Brooklyn brownstone Sharktooth

The Brooklyn Brownstone of Sit + Read’s Kyle Garner and Sharktooth’s Kellen Tucker

Kyle Garner and Kellen Tucker may do magazine-level work for clients, but when it comes to their own two-floor brownstone in Brooklyn’s Bed-Stuy neighborhood, it’s barely about looks at all. “The driving force is comfort,” says Tucker, who deals antique textiles through her shop Sharktooth. “If you close your eyes and walk into this house, does it feel good?” Garner, the furniture dealer and designer behind Sit + Read, agrees: “We prioritize the feeling over the aesthetic,” he says.
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HUYS GYM ASSISTANT JOSH

Tureens, Totems, & Tables: What’s Next for Workaday Handmade

When we think of ceramicists at work, we often conjure romantic visions of noble artisans wearing clay-streaked aprons and strenuously channeling their artistic magic behind a potter’s wheel. Which is mostly true, to a point, and yet — what happens once that noble artisan also has to figure out how to run a thriving, growing business? To find out, we visited the Brooklyn studio of the hugely successful Forrest Lewinger (aka Workaday Handmade) with photographer Paul Barbera.
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Caracara(forweb)

Bryan Metzdorf’s Sunday Morning Sketches

If you're a creative who's ever had a day job, you will no doubt understand the plight of Bryan Metzdorf, the full-time Urban Outfitters set-builder who, despite also doing freelance projects on the side for brands like Areaware and The Greats, still can't help but spend his Sundays at home working — on the weekly collage series he posts on Instagram with the hashtag "#sundaymorningsketches."
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Studio Cofield Emerging Designers

Brooklyn’s Cofield Is Scaling Up

Though Sara Ebert and Jason Pfaeffle studied in the same industrial design program at Pratt, it wasn’t until they started working together on a post-grad project for West Elm that a partnership developed. As they started spending more time together, they would often ask each other’s opinion on personal projects. They soon realized they shared a creative point of view; love blossomed and their design studio Cofield was formed.
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Junpei Inoue

Junpei Inoue’s Technicolor Wall Hangings

Being multi-taskers ourselves, we have nothing but admiration for people like Junpei Inoue — not only does he split his time between Brooklyn and Tokyo, he spends his days toggling between running and designing an art magazine, designing websites and logos for other people, and creating illustrations for textiles and fashion. Not such a stretch —until you consider his art practice as well, in which he creates intricate yarn-based wall hangings that are dyed using careful applications of acrylic paint.
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Group Partner's Boob Pots

The Brooklyn Ceramicist Behind the Insanely Popular “Boob Pots”

Even with its door wide open, Isaac Nichols’s Greenpoint studio is easy to miss. Walk past, look around, turn back, and there it is, tucked inside a cavernous, garage-like space that’s served as a creative home base for Nichols (who works under the name Group Partner) and a wide circle of artist friends for the past two years. The studio, unassuming from the outside, hums within: music plays; the stretch and tear of packing tape is constant. All around, laid out on makeshift surfaces and shelves, are Nichols’s signature pieces in varying stages of completion: ceramic pots molded to mimic breasts, each adorned in a hand-painted outfit, and his famous face pots, each with one of three appointed names: Adam, Rory, or Pat.
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LGxRS_4066

Ladies & Gentlemen and Robin Stein Team Up on a Still Life Inspired by Moholy-Nagy, Not Memphis

You know all those contemporary still-life clichés, like pastel backgrounds, cactuses, and Sottsass-approved geometric shapes? When New York photographer Robin Stein recently teamed up with Brooklyn design studio Ladies & Gentlemen for a studio visit (coming soon) and impromptu creative photo shoot (pictured after the jump), the longtime friends decided to toss all those ubiquitous tropes out the window and do something different.
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toddstjohn_opener

Designer, Artist, and Animator Todd St. John

Todd St. John launched a stand-out furniture line this spring, but “I do a lot of animation, illustration, and narrative work,” says the designer, whose background is in graphic design, and whose clients have included The New York Times, Prius, Nickelodeon, Pilgrim Surf Supply, and MTV. “So I’m often experimenting with and developing new characters. There are tests around here everywhere.”
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vitelio_opener

Week of October 26, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a chance to own your very own piece of design history, a renovation that knocked our socks off, and lots of the color blue, including the vessel pictured above.
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Egyptian-Themed Housewares by Beech Hall

Beech Hall, a new online shop based half in Brooklyn and half in Philadelphia, has a simple yet unconventional concept: to offer a line of jewelry, housewares, and ceramics based around a single, strong theme and design language, then change that theme from season to season. First up: Egypt.
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HUYS GYM ASSISTANT JOSH

Sight Unseen, in Williamsburg, Brooklyn

Last month, when the watch brand Mondaine asked for a peek into a day in the life of a Sight Unseen editor, I dragged our trusty photographer Paul Barbera all around the Brooklyn enclave popping in on our friends and shooting future studio visits for the site, from Workaday Handmade to Confettisystem.
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Mast Brothers Creative Director Nathan Warkentin

The Influences of Mast Brothers Creative Director Nathan Warkentin

Nathan Warkentin has been driving Mast Brothers's creative direction for the past three years, nudging it away from its original Brooklyn aesthetic and towards something more relevant. “In the beginning everything was a little old-timey, with a lot of classic or nautical patterns,” says Warkentin, whose influences we’re profiling today. “I started looking for inspiration in interesting art and architecture movements, and the work of current textile and pattern designers, to make it feel more contemporary.”
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