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Register Now to Attend Our 2018 Sight Unseen OFFSITE Show

We're excited to share the details of our fifth annual Sight Unseen OFFSITE fair, a showcase of furniture and objects by the most exciting names in contemporary design. From May 17-20, you can visit us at 201 Mulberry Street in New York, plus a dozen satellite venues around downtown Manhattan that will also be hosting content, including Opening Ceremony, 3.1 Phillip Lim, Roll & Hill, and Creatures of Comfort. The 2018 show is free and open to the public — click through to find out how to get a ticket!
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An Immersive Interplay of Light and Color at Volume Gallery in Chicago

The Chicago studio Luftwerk have made a career out of exploring the interplay of color, light, and colored light, as so many artists before them have done and so many will continue to do. But the defining factor of their work has always been its interaction with architecture, whether the duo were projection-mapping a light show onto Falling Water or bouncing trippy patterns off Anish Kapoor's bean in Millennial Park. This month, however, they left behind that construct to mount their first solo gallery show, at Chicago's Volume Gallery, where it's their ideas alone that are on display.
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Portland Maine emerging artist Elizabeth Atterbury

An Artist Who Moves Shapes From Two Dimensions to Three

To understand the work of artist Elizabeth Atterbury — and how it's changed since we first profiled her almost exactly three years ago — look no further than the solo exhibition she had at Mrs. Gallery in New York this past spring: While she used to photograph the geometric compositions she created from sand, cut metal, or corrugated paper, those elements now appear both as two-dimensional images and as three-dimensional works in their own right.
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7 Insiders on the Best Design Moments of 2017

We asked seven of our favorite designers, art directors, gallerists, curators and more to reflect on their top design moments of the past year — an experience they had, an exhibition they saw, a discovery they made, an interior they fell in love with — as well as the one thing they’re most looking forward to in the new year.
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Week of December 18, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: furniture meets fashion in a surprisingly chic campaign shoot, more next-level 3-D objects from Wang & Söderström, and a new series adding to the mounting case for one of our top trend predictions for 2018.
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In a New Show, 3D Printed Objects So Real They Look Fake

Called "Transitional Speculation," the show blurs the line between the digital and physical worlds even more than Wang Söderstrom's work normally does: While their 3D illustrations often have a whiff of handicraft, here, they've made tangible objects — primarily printed in 3D — that seem to take on the blobby, hyper-real aesthetic a rendering would typically have.
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Shop the Obsessive Collections of 10 New York Creatives, Starting Today

After the umpteenth time I found myself typing "Blenko ice glass" into a search bar, I started to wonder what it would be like to give my object obsessions a purpose, rather than just accumulating more things I can't fit into my apartment. Thus OCC Market was born. Opening today at the Lower East Side boutique Coming Soon, it's a shoppable exhibition of obsessive compulsive collections by 10 object enthusiasts in design, food, and fashion.
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These Four Designers Have One (Very Important) Thing in Common

Their disciplines may be wildly diverse — elaborate rope vessels, hand-woven textiles, minimalist furniture made from stone and metal, maximalist furniture made from aluminum foil — but there's one thing Doug Johnston, Begum Cana Ozgur, Nina Cho, and Chris Schanck all have in common, and we asked them all to talk about it.
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Joseph Albers
Variant ''Orange Front''
1948–58
Oil on Masonite
59.6 x 68.5 cm 
Solomon R. Guggenheim Foundation, Venice
Gift, The Josef and Anni Albers Foundation,
In honor of Philip Rylands for his continued commitment
to the Peggy Guggenheim Collection 97.4555
© Josef Albers, by SIAE 2008

Josef Albers is One Of Design’s Biggest Influences — See What Inspired the Artist Himself

Things have changed quite a bit since we began Sight Unseen eight years ago, but one interview question has remained steadfast in our arsenal: Who are your biggest influences? And while the same answers tend to pop up often enough — Barbara Hepworth, Agnes Martin, Luis Barragán, Donald Judd — there's one name that seems to get checked more than anyone else: Josef Albers, the 20th-century artist, educator, and designer, whose book, Interaction of Color, is one of the most essential design texts ever written. But in a new exhibition at the Guggenheim, Josef Albers in Mexico, one of Albers's own greatest influences is laid bare.
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Want Sight Unseen to Review Your Work? Apply Now for 2018’s Reform Design Biennale

We receive submissions from designers every day in our inboxes, and we're constantly scouring platforms like Instagram and Pinterest for new work. But come next spring, we'll be looking to a new source for scouting designers: We've been asked to join the jury for a curated design exhibition known as REFORM, which takes place every other year in Copenhagen. The deadline for submissions is this Friday, December 1st.
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Curious “Foam” Forms Made of Ceramic and Metal, Now on View at Aram Gallery

Though they may look more like sea sponges, the collaborative works of Marina Dragomirova and Iain Howlett — aka Studio Furthermore — are in fact made from cast ceramic and aluminum alloy, using a process known as "lost foam casting." On view at The Aram Gallery in London through January 20, Studio Furthermore's latest collection of mirrors, pots, lighting, and tables were inspired by Icelandic rocks and mineral ores, lava rocks, and magma debris.
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Field Experiments Fisher Parrish Gallery

Bricks, Rubber, Concrete, and Stone: Field Experiments’ New Collection is Made From the Building Blocks of NYC

When Benjamin Harrison Bryant, Paul Marcus Fuog, and Karim Charlebois-Zariffa founded Field Experiments in 2013, they were inspired by the prospect of venturing to an exotic locale, removing themselves from their daily lives, and having that new place inform their work. But in their latest venture — a show at Brooklyn’s Fisher Parrish gallery on view through December 17 — the terrain has shifted to the familiar: New York City.
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