Guest Editor Yoko Choy Explores the Work in Progress That is Chinese Design

Chinese design is still finding its way and is too diverse to be captured in a neat single identity. So while the global community may be eager to create a brand for this emerging body of work, defining it is still a work in progress. In the 15 years I’ve been working as a design journalist, I’ve been asked constantly, “What is Chinese Design”? I, too, have been asking myself that same question. And I feel that now I’m finally seeing an answer (or answers) and am proud to share my discoveries, some of which formed the basis for my guest-editor curation this week.

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10.10.11

What We Saw

At Beijing Design Week

When you live all the way around the globe, visiting China for the first time for any reason — even for work, even for an international design fair, even to a sprawling modern metropolis like Beijing — is going to be mostly about visiting China for the first time. The way the pollution shocks your system, the deliciousness of the food: These are the kinds of experiences you begin eagerly tracking the moment you leave the airport. It's no wonder, then, that I enjoyed Beijing Design Week so much — almost all of the work, whether international or Chinese in origin, was presented in ways that made you feel like you couldn't have been anywhere else.

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12.16.09

The Making of

Ten to One, by Sylvie Zijlmans & Hewald Jongenelis

It’s not so inconceivable that a painting or sculpture would take years to complete, accumulating layers of meaning as the artist played with contour or color. But a photograph? Dutch husband-and-wife duo Sylvie Zijlmans and Hewald Jongenelis spent nearly four years on Ten to One, a large-scale photograph on view now at Rotterdam’s Museum Boijmans Van Beuningen.

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