What are your three favorite pieces of his, and why? "He has several sculptures called Diamond Columns from the 1970s that are all amazing and are my biggest inspirations. I think they're the most inspiring in how they emphasize form devolving into color and our perception of it. When you see a photo of them you don't see a shape, you see color, light — the ephemera. The shape is unimportant, to me; it's all about the color and how it disappears."

Andrew O. Hughes on DeWain Valentine

Our first-ever From the Archives post, which looked back at William Sklaroff's mid-century desk accessory set Radius One, dates back to November 10, 2009 — the very first day of Sight Unseen's existence. But after that, the column pretty much petered out, partly because we didn't have the time to research it properly and partly because, with millions upon millions of wonderful old things to potentially highlight, how could we ever choose just one? We've officially solved that problem today with the launch of our new and improved From the Archives series, in which designers and artists will do all the work for us: Each edition will invite a talent we admire to give a little history lesson on someone from the past who's had a strong impact on their work. Our first subject is Brooklyn glassmaker Andrew O. Hughes, speaking about the California Light and Space sculptor DeWain Valentine (no holiday-themed pun intended).
Freunde-von-Freunden-Huy-Bui004 copy

Huy Bui on Freunde Von Freunden

Though we have a particular fondness for so many of the designers we've featured or worked with in the five years since Sight Unseen began, Huy Bui might be the only one who can lay claim to being both one of our favorite designers and the co-founder of one of our favorite New York restaurants. As the founder of Plant-In City — or what he calls architectural terrariums for "the 21st century" — Bui was one of the inaugural exhibitors at our Sight Unseen OFFSITE showcase last year. And as the designer and co-founder of the Lower East Side Vietnamese eatery An Choi, Bui's provided the backdrop for many a late-night design date. So when Freunde von Freunden reached out with the opportunity to co-publish a story on Bui's Brooklyn apartment and studio — complete with cameos by the designer's sweet dog Loopy, one of the more popular attractions at OFFSITE last year — we jumped at the chance.
As seen on Ellen's Design Challenge, designer Katie Stout's piece was the first to be evaluted by the panel of experts at the end of the first challenge. For this week, the designers had to create a unique and functional piece from materials contained in six identical crates. With her carpenter Karl Champley's help, Katie built a sideboard/cabinet made of steel, walnut and acrylic. (After)

To Star on Ellen’s Design Challenge

If the weirdness of Ellen Degeneres starting her own Project Runway–style furniture-design reality show didn't fully strike me when I first heard about it, a couple of months back, it definitely hit home shortly after the show first aired on HGTV last Monday night, when I got the following text from my mom: Do you know any of the designers on Ellen's Design Challenge? The weirdest part of all, of course, was that I did: Katie Stout, one of Sight Unseen's inaugural American Design Hot List picks and the winner of our own erstwhile design competition (our 2013 pumpkin-carving contest), is one of the show's six contestants. After watching the first episode myself, in which Stout introduces mainstream America to the squiggly cabinet above, we knew we had to get the full story from the designer. “It was really surreal,” she says of the experience.

Recreation Center’s Ceramics

There's a kind of genius in the way that Josephine Heilpern runs her ceramics studio, Recreation Center. Maybe not in the fact that she does everything — from designing to fabricating to filling orders — 100% on her own, with no help, running herself perpetually (yet gleefully) ragged, but more in how she knows exactly when to keep things simple versus when to let her imagination run wild. In the three years since she's been making the mugs, lamps, and mobiles we've been fortunate enough to stock in our online shop, she's barely changed her design formula, hewing to basic shapes and consistent patterns that resist becoming tiresome with daily use, yet on her site and her popular Instagram feed, she markets those objects with all the visual pizzazz of a 28-year-old raised on internet culture. When we invited her to shoot some of her creations exclusively for Sight Unseen, she turned up the styling charm, busting out the dollar-store props and studio scraps to bring her aesthetic vision to life.

Maryanne Moodie, Brooklyn Textile Artist

There are few people who get the opportunity to uproot, relocate, and be instantaneously welcomed by a community of powerful and creative women. But Maryanne Moodie — the Melbourne, Australia native who settled in Brooklyn last year after her husband got a job a Etsy — did just that. Since arriving, she says, “I’ve been able to meet and forge fast friendships with so many amazing textile ladies — inspirational women who are creative as well as business focused. I’ve had the chance to collaborate professionally with them — as well as down a few glasses of wine over plans for world domination.”
BROOKLYN, NY - NOVEMBER 20:  General view of atmosphere during Sight Unseen's 5th Anniversary Dance Party Sponsored By BOMBAY SAPPHIRE Gin at The McCarren Hotel on November 20, 2014 in Brooklyn, New York.  (Photo by Andrew Toth/Getty Images for BOMBAY SAPPHIRE Gin)

