YIN YANG TABLE by CARLY JO MORGAN2

Symbols, Snakes, and Spirituality in a New Collection of Terrazzo Furniture

Carly Jo Morgan's debut furniture collection, which includes the Yin Yang Table (twin surfaces in pink and black, enhanced with brass inlay), the Cozy Club Chair (with optional sheepskin), and the zig-zagging Serpentine Heart Song Lamp, was unveiled at the new Los Angeles gallery Not So General on April 20th. Today, Morgan shares her thoughts on transformation, her toughest critic, the satisfaction of “deep” sisterhood, and faking it until you make it.
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Fisher Parrish The Paperweight Show

At a New Brooklyn Gallery, The Paperweight is Anything But Obsolete

If there's anyone who knows from paperweights, it's New York gallerists Patrick Parrish and Zoe Fisher. The two began working together when Fisher — who at the time was helming her own fledgling gallery — began working for Parrish at his Tribeca space, which not only sells vintage examples of those sculptural objects but also boasts a well-documented obsession with Carl Aubock (perhaps king of all paperweight-makers). So it makes sense that when Fisher and Parrish finally decided to go into business together, they would choose the paperweight as their first canvas.
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In Milan, Luxury Objects Inspired by Industrial Parts

To kick off the Milan Furniture Fair — where we'll be reporting from week — we have to talk about a favorite exhibition organized by NOV Gallery, the Swiss-based gallery who last year produced one of our favorite things in Milan. This year, rather than luxury, designers are exploring the theme of The New Readymade, so-named for the Duchamp term that's become widely adopted by artists to describe work derived from existing industrial parts.
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Soft Baroque furniture inspired by Photoshop

Soft Baroque’s New Furniture Collection is Inspired by Photoshop

Called Hard Round, Soft Baroque's new series is about manifesting something physical from a purely digital realm — in this case, a series of sculptural furniture pieces constructed from lines derived from the Photoshop "hard round" brush tool. The "worms," as they're called, have been transformed from digital sketches into a series of charmingly lumpy wood, marble, or aluminum pieces that range from vases to shelving.
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Design and Art Are More Connected Than Ever at New York’s Newest Gallery

Whither Johnson Trading Gallery? The New York design gallery — which in its heyday introduced an American audience to the work of contemporary designers like Max Lamb, Kwangho Lee, Katie Stout, Aranda/Lasch, and more (not to mention Rafael de Cárdenas's epic first furniture collection) — had been relatively quiet of late. Now we know why: Earlier this month, it was announced that while JTG will continue selling vintage work, the contemporary artists in their stable will be absorbed into a new program at one of our favorite art galleries, Salon 94.
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Faye Toogood Friedman Benda

At Friedman Benda, Faye Toogood Channels Her Spiritual and Earthly Instincts

Since showing her first ​Assemblage​ furniture collection back in 2010, British designer Faye Toogood has evolved the series, adding pieces in new materials to each subsequent collection — from sycamore and stone, to resin and steel, to patinated brass and wire mesh, to fiberglass and plaster. Her latest range, ​Assemblage 5​, on show at Friedman Benda in New York in the designer's first solo U.S. exhibition, is inspired by spiritual objects but bound by her signature balance of elemental materials, invoking a strong sense of ritual and permanence.
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Pettersen & Hein at Etage Projects

The Tinted, Tiled Concrete Floor We’re Coveting (And an A+ Collection of Art Objects to Boot)

“We shape our furniture, and afterwards the furniture shapes us.” This is the guiding principle behind Pettersen & Hein’s exhibition Home at Etage Projects, a reimagining of utilitarian design objects as art. Lea Hein and Magnus Pettersen (whose Flat Hat Man is one of our favorite finds from this year’s Stockholm Design Week) are the duo behind the work, which examines the hierarchy of functioning and nonfunctioning objects in the context of the home.
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Tomas Alonso at Victor Hunt

This May Be the Coolest Furniture Collection We’ve Ever Seen

The Vaalbeek Project, new suite of furniture by one of our longtime favorite designers, Tomás Alonso, for the Belgian gallery Victor Hunt, is a teaser for an interior Alonso is working on in Belgium, to be completed next spring. It includes new editions of some older designs — such as that insanely chic, stackable rose and green marble coffee table from 2014 — but each piece feels like an instant classic.
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Anders Ruhwald in PIN-UP No. 18

In the lull between Milan and the frenzy of New York design week, it's easy to become a bit myopic about what's going on elsewhere in the design world. But we'd be remiss if we didn't point out an exhibition happening right now with one of most fascinating concepts we've ever come across: At Chicago's Volume Gallery last week, the Detroit ceramicist Anders Ruhwald opened "The Charred Room," an exhibition that explores "the aftermath of a fire – objects as they should be, recognizable to an extent in shape and position in relation to one another – but charred. Slumped, melted and morphed the objects lose their direct references that create comfort, leaving the viewer with renderings of domestic detritus vaguely familiar." We had the pleasure of speaking with Ruhwald about the lead-up and the process behind that exhibition earlier this year, on assignment for PIN-UP, and with the magazine's permission, we're excerpting that story here today.
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