“It was running joke as a kid, that all I wanted to wear were cut-offs and T-shirts,” says Ilana Kohn. “My mom would buy them by the pack, and I would cut the sleeves and the neck.” Of course, Kohn is now known as the creator of a rabidly collected, Brooklyn-based, cult-favorite clothing line, so was fashion always the master plan? Sure, she was interested in clothes, she says, but her teenage self would be more than a little surprised at this turn. At 18, she says, she did not want to be a “fashion person,” intending rather to study fine art and spend her life of painting. But after high school — in a move that would appease parents who worried about her making a living — Kohn left her native Virginia for New York City to study illustration at Pratt.
When we first took notice of Los Angeles ceramicist Morgan Peck in 2012, it was because she had suddenly become ubiquitous in the concept-shop scene, with her vessels and abstract mini-sculptures popping up at all of our favorite places (Mociun, Totokaelo, Iko Iko). Now that she’s moved into an entirely new territory — the art world — with the opening of her solo show at LA’s Jancar Jones Gallery last week, we figured it was the perfect time to revisit her work. We asked Peck for her thoughts on her change of scenery, and how her sculptures have made the transition from shelf to plinth. “When Ava and Eric offered me the opportunity to have a show at Jancar Jones last February the first thing I thought was: Are you sure?” she says.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week we indulge our inner shopaholics with a new Norwegian emerging-design purveyor, three designer pop-ups in New York and LA, and a mini online shopping guide that includes a little something for the guys, too — chic Op-Art pocket squares.
Today we posted an interview with the up-and-coming Swedish designer Anny Wang, who we found when she posted her BA project to Instagram. But Akin, that slamdunk furniture collection, is only half the story: In school, when Wang was trying to teach herself how to digitally model in 3D, she had trouble with some of the more typical programs and found herself turning to a little-known software called Luxology Modo. “People use it primarily for animation, but I began to play with it and understood I could use it as a canvas to make pictures,” Wang says. We’re presenting the resulting 3D illustrations here today, which look like some sort of mash-up between the Tumblr visual culture of today and the Archizoom movement of the early 80s.
If you’re a design student, and you’re still on the fence about whether to join Instagram (do people like this exist?) here’s proof positive that you need an account, stat: Instagram is where we recently stumbled upon Anny Wang, a Swedish-born designer whose BA graduation project (above) blew us away but who cemented her visual artist bona fides with one of the most beautiful feeds we’ve ever seen. Wang grew up in a small town in Sweden and only this year completed her undergraduate studies, but we’re already keeping an eye on her. Her first collection, called Akin, hits on many of the current trends — iridescence, marble, copper, etc. — but seems timeless rather than trendy through her use of form and interesting material treatments. Read on for more about this young talent, and watch out world when she goes for her Master’s.
If you’ve never been to the Swiss version of Art Basel and Design Miami/Basel, what they say about it is pretty much true: If Miami’s overall vibe seems to put partying, relaxation, and hedonism first and serious business second, Basel is decidedly the other way around. Yes, people like Dasha Zhukova and Craig Robbins throw fancy dinners, and spending at least one night out until 4AM at certain local bars is a required rite, and the sales numbers are probably quite similar for both events, but being in Basel just feels different. For one, there’s no offsite scene to speak of, so you spend almost the whole time in massive halls that are jam-packed full of people, leaving no room to forget that you’re basically inside a shopping mall for the filthy rich. And the banks of the Rhine, pretty as they may be, are no South Beach. People wear more clothes in Basel. Everything is twice as expensive. If there’s one obvious advantage — for a journalist or casual observer — to attending Basel over Miami, it’s that you’re far less likely to be distracted by hangovers, pool parties, boozy brunches, and beach FOMO. You spend the entire day scrutinizing the actual work, and if you’re lucky, like we were, you come home with a camera full of satisfying discoveries.
There’s only one thing we love as much as exhibiting the work of our favorite designers, like we did with Syrette Lew of Moving Mountains this May at our Sight Unseen OFFSITE event. And that’s snooping around their studios, unearthing old sketches, and pleading with them to put killer side projects into production. Luckily for us (since we’ve been a bit flush with travel this summer) Refinery29 took care of Lew’s visit for us. A gorgeously photographed studio visit with the Hawaiian-born, Bushwick-based designer ran on the site yesterday, and we thought it only fitting to share a few of our favorite bits here. Check out a short excerpt from that piece after the jump, then scroll down to read the rest over at Refinery29!
If anyone needed proof this year that Scandinavia had quietly usurped London’s status as the world’s hottest contemporary design scene, it could be found at the Salone del Mobile in April, where the presentation that Danish brand Hay put on, complete with a pop-up shop and an utter madhouse of a cocktail party, was pretty much the talk of the town. It’s entirely thanks to the rise, in the past few years, of not just Hay but brands like Menu, Ferm Living, One Nordic, Muuto, Gubi, and Design House Stockholm, all of whom are working with emerging talents across the region. As we’ve watched the Nordic scene grow, we’ve managed to pay visits to Sweden (three times), Denmark (twice), and Finland (once, in the dead of winter, natch) — even to Iceland, for its DesignMarch festival three years ago. That left Norway as our personal holy grail, made doubly intimidating because of its famed reputation for being outrageously expensive. Two weeks ago, as you may have noticed on Instagram, we finally took the plunge.