111416_Pelle_WEB_05

Two Former Architects on Finding Common Ground (In the Middle of Manhattan)

Some of Pelle's work belies their background in architecture — their Klemens mirror, for instance, stretches a thin mesh fabric over a structure that looks like scaffolding. More often than not, their work is organic and even whimsical, with their two best-known projects being a chandelier that daisy-chains bubble-like glass globes and their Soap Stones, for which they hand-carve dyed and fragranced glycerin soap into a gemlike shape. But all of their work speaks to the idea of finding common ground despite their differences.
More
Strauss Bourque-Lafrance

Strauss Bourque-Lafrance and the Deconstructed Domestic Space

Strauss Bourque-LaFrance’s work reflects a holistic approach to materials informed by the social function and status of objects as well as our relationship to them; the roles they play in our lives as symbols, signs, and totems. In Bourque-Lafrance's world, objects and paintings often get mixed up together with sculpture and interior design; his approach may be best summed up by his gallerist, Rachel Uffner, who calls it: “painting-in-the-expanded-field, painting-as-collage, painting-as-performance, and painting-as-sculpture.”
More
Rizom_1

Week of October 10, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week was all about where we'll be doing our fall shopping: at a cactus and ceramics pop-up in New York, at the upcoming sale of David Bowie's Memphis trove (we wish), and at a handful of great new stores, including the achingly hip Seattle boutique Rizom, pictured above.
More
Natalie Weinberger ceramics

The Dusky, Sophisticated Beauty of Natalie Weinberger’s Ceramics

Natalie Weinberger’s ceramics draw you in with their dusky beauty while a sense of mystery keeps you looking. Her pieces have the stillness of arrested movement; they seem both captured in time but not limited by any one moment, nodding to pottery’s long history, but also feeling oh so current. Or, as she puts it: “I love a good remix.”
More
L+L_2016_lookbook_Candles_C_1

From Light & Ladder, Sculptural Objects for Every Room in Your House

Brooklyn designer Farrah Sit may have left behind a career in the fashion world long ago, but the lessons from her time there still bear a mark. Her work — both for her eponymous furniture line and for her home accessories brand Light & Ladder — has always focused on creating sculptural volumes that shift and change according to the viewer's perspective, just like a garment. Her latest homeware collection for Light & Ladder is no different — a series of sculptural planters, candleholders, vases, mugs, and trinket boxes so lovely and different they nearly transcend those categories.
More
Bower American Design

Bower On Becoming One of the Hottest Studios in American Design

Bower's products and furniture always feel just right for the moment in which they're made, somehow ahead of what's current but not so trendy that they'll soon fall out of fashion. That these sophisticated harbingers are made from an enormous Brooklyn woodshop with no A/C seems about right when you meet them.
More
Calico Wallpaper's Red Hook Loft: A Brooklyn Home Tour

Calico Wallpaper’s Envy-Inducing Airy Red Hook Loft

In hindsight, it feels almost like fate that Nick and Rachel Cope would end up in the sprawling, historic Red Hook loft they now call home. After all, where else in New York City could they have found the room to showcase not one but six of the wallpaper collections they've created since 2012 as partners in the Brooklyn-based Calico?
More
Brooklyn furniture studio Uhuru Tack

A Brooklyn Furniture Studio Goes Minimal in Geometric Steel

When we first featured the Brooklyn design-build studio Uhuru, back in 2010, they were known for creating imaginative furniture collections out of salvaged materials, but their newest collection feels like a leap in a whole new direction. After finding success last year with a geometric blackened-steel console called Tack, they've expanded the series to include stools and end tables that would make Donald Judd proud.
More
Alissa Wagner Dimes

Surprise, Surprise: The Brooklyn Home of Dimes’s Chef is As Gorgeous As Her Food

If you’re not quite sure how a chef like Alissa Wagner fits into Sight Unseen’s usual focus on design and visual art, then you’ve probably never been to Dimes, the restaurant she opened with her longtime friend Sabrina De Sousa in 2013. The pioneer of a new apex of cool on East Canal Street in Manhattan, Dimes sells Cassie Griffin pottery and edible fragrances by Regime des Fleurs, and serves diners bowls of rainbow-colored food on tables inspired by Matisse cut-outs. Some people go because it’s a scene, and because the design vibe is right, but most go because those bowls — filled with things like kale gomae, wild sumac stems, and mejadra — are visual art in just about any sense of the word.
More
Jesse Moretti at Patrick Parrish

A New Series of Pastel Paintings, Inspired by Floridian Hues

In her colorful, line-driven work, Brooklyn artist Jesse Moretti has always explored the space between flatness and dimensionality, and the visual tricks one might use to create a bridge between the two. Her newest body of work, called FOAME — on view through Sunday at Patrick Parrish Gallery in New York — does so quite literally: In many of her paintings, Moretti employs a shadowy line that creates the illusion of a canyon carved into the wood — or, perhaps, like an X-acto knife cut into foam.
More
Metz027

For Brooklyn Artist Landon Metz, Painting Takes on a New Dimension

Surprising elements — from a Duchamp readymade and postmodern tables to avant-garde music and architecture — are the seedlings with which 30-year-old Landon Metz sows his artistic philosophy. For Metz, whose studio resides in Bushwick, these are all materials that belong to the same creative ecosystem. They also provide fertile ground for his spare, lighter-than-air paintings, which tend toward the biomorphic and richly hued repeating patterns. His latest exhibition, open now through April 9th at Paul Kasmin Gallery in New York, centers around Metz’s affinity for the work of Color Field painter Morris Louis, one of the movement’s central figures.
More