Tag Archives: Interiors

  1. 04.09.14
    Excerpt: Magazine
    Oeuffice’s Milanes Collection, from Pin-Up No. 16

    Now that Seattle Week on Sight Unseen is over, we’re turning our attention to another northwestern capital — Milan, Italy, home of the Salone del Mobile, where Jill and I are on serious scouting duty this week. Before we begin posting our annual eyewitness dispatches from the fair, though, we wanted to start our coverage with a small paean to our temporary digs: an article I contributed to the forthcoming Milan-themed spring/summer issue of PIN–UP magazine, which features the work of one of our favorite local design firms (Oeuffice) photographed inside the foundation of one of our favorite local architects (Piero Portoluppi). Click through to learn more about Oeuffice’s Milanes collection of tabletop items and the impetus behind these gorgeous images, plus how you can snag the PIN–UP No. 16 when it goes on sale next month.

  2. 04.07.14
    Factory Tour
    Filson, Seattle

    These days, plenty of companies in the United States are touting their status as heritage brands, as is the current fashion, but markedly few who can claim the kind of pride of place that Filson can: Since the outdoor apparel label was founded in Seattle back in 1897, it’s never moved more than two miles away from where it began, in what’s now known as the city’s SoDo neighborhood — nor has it stopped manufacturing most of its wares there, either. Having long occupied a complex in the up-and-coming industrial area that included its factory, headquarters, and flagship store, last year the expansion of its business led it to annex a nearly 60,000 square-foot building just two blocks away from the original. “We’ve been in SoDo for 117 years, so it feels like home,” says Filson CEO Alan Kirk, a Scotland native who moved to the city in 2009. “It’s one of the few areas left in the city that still has manufacturing — in a way it’s the garment district of old Seattle.”

  3. 04.04.14
    At Home With
    Ashley Helvey, Editorial Creative Director at Totokaelo

    At this point, simplicity can seem like a tired mantra or an admonishment, an extra layer of guilt heaped over our misdirections. Isn’t it enough that our cluttered thoughts keep us up at night? Do we have to feel bad about it, too? So it’s especially heartening that for Seattle-based stylist Ashley Helvey, simplicity is something else entirely: a look so easy that it serves as encouragement. “A lot of the imagery I’m inspired by online is just a piece of fabric or a cinderblock,” says Helvey, who is editorial creative director for Totokaelo, overseeing everything from photo shoots to social media. “They are really simple things that you could actually execute. Having a simple aesthetic is actually pretty tangible.”

  4. 04.01.14
    At Home With
    Iacoli & McAllister

    Here at Sight Unseen, we tend to pride ourselves on the timeless nature of so many of our features. But if you look back at the first time we covered Jamie Iacoli and Brian McAllister, way back in 2010, the article is almost laughably out-of-date. For one, we called Seattle a city that’s “not exactly famous for its flourishing industrial design scene” — which is, of course, the premise behind this entire week. And as for Iacoli & McAllister? Back then, they were better known for powder-coated shop tools and cake pedestals than for the beautifully lightweight and sophisticated furniture that has become their signature (and they hadn’t even begun to make jewelry!). They were so very green back then — only having recently found vendors and retailers to make and sell their work — whereas now they’re like the éminence grise of the Seattle design scene, so entrenched in its visual identity that you can’t remember a time when they weren’t there. What hasn’t changed? When we interviewed them in 2010, the onetime couple had broken up but were still living together. Today, they’re still broken up and living together, though in the intervening years they spent three years living apart.

  5. 03.31.14
    At Home With
    Jill Wenger, Owner of Totokaelo

    For most of us, stores are merely the fleeting destinations wherein we acquire our possessions, while homes are the more permanent spaces where we keep and lovingly display them. But for Jill Wenger, it’s the other way around: Ever since she moved to Seattle in 2001 and founded the cult boutique Totokaelo at just 26 years old, her store has been her material and spiritual base, while her living situation has remained mercurial. “I love change and generally don’t stay in any apartment or home longer than a year,” says the Texas native. Even as we interviewed her for this piece — which contains the first-ever published photos of one of her domestic interiors — she already had one foot out the door. Despite initially falling in love last May with her current apartment for its location — in Capitol Hill, three minutes away from Totokaelo — as well as its original hardwood floors and leaded-glass doors, Wenger is in the midst of searching for something new.

  6. 03.11.14
    Artist's Proof
    Tombstone Chairs by Greg Buntain of Fort Standard

    From an outside perspective, the Brooklyn furniture-design studio Fort Standard exudes the aura of a successful business with a clear DNA. Yet that wasn’t always the case: When co-founders Ian Collings and Greg Buntain first joined forces in 2011, after graduating together from Pratt, they had no idea what direction to take — they simply dove headlong into the making process. “We had one goal: to do our own thing,” Buntain said in a recent interview. Their stock may have risen since then, but behind the scenes, the pair still make an effort to keep things loose; to maintain a sense of discovery in their shared practice, they both do separate solo work on the side, little personal experiments and objects they create for their own homes. Occasionally these prototypes are developed into Fort Standard products, but most of the time they go unseen, as was the case for Buntain’s marble Tombstone chairs before we spotted them on Instagram. When we approached the designer to ask him if we could share them with you in the interview after the jump, it turned out he had a home full of personal pieces he’d made but also never shared with the public, which he was kind enough to walk us through in the second half of this story.

  7. 03.10.14
    At Home With
    Alyson Fox

    When you consider the range of projects designer Alyson Fox has carried off, you might wonder if there’s anything she can’t do: prints, illustration, jewelry, clothing, textiles, not to mention a book of portraits. While Fox has degrees in photography and sculpture, she says she never really had a preconceived idea “of what I wanted to do or what it would look like.”

  8. 02.22.14
    Saturday Selects
    Week of February 17, 2014

    A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: inside the homes of two design powerhouses, a visit to fave duo New Friends (above), and a Richard Serra parked in the middle of Manhattan.

  9. 02.15.14
    Saturday Selects
    Week of February 10, 2014

    A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: sculptures made from deconstructed window blinds and laminate floors, a book on vintage corporate identity design manuals, a series of fake Cuban shop windows (pictured above), and the most excitement we’ve ever experienced over a bar of soap.

  10. 02.14.14
    Excerpt: Exhibition
    François Halard at Demisch Danant

    When we think of the legendary Chelsea gallery Demisch Danant, we picture insanely luxurious fur-covered daybeds by Maria Pergay, or foofy round Pumpkin chairs by Pierre Paulin. We think of furniture — not photography. And yet somehow the exhibition on view there now through March 1 makes a perfect kind of sense. The French-born, New York–based photographer François Halard is showing a series of portraits he’s made over the last 20 years of architecture and interiors created by some of the last century’s most significant artists and designers — the Palm Springs house by Albert Frey (top image), the Italian studio of Cy Twombly, the Villa-Noialles by Robert Mallet-Stevens, and, one of our favorites, the Captiva Island home of Robert Rauschenberg.

  11. 02.14.14
    What We Saw
    At the New W Verbier in Switzerland

    If you’re a fan of the W Hotels chain, which at the moment comprises nearly 50 properties in more than 25 countries, you probably fall in to one (or both) of the following categories: you’re young, wealthy, extroverted, and appreciate things like fire-juggling bartenders, or you really, really love design. It’s not that the W’s interiors are suited to every taste — especially since half the fun of them is that they’re mostly designed by different firms, from Patricia Urquiola (Vieques) to Yabu Pushelberg (Guangzhou) — but you do have to tip your hat to any corporate entity that puts this much investment into our little corner of culture, including the annual W Hotels Designers of the Future awards. The latest W to take cutting-edge design to a novel locale is the new W Verbier by the Amsterdam firm Concrete, which Sight Unseen had the good fortune to visit last month.

  12. 02.11.14
    Eye Candy
    Eskayel’s Jangala collection

    You know those Instagram feeds where it seems like the person is always off on some fantastic holiday in a remote locale? In our feed, that person is Shanan Campanaro, the multitalented artist and designer behind Eskayel. The San Diego native calls Brooklyn home, but in the past year, she’s been to Bali, Belize, Nicaragua, Vail… the list goes on. But in Campanaro’s case, all that travel isn’t necessarily just for fun — it provides inspiration as well for the watercolors that will eventually become bleached, beautiful patterns for her wallpapers and fabrics. Eskayel’s newest collection, which we’re featuring today, is called “Jangala” which means jungle in Sanskrit. The new collection is a bit of a departure from her signature aesthetic, in that some of the colorways are more highly saturated than in the past, but the effect is the same. We love these styled shots Campanaro shared with us, with their overflowing greenery and little totems picked up on travel — not to mention their cute product loans from Rich Brilliant Willing! See more of our favorites after the jum, and then go to Eskayel’s site to view the full collection.

  13. 01.27.14
    At Home With
    Laure Joliet, photographer

    You could say that photographer Laure Joliet is in the image business, but her work is about depth as much as surface. She has a way with spaces, rendering them intimate and mysterious at the same time, capturing the revealing detail you notice out of the corner of your eye. Though her subject is often interiors, a large part of her job involves getting to know people. “I spend the day with them and find out things I don’t know that you would normally get to find out, what they’re passionate about. It feels really satisfying to have that experience.”

  14. 01.25.14
    Saturday Selects
    Week of January 20, 2014

    A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an art installation inspired by Facebook, a refined furniture collection by a Danish design student (above), and a mirror you could get lost in.

  15. 01.10.14
    At Home With
    Rebecca Bartoshesky, prop stylist

    Prop styling is a little bit like industrial design only in that some of its best practitioners never even realized it was a career until after they’d finished school. Such was the case with Rebecca Bartoshesky, an up-and-coming New York prop stylist who studied interior design at FIT. “After working in firms for a while, sitting at a computer 9 to 5, I wanted to switch it up, but I didn’t even know prop styling existed as a career until maybe four years ago,” Bartoshesky told me over the phone on a cozy winter day last month. “I’d be looking at these beautiful photographs, mostly in blogs and magazines — this was before Tumblr or Pinterest or any of those things — and suddenly it hit me that there was a person behind the scenes working with the photographers.” Bartoshesky began cold-calling stylists she admired and spent a few years assisting. Now she’s ready to break out on her own.

  16. 01.02.14
    At Home With
    Kay Wang, The Things We Keep

    If you only knew Kay Wang through her Instagram — and chances are you might, considering her 33,000 followers — you wouldn’t necessarily immediately know what she does for a living. She could easily be a baker, a stylist, a ceramicist, or a woodworker; in December alone, she posted pictures from her Bed-Stuy, Brooklyn, apartment of the frangipane tart she’d baked, the cherry cutting boards she’d sanded and oiled, the canvas bags she’d dyed with onion skin, and the silk cord necklaces she’d strung with hand-carved brass pendants. (And you’d certainly never guess that she spent nