Fort Standard’s Gregory Buntain on his Tombstone Chairs

From an outside perspective, the Brooklyn furniture-design studio Fort Standard exudes the aura of a successful business with a clear DNA. Yet that wasn't always the case: When co-founders Ian Collings and Greg Buntain first joined forces in 2011, after graduating together from Pratt, they had no idea what direction to take — they simply dove headlong into the making process. “We had one goal: to do our own thing,” Buntain said in a recent interview. Their stock may have risen since then, but behind the scenes, the pair still make an effort to keep things loose; to maintain a sense of discovery in their shared practice, they both do separate solo work on the side, little personal experiments and objects they create for their own homes. Occasionally these prototypes are developed into Fort Standard products, but most of the time they go unseen, as was the case for Buntain's marble Tombstone chairs before we spotted them on Instagram. When we approached the designer to ask him if we could share them with you in the interview after the jump, it turned out he had a home full of personal pieces he'd made but also never shared with the public, which he was kind enough to walk us through in the second half of this story.
More

Otto Knits

Despite a BFA from Parsons, Roula Nassar sees her grandfather as the biggest influence in her design education. "He was an engineer by trade, but he was also a self taught sculptor and photographer. If something interested him he would take it upon himself to figure out how to do it, in his own way. I really identify with that approach — working outside of a system or industry to conceive things in a singular way." You can certainly see his legacy in Nassar's multi-disciplinary studio Otto. Based in Brooklyn, Otto has an output ranging from photography, through books and film, to the three dimensional: knitwear and a currently-in-progress resin bowl.
More

Visibility, Product Designers

Sina Sohrab was born in Tehran and raised in Detroit; Joseph Guerra is a native Los Angeleno who grew up outside Atlanta. Yet when the pair met as undergrads at RISD, their backgrounds turned out to be their most influential commonality: "There was this emphasis in both our families on earning your possessions and respecting them — it's something we really connected on," recalls Sohrab. "Joey’s dad, for example, had this idea that he wanted all of his possessions to reference an older possession he'd had at another point in his life. This timeline of objects and the idea of emotional value became really important to us." Upon graduating in 2012, the duo knew they wanted to team up; Sohrab moved to New York and took a job at Bec Brittain studio, while Guerra spent six months in Europe working for Industrial Facility and Big-Game before joining him. They're now hunkered down in Brooklyn preparing to launch their first collaborative collection during ICFF in May, under the name Visibility.
More

Week of February 10, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: sculptures made from deconstructed window blinds and laminate floors, a book on vintage corporate identity design manuals, a series of fake Cuban shop windows (pictured above), and the most excitement we've ever experienced over a bar of soap.
More

Eskayel’s Watercolor-Like New Wallpaper Collection

You know those Instagram feeds where it seems like the person is always off on some fantastic holiday in a remote locale? In our feed, that person is Shanan Campanaro, the multitalented artist and designer behind Eskayel. The San Diego native calls Brooklyn home, but in the past year, she's been to Bali, Belize, Nicaragua, Vail... the list goes on. But in Campanaro's case, all that travel isn't necessarily just for fun — it provides inspiration as well for the watercolors that will eventually become bleached, beautiful patterns for her wallpapers and fabrics. Eskayel's newest collection, which we're featuring today, is called “Jangala” which means jungle in Sanskrit. The new collection is a bit of a departure from her signature aesthetic, in that some of the colorways are more highly saturated than in the past, but the effect is the same. We love these styled shots Campanaro shared with us, with their overflowing greenery and little totems picked up on travel — not to mention their cute product loans from Rich Brilliant Willing! See more of our favorites after the jum, and then go to Eskayel's site to view the full collection.
More

Slag Glas Bookends From Bazazas

Thanks to the power of e-commerce, quite a few creatives have felt inspired lately to open small, tightly curated shops featuring weird and wonderful small-batch objects by young makers (see also: Handjob Gallery Store). The newest is Bazazas, founded by the designers Scarlett Boulting of opus and Mary Voorhees Meehan. They've assembled a quirky yet sophisticated selection of objects by folks like Études Studio, ceramicist Giselle Hicks, and jewelry designer Sandra Russell, but our favorite offering is no doubt this in-house series of Slag Glas Bookends.
More

Constantin Boym at UrbanGlass

For anyone like us who "grew up," professionally speaking, in the New York design world in the last few decades, it was always with a sense of awareness of and deference to the scene's elder statesmen. Constantin and Laurene Boym, for example, set up Boym Partners back in 1986, and by the time we started circulating in 2005, they still felt markedly omnipresent, both critically and physically speaking. We suppose that's why it felt so surprising when these New York stalwarts up and left town in 2010, after Constantin accepted a two-year tenure as director of graduate design studies at Virginia Commonwealth University in Qatar. They disappeared from New York design events, parties, exhibitions, and talks, only occasionally sending dispatches to their mailing list about life on the other side of the globe. They returned to New York a year ago, but we hadn't really heard from them until now — with the launch of Constantin's new exhibition at Brooklyn's UrbanGlass, "Learning From the East," which opens this Saturday.
More

Week of January 13, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: vintage Brooklyn hipster interiors, shelves inspired by Venetian bridges, a new website for Josef and Anni Albers, Sottsass Bacterio bookends (above), and more.
More

Ryan Lauderdale, Artist

Ryan Lauderdale is a Brooklyn-based artist who was born in Cushing, Oklahoma, and graduated from Hunter College in 2012 with an MFA in Combined Media. It's fitting that we discovered him on Pinterest, as his thesis project dealt with the way parts of culture and history get presented, remixed, and diluted online.
More

Kay Wang, The Things We Keep

If you only knew Kay Wang through her Instagram — and chances are you might, considering her 33,000 followers — you wouldn’t necessarily immediately know what she does for a living. She could easily be a baker, a stylist, a ceramicist, or a woodworker; in December alone, she posted pictures from her Bed-Stuy, Brooklyn, apartment of the frangipane tart she’d baked, the cherry cutting boards she’d sanded and oiled, the canvas bags she’d dyed with onion skin, and the silk cord necklaces she’d strung with hand-carved brass pendants. (And you’d certainly never guess that she spent nine years before moving to Brooklyn as an online marketer in Los Angeles and Seattle.) What she is, very clearly, is a restless creative spirit; so much so that even though her main focus right now is as a jewelry designer who crafts under the moniker The Things We Keep, she has trouble pinning herself with a specific label.
More

Of-The-Moment Ceramics — And Mushrooms? — At a New Brooklyn Pop-Up

Since it opened in the summer of 2012, Frank Traynor’s Perfect Nothing Catalog — an ice shack–turned-shop that its owner transplanted from upstate New York to Brooklyn — has already relocated twice: from its original home in a Greenpoint garden to the backyard of a gallery in Bushwick, and, very briefly this summer, to a subway platform in Williamsburg. That particular pitstop, set up outside a more permanent subway retail outlet called The Newsstand, was a show called Behind Flamingo Plaza. “It was named after my high-school hangout, an all thrift-store strip mall in Miami — a very formative space for my aesthetic and a vibe I wanted to honor,” explains Traynor.
More

Material Material, by Doug Johnston & Debbie Carlos

The practice of two artists collaborating by mail is nothing new; after all, that’s how Peter Shire communicated ideas to his Memphis colleagues back in 1980s Milan and how Alex Segreti and Kelly Rakowski of New Friends got their start (with the former in Philly and the latter in New York.) But what happens when you elevate that practice to something more like a parlor game? We here at Sight Unseen had been wondering that ourselves, which is why we were especially tickled when we found out that Debbie Carlos and Doug Johnston — two of our favorites — had recently happened upon the exact same idea.
More