Our 5th Anniversary Party

Two weeks ago, Sight Unseen celebrated our 5th anniversary with a post full of birthday cards made for us by our favorite designers and readers. But we couldn't possibly mark such a momentous occasion with a web post alone — we had to throw a party, of course! Last Thursday night, we gathered 200 of our closest friends and clients together at the stunning roof bar of the McCarren Hotel & Pool in Williamsburg, Brooklyn, where we sipped Bombay Sapphire cocktails, danced to music spun by DJs Kyle Garner and Jon Santos under a piñata by Confettisystem, tossed around pool-toy dance props crafted by Misha Kahn, and ate adorable hand-shaped cookies and a golden birthday cake baked by Fredericks & Mae. There were even custom zig-zaggy funhouse mirrors by Chiaozza on hand to freak us out once we got tipsy. It was a memorable night for all involved, and we're grateful to our partners at Bombay Sapphire and Chelsea Hotels for helping to make it happen. It's definitely going to be hard to top come 2019!
At Egg Collective's Brooklyn studio, you'll find not only a sampling of furniture from their own collection but also art pieces by friends and loved ones. This photograph, above Egg's Francis Desk and Densen Dining Chair, is by Crystal's sister, Chicago-based photographer Tealia Ellis-Ritter. "It’s been our goal since we started to offer artists the ability to show their work in an unconventional venue, and also it helps us," says Hillary. "We’re trying to create a more well-rounded setting for our work instead of always photographing a simple product shot."

Egg Collective, Furniture Designers

When Egg Collective launched their debut furniture collection at ICFF in 2012 — snagging a Best New Designer award in the process — they seemed to the design world to have come out of nowhere. And in fact, though the three — Stephanie Beamer, Crystal Ellis, and Hillary Petrie — met and began collaborating as 18-year-old freshmen at Washington University's architecture school more than a decade ago, the truth is they had formally joined forces and had begun crafting an ICFF plan only six months earlier. "I remember the three of us sitting outside the Javits Center in our Budget truck, about to move in furniture that we’d been working on with no one having seen for six months," says Beamer. "I was like, you guys, this is it. People could just walk by us the entire fair. But thankfully we seem to have struck a chord and the work resonated."

Week of November 3, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, old meets new with the resurgence of Op-Art and a 1950s desk lamp, a(nother) Franz West show, and of course, the usual smattering of new work by young talents, including the latest collection from Brooklyn weaving duo New Friends (above).

Heddle & Needle

Before she got hooked on weaving, Rachel Gottesman was both a painter and a jewelry-maker, and the influence of those preoccupations is wonderfully obvious in her small-scale textiles, which she creates under the name Heddle & Needle. Gottesman treats each small weaving as a tiny canvas on which to work out ideas about things like color, composition, linearity, topography, and adornment. Formerly a director of artist relations at Threadless in Chicago, Gottesman moved back to New York about a year ago, and in the short time since she discovered her affinity for the medium, she's made weavings that incorporate grids, geometrics, hieroglyphs, brass charms — even tiny squares made to look like Boucherouite rugs. The weavings are small – usually no more than a foot wide and two feet long, though she has plans to go big — and accessibly priced, which is why we immediately looked her up when we needed someone to create a textile series for our recent pop-up at Space Ninety 8. At the same time, we thought it was the perfect time to get to know her a little bit better on the site.
If you don’t have the fortitude to build your own Sculpey mobile, of course, you can always purchase one of Fort Makers’ existing wooden mobile designs in the studio’s online shop.

Make a Sculpey Mobile, With Fort Makers

The team behind Fort Makers don’t refer to themselves as a design studio but rather an “artist collective,” and there’s a marked difference: They make functional objects, but instead of producing a stream of products with a unified aesthetic, they each work individually under the studio umbrella, experimenting with whatever interests them at any given time. In a way, it’s that same sense of structureless structure that first attracted Noah Spencer to the idea of making mobiles: You can hang pretty much anything from them, as long as you get the balance right. “Any kind of visual language can be carried into the mobile world,” says Spencer, a Paul Loebach and Uhuru Design alum who co-founded Fort Makers in 2008. While he primarily makes models hung with simple wooden shapes, he’s also been toying around lately with more expressive elements made from polymer clay (aka Sculpey), a method he graciously offered to teach Sight Unseen readers in this tutorial.

Romy Northover, Ceramicist

Ten years ago, Romy Northover was a student at Goldsmith College, an incredibly conceptual art school in London that she found to be grueling. “I’m a kinesthetic learner,” says the now Brooklyn-based ceramicist. “I figure things out by doing them, not just by thinking about them. I’m not an intellectual; it’s more experiential for me. But those were important years because they got me to where I am now.”
brener_image 2

Amy Brener, artist

Brooklyn-based artist Amy Brener is all about excavating the technological artifact in her large, translucent, crystal-like sculptures. Each standing the height of an average-sized human, the totems are like some colossal peer of Thaddeus Wolfe’s ongoing Assemblage Series. Into these cast resin and concrete monoliths, Brener fossilizes decade-old Nokia phones, Fresnel lenses, and gypsum; once the cast dries, she chisels away, cracking sheets of plastic and remnants of our recent technological past, revealing sculptures that resemble the natural and the geological. The structures stand bright and vertical, weighted in a mix of familiar earthy rock formations and distant ideas of the supernatural. As Brener notes, “My pieces are artifacts from an imagined future.” Enjoy a small selection of our favorites after the jump.