "pataphysics," popularized by the 19th-century French poet and playwright Alfred Jarry (and once memorably referred to as "your favorite cult artist’s favorite pseudoscience" by Pitchfork). Pataphysics is a philosophy that gives credence to that which exists even beyond the metaphysical realm — in other words, the imaginary, the irrational, and the unreal.
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07.16.19

Excerpt: Exhibition

The 2019 Design Parade Festival Is a Total Visual Overload — In the Best Possible Way

If you've ever looked closely at coverage of the annual Design Parade festival in France, we're guessing that like us, your reaction was probably a mixture of bafflement and awe. How do they manage to get so many new objects and new ideas in one (tiny) place, not to mention so many balls-to-the-wall interiors with what appear to be no-expense-spared, move-in-tomorrow production values? Design Parade is practically on the level of the Milan Furniture Fair in terms of the volume of visual inspiration it provides — check out our sprawling overview of 2019's show here.
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Design Parade Toulon
07.15.19

Excerpt: Exhibition

At Design Parade 2019, a Contemporary Homage to the Ancient Roman Triclinium

For the fourth year in a row, the French design festival Design Parade was divided into two distinct parts: a design competition and exhibition taking place at the Villa Noailles in Hyères, and an interior design competition and installation in the neighboring town of Toulon. Tomorrow we'll be posting a full roundup of the projects that were on view across both halves of the show, but today we're focusing on one of our favorites, an entry in the Toulon competition designed by the Brussels duo Sandro Della Noce and Caroline Wolewinski.
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