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08.02.22

Interiors

Armel Soyer’s New Showroom is a Rustic French Fantasy

The showroom is laid out like a home, using the terracotta floor tiles, exposed ceiling beams, and iron handrails as a backdrop for its inaugural exhibition: Design at the Summit, which follows a theme first used by Armel Soyer in Megève three years previous. This second edition brings together a wide variety of the gallery’s clients, with furniture, artwork and sculpture spread across the different rooms as if someone with immaculate taste (and a fairly sizable budget) lives there amongst the collection.
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05.20.22

Excerpt: Exhibition

Haos’s Steel and Plywood Collection is a Coolly Elevated Take on Minimalism

Haos's Sophie Gelinet and Cedric Gepner recently relocated from Paris to Lisbon, where they've opened a larger studio and workshop where they can make work on-site. But rather than take their practice to the furthest experimental reaches just because they can, they've instead created a pared-down, rigorous framework for their fourth collection, taking cues from traditional Japanese architecture, 20th-century Modernism, and the Dogme 95 movement, which sought to distill filmmaking to its essence by rejecting special effects and gimmicks.
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Aaron Poritz sculptural wood furniture
04.12.22

Q+A

Aaron Poritz’s Henry Moore–Inspired Sculptural Wood Furniture is Next Level

Aaron Poritz's latest furniture collection — Big Woods, currently on show at Cristina Grajales Gallery in New York City — is both a fond look back at his childhood spent in the forests of Massachusetts, and an evolution of years spent working with, learning about, and appreciating the material for its visual, tactile, and workable qualities. His odyssey began in Nicaragua in 2012, where a chance encounter with an exporter of hurricane-felled trees resulted in the creation of his first range of wooden furniture. Focused on joinery techniques and traditional Danish shapes, and informed by his background in architecture, however, the designer’s initial work is miles apart the Henry Moore-influenced soft curves, organic shapes, and bulbous protrusions of the sculptural designs he’s currently exhibiting. 
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02.07.22

Excerpt: Exhibition

At Barber Osgerby’s Galerie Kreo Exhibition, An Exploration of the Artisanal and the Industrial

Though the London-based studio Barber Osgerby first started working with Galerie Kreo more than half a decade ago, with their monolithic, shinto shrine–inspired Hakone collection of tables, last month marked their debut as a solo exhibitor. In a show called Signal, on view until April 16, the London duo finally gets to show off their impeccable color sense, which has always seemed a natural fit with Galerie Kreo's aesthetic.
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10.18.21

Excerpt: Exhibition

Sean Gerstley is Playing With Scale at New York’s Tiniest New Design Gallery

When we first started writing about ceramic furniture back in 2014 — first with Chris Wolston's terracotta chairs, then on through to Eny Lee Parker, Kelsie Rudolph, Floris Wubben, Virginia Sin, BZIPPY, and more — we had no idea we would end up here: in Superhouse's new, 100 sq.ft. vitrine/gallery on the second floor of a Chinatown mall, filled to bursting with more than a dozen such works by the young designer Sean Gerstley, whose process and aesthetic we can only describe as simply thrilling.
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Vit Cimbura postmodern clocks
07.15.21

From the Archives

These Playful Postmodern Clocks and Their Late Designer, Vit Cimbura, Are Finally Getting Their Due

Earlier this year, a somewhat forgotten Postmodern designer named Vít Cimbura died. A member of the iconic Postmodern group Atika, Cimbura decided at the end of the 1980s to channel his criticism of Communism through a series of experimental Postmodern creations that balanced on the edge of kitsch. The Prague-based gallery, Okolo, pays tribute to Cimbura’s work this month in an exhibition of clocks, which formed an important part of his life's work.
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03.04.21

Excerpt: Exhibition

Meet UNNO, the New Online Gallery Championing Latin American Design

UNNO, a new online-only gallery from architect Laura Abe Vettoretti and interior designer Maria Dolores, is making the most of the situation after plans to open a physical gallery in Milan last year were put on hold. Their mission, they tell us, is to introduce the richly varied landscape of Latin American design to collectors across the globe, spurred on by the region’s fertile mix of craft tradition and yet-to-be-discovered crop of contemporary designers.
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11.18.19

Travel

We’re Kicking Off Mexico City Week on Sight Unseen with Our Definitive Mexico City Travel Guide

Mexico City is a major cultural capital, with a thriving design, art, and culinary scene that’s home to some of the most exciting creative talents we know. Starting today — and thanks to the generous support of Tequila Don Julio — we’re devoting five full days to spotlighting them. Welcome to Mexico City Week, which we're kicking off with Sight Unseen’s official guide to our favorite design stores, restaurants, art galleries, flea markets, and more.
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08.07.19

Excerpt: Exhibition

A New Show Takes Inspiration From the Same Idea That Drove Duchamp and the Dadaists

For Hilda Hellström’s latest exhibition at Étage Projects, opening this Friday, the Swedish-born, Copenhagen-based artist looked to a rather unusual source for inspiration: a semi-obscure literary idea known as "pataphysics," popularized by the 19th-century French poet and playwright Alfred Jarry (and once memorably referred to as "your favorite cult artist’s favorite pseudoscience" by Pitchfork). Pataphysics is a philosophy that gives credence to that which exists even beyond the metaphysical realm — in other words, the imaginary, the irrational, and the unreal.
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