Tour “The Bae,” A 250 Square-Foot Airbnb Whose Functions Are Hidden in Its Walls

In 2017, Tasmanian architects Alex Neilsen and Liz Walsh bought a 250 square-foot apartment and rebuilt it into their vision of a perfect “micro-luxury” home. Their intent was to create something amazing enough that it could set an example for small-space living, and by renting it out on Airbnb, help open other people’s eyes to its possibilities. The apartment became “The Bae,” and guests who enter it are often nervous at first about its small footprint — but ultimately fall in love.
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Calico Wallpaper's Red Hook Loft: A Brooklyn Home Tour

Calico Wallpaper’s Envy-Inducing Airy Red Hook Loft

In hindsight, it feels almost like fate that Nick and Rachel Cope would end up in the sprawling, historic Red Hook loft they now call home. After all, where else in New York City could they have found the room to showcase not one but six of the wallpaper collections they've created since 2012 as partners in the Brooklyn-based Calico?
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Sam Amoia New York interior designer

Inside the Zen-like Space of One of New York’s Top Interior Designers

Walk into any number of chic boutiques in the world —the Calvin Klein flagship on Madison Avenue, Dior in London, Dover Street Market in New York — and you're bound to see the work of Samuel Amoia, the interior designer–turned–furniture phenom who's shot to stardom in the last few years making pieces that mix high and low materials, and incorporate healing minerals and crystals such as amethyst, malachite, pyrite, onyx, and agate. But there's one place you won't find many examples of Amoia's work — in the spare, textural one-bedroom Chelsea apartment he's shared for five years with his boyfriend, Enrique, and two dogs, Pig and Bruno.
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Guillermo Santoma Barcelona home

A Designer’s Barcelona Home, Where Color is King

In the most recent issue of Apartamento, alongside really excellent pieces including an interview with Matt Connors, a photographic essay of Donald Judd's collections, and a paper still-life series, we found this gem: Casa Horta, a 1920s single-family Barcelona house now occupied by the young designer Guillermo Santomà, who used vibrant shades of green, pink, and blue paint to delineate space as well as provide a gorgeously saturated, incredibly dramatic backdrop.
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Maryanne Moodie, Brooklyn Textile Artist

There are few people who get the opportunity to uproot, relocate, and be instantaneously welcomed by a community of powerful and creative women. But Maryanne Moodie — the Melbourne, Australia native who settled in Brooklyn last year after her husband got a job a Etsy — did just that. Since arriving, she says, “I’ve been able to meet and forge fast friendships with so many amazing textile ladies — inspirational women who are creative as well as business focused. I’ve had the chance to collaborate professionally with them — as well as down a few glasses of wine over plans for world domination.”
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Fort Standard’s Gregory Buntain on his Tombstone Chairs

From an outside perspective, the Brooklyn furniture-design studio Fort Standard exudes the aura of a successful business with a clear DNA. Yet that wasn't always the case: When co-founders Ian Collings and Greg Buntain first joined forces in 2011, after graduating together from Pratt, they had no idea what direction to take — they simply dove headlong into the making process. “We had one goal: to do our own thing,” Buntain said in a recent interview. Their stock may have risen since then, but behind the scenes, the pair still make an effort to keep things loose; to maintain a sense of discovery in their shared practice, they both do separate solo work on the side, little personal experiments and objects they create for their own homes. Occasionally these prototypes are developed into Fort Standard products, but most of the time they go unseen, as was the case for Buntain's marble Tombstone chairs before we spotted them on Instagram. When we approached the designer to ask him if we could share them with you in the interview after the jump, it turned out he had a home full of personal pieces he'd made but also never shared with the public, which he was kind enough to walk us through in the second half of this story.
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