Judd blue chair

Two Lost Donald Judd Interviews, Part II: On Color and Defining ‘Modernism’

Earlier this summer, when we happened to come across not one but two vibrant, late-'80s interviews with Donald Judd in the same week, we decided it was fate telling us to designate today Judd day here on the site, where we'd excerpt text from both. The second interview we're posting today comes from New York New Art, a 1989 tome that Monica unearthed at an antique mall in Nashville. The interview, with John Griffiths, took place at a Judd exhibition where the artist was showing new pieces in metal and perspex. It covers everything from why Judd began using color to whether the term "Modernism" actually means anything. Read on for more after the jump!
More
IMG_6933

Week of August 8, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: modular lighting, a London home putting a new spin on modernism, and a 5,000-acre “museological complex” that's like Storm King and Longhouse on steroids.
More
SS_SKD_Friends

Week of July 11, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the new ceramics at the top of our wish list, resin and glass tables that channel the California Light and Space movement, and a dream-team collaboration by Philippe Malouin and Bethan Laura Wood, pictured above.
More
ian-mcdonald_Blue-Tray.web

A Landscape of Architectural Ceramics at Patrick Parrish Gallery

Since we first spoke to him four years ago, ceramicist Ian McDonald's pieces have gotten more architectural, more functional, and more singular — his first solo show at Patrick Parrish Gallery in New York opened yesterday, and it's full of ceramic vessels made in parts and arranged within the parameters of powder-coated trays. We spoke with him about refining the old, experimenting with the new, and the satisfaction he’s found in exploring a form that resonates.
More
stv-a_piece_of_land-0

Week of June 27, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a weirdly synchronous amount of folded metal, a colorful alternative to all those brass bottle openers, and a new way to experience an exhibition on the other side of the world.
More
Dimitri Baehler (c) Raphaelle Muller -  01

Ceramic Experiments by a Swiss Designer, On View in the South of France

First on our list of talents to scout at this year's Design Parade at Villa Noailles: Swiss designer Dimitri Bähler, who we featured earlier this year for the beautiful limestone bench he showed with Nov Gallery in Milan. Bähler showed at Noailles a few years ago when his current project was in its infancy: Now called Volumes, Patterns, Textures & Colors, the collection, on view in the gymnasium at Villa Noailles, features a series of ceramic volumes that have been imprinted with various three-dimensional patterns by way of a textured latex foil.
More
SS_Perrotin_PierrePaulin

Week of June 20, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: new love for an old Cini Boeri chair, one of the best oversized planters we've seen, and a great show of rare originals by Pierre Paulin on view in New York City, pictured above.
More
Glass Gradients by Scholten & Baijings

Week of June 6, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: We re-discovered bygone designs like a Formafantasma runway, rekindled our love for Roberto Burle Marx, and re-examined the excitement factor of architectural glass, just made exponentially cooler by Scholten & Baijings (above).
More
OS_OOS_Perspective2_opener

New Perspective-Bending Works By Eindhoven Duo OS ∆ OOS

Oskar Peet and Sophie Mensen of OS & OOS consider themselves designers, not artists, but their latest body of work — on view now in a solo exhibition at Zurich's Roehrs & Boetsch gallery — includes not only cast-concrete updates on their neon-tube Primary Fluorescents lights, but also two large sculptural works whose only purpose is to delight and tease the eye.
More
8- The Pond House Expo Carwan Ph. Rami Haj

We Didn’t Think Kilims Could Get Any Cooler… Until Now

Iranian artist Taher Asad Bakhtiari may be a Raf Simons–wearing, Swiss-educated jetsetter, but growing up, he was inundated with local tradition. Now he helps support and modernize the ancient crafts that were among his most formative influences by working with semi-nomadic Iranian weavers to create contemporary, geometric updates on traditional kilim and gabbeh rugs. His latest series, pictured here, is on view in The Pond House, a solo show of his textiles that just opened at Carwan Gallery in Beirut.
More
Yield-table2

Week of May 23, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a resurrection of old Castiglioni furniture, the most anticipated art exhibition of the summer opens at the Guggenheim, and four (more) of our favorite releases from New York design week, including the tables by Yield above.
More