Anthony Bianco Light & Space

Everything is Illuminated: Anthony Bianco’s Cool, Contemporary Glass Lights

When it comes to working with glass, says designer Anthony Bianco, the journey, so to speak — intense, immersive, rarely improvised — is just as notable as the destination. “The material is so physically demanding,” he says. “I’ve come to appreciate the involvement and the many steps it requires, from understanding the chemistry to creating the colors.” Having discovered a passion for glass nearly two decades ago, it’s a process with which the artist is more than well acquainted.
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Slash Objects furniture collection

This Brooklyn Designer is Doing Amazing Things With Industrial Rubber

In a previous life, Arielle Assouline-Lichten studied architecture at Harvard's Graduate School of Design, created graphics for Bjarke Ingels's Copenhagen office, built models for Snøhetta, and interned for Kengo Kuma. But she landed on our radar this spring after she began working for someone a little less famous: herself. This spring saw the launch of Slash Objects — a glamorous, assured debut furniture and object collection that mixes brass, marble, concrete, ceramic, and industrial rubber in endless combinations and at various scales.
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chic Parisian hotels boutique interior design

Meet The In-Demand Interior Designer Redefining Parisian Chic

Dorothée Meilichzon had worked in Paris for just five years before she founded her eponymous design studio in 2009 at the age of 27. Since then, she’s become one of the most in-demand interior designers in the French capital — as well as 2015’s designer of the year at Maison & Objet — despite maintaining a full-time staff of only three. Her work focuses on hotels, restaurants, and bars — the “fun places,” as she calls them, done in a style that is decidedly of-the-moment but grounded in color and texture and marked by an exquisite attention to detail and a love for metals, wood, and stone.
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A Bauhaus-Inspired Artist Makes Color Her Primary Medium

The paintings and wall-based textiles of New York–based Senem Oezdogan are like a Venn diagram where Bauhaus and Suprematism meet — almost as if Anni Albers and Kazimir Malevich were to have a baby. Her fiber-based geometric studies — made by wrapping wood panels in natural rope, punctuated by cotton floss color blocks — are deft executions of straight lines and woven shapes that tease the eye yet retain the softness of a tapestry.
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Inside the Rope-Painting, Basket-Making World of Gemma Patford

After attempting to learn to crochet, Patford realized it was not for her and instead turned to artists who were working with rope like Doug Johnston, who remains one of her heroes. “I muddled my way through the Internet to find a process that worked with my abilities and with what I had at home. I had a sewing machine and paint — and the baskets were born,” she says.
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Meet the Talented Sisters Behind Our New Favorite Lighting Brand

If you visited Sight Unseen OFFSITE last week, you might have noticed one standout booth in particular, dressed as it was in moody shades of blue, showcasing an incredible number of variations on the sculptural, globe-bulbed typology that's recently become so en vogue in the lighting world. In fact, in its striking beauty, the booth was impossible to miss: The lights were the work of London-based sisters Gwendolyn and Guillane Kerschbaumer, two Austrian-born designers who work under the studio name Areti.
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Swedish designer Erik Olovsson

This Former Acne Art Director Makes Furniture With a Graphic Eye

When we first encountered Swedish designer Erik Olovsson two years ago in the basement of Rossana Orlandi, he had but two products to his name — a wavy-lined metal and marble clothes rack and a modular, geometric shelving unit, both created in collaboration with his fellow graduate and graphic designer Kyuhyung Cho. Since then, Olovsson has been developing and tinkering with the beautiful projects he's unveiling in Milan this week.
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Tijmen Smeulders minimal Dutch design

Here’s (More) Proof That Dutch Design Has Gone Super Minimal

It’s rare to come across a body of work and a design approach as radical as that of Dutch designer Tijmen Smeulders. Give his portfolio a quick browse, and you'll find only the barest essentials: dimensions, material, and year of production. Focused on technical exploration and highly sculptural, his pieces offer the viewer no explanation of their existence or even a hint as to the concept behind them — they are pure form.
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South Korean designers Craft Combine

A South Korean Design Collective Making Treasure from Trash

At the heart of Craft Combine, a South Korean design collective run by four students currently studying at Hongik University, is a fascination with materials and processes from the perspective of different disciplines; between the four of them, there is expertise in photography, metalwork, product design and textiles. But what often holds those interests together is a commitment to environmental responsibility and a need to re-examine the things we throw away.
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Colorful geometric design objects by Schneid

Colorful, Geometric Designs by a German Studio On the Rise

Though Julia Mülling and Niklas Jessen of the German studio Schneid consider themselves makers of all things — from textiles to furniture to the amazing, stackable dishware set above — it’s lighting that fills the majority of their portfolio. Creating a lamp, they say, “feels very free, almost like making a piece of art — where you don’t have to follow the rules like when you design a chair.” So it’s no wonder that when we ask who their influences might be, they don’t first cite Ettore Sottsass or some other member of the Memphis Group who could have inspired their colorful, totemic Junit series, but rather light artists like James Turrell and Olafur Eliasson. “When you see their art, you realize how affected you can be by the use of light and color,” Mülling says. “That’s very inspirational to us.
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Erika Emerén is Doing Magical Things With Concrete

Swedish designer Erika Emerén's current practice involves dyeing and casting concrete in an experimental process that she has very little control over, then using it to make chairs, tables, and soon, lamps too. "The results always vary, especially when I'm mixing different colors," she says. "But that's what I prefer, to make something unique. The that I can't control is what makes the design interesting."
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