A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, the humble accent table takes on many forms: an iridescent I-beam, a rug-wrapped hexagon, and a charred-wood square with a hairy interior void.
Our first-ever From the Archives post, which looked back at William Sklaroff’s mid-century desk accessory set Radius One, dates back to November 10, 2009 — the very first day of Sight Unseen’s existence. But after that, the column pretty much petered out, partly because we didn’t have the time to research it properly and partly because, with millions upon millions of wonderful old things to potentially highlight, how could we ever choose just one? We’ve officially solved that problem today with the launch of our new and improved From the Archives series, in which designers and artists will do all the work for us: Each edition will invite a talent we admire to give a little history lesson on someone from the past who’s had a strong impact on their work. Our first subject is Brooklyn glassmaker Andrew O. Hughes, speaking about the California Light and Space sculptor DeWain Valentine (no holiday-themed pun intended).
Though we have a particular fondness for so many of the designers we’ve featured or worked with in the five years since Sight Unseen began, Huy Bui might be the only one who can lay claim to being both one of our favorite designers and the co-founder of one of our favorite New York restaurants. As the founder of Plant-In City — or what he calls architectural terrariums for “the 21st century” — Bui was one of the inaugural exhibitors at our Sight Unseen OFFSITE showcase last year. And as the designer and co-founder of the Lower East Side Vietnamese eatery An Choi, Bui’s provided the backdrop for many a late-night design date. So when Freunde von Freunden reached out with the opportunity to co-publish a story on Bui’s Brooklyn apartment and studio — complete with cameos by the designer’s sweet dog Loopy, one of the more popular attractions at OFFSITE last year — we jumped at the chance.
February: a month synonymous with diminishing New Year’s resolutions, potential polar vortices, and the world’s largest meet-up of Scandinavian furniture and lighting designs. Expectations for this year’s Stockholm Furniture Fair were higher than ever with positive winds sweeping through the industry (and Scandinavia in general, according to this week’s New Yorker). Although the Nordic vernacular for high-quality craftsmanship still prevailed, this year welcomed debate around experimental methods and their significance for contemporary design. From across both the larger halls and the Greenhouse display for independent designers, we’re highlighting some of our favorite products from the week here.
If you’re anything like us, the idea of receiving a big, overpriced bouquet on Valentine’s Day seems not only a little bit schmaltzy, but also a little bit of a waste, with all the amazing design objects out there your significant other could be spending his or her money on. Isn’t it more romantic or them to be so thoughtful as to gift you something you might really, actually want? With that in mind — and with a little nudge from our friends at Aether, whose strikingly minimalist Cone speaker we had on our own wish lists long before they reached out to us — we present the first ever Sight Unseen Valentine’s Day gift guide, featuring 11 items guaranteed to melt the heart of any design-lover in your life.
We had never heard of the photography husband-and-wife team of JR Doty and Joe Glasco — or the LA gallery CES — before this exhibition announcement arrived in our inbox today, but as soon as we saw the photos we were hooked. The two photographers began collaborating professionally back in 2013, and their current work draws from an archive of more than 40,000 images that were taken on a road trip across America over the last year. Doty and Glasco photographed specific locations, like Utah and California, because of their unique geological conditions. “The images represent the essence of nature with an emphasis on the phenomena of time as it affects the landscape’s topography, such as rippling water, striations of marble and the constant changing of landforms,” the press release reads.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: two groundbreakingly gorgeous ways to hang your clothes, two making-of videos featuring Misha Kahn and Rafael de Cardenas, and two of the hottest Mexican talents to come out of the Zona Maco art show.
We first caught sight of one of Daniel Steegmann Mangrané’s colorful curtains at Esther Schipper gallery’s booth at Frieze New York last year, where we couldn’t stop taking pictures of how nicely it framed the crowds rushing by on the other side. But we’d forgotten all about the Spanish-born, Brazilian-based artist until more of those curtains popped up on Sight Unseen contributor Su Wu’s blog I’m Revolting last week. Steegmann appears to have a very philosophically rich practice, full of meshes and grids and insect forms that reference Brazilian oil laborers and the writings of Roger Caillois, but the curtains, from what we can tell, are pure formalism, and the best kind — they completely transform your experience of a space. They curtains themselves are made from steel mesh and produced by a Spanish interiors company called KriskaDecor, but with geometric cutouts lined in laser-cut and powder-coated steel frames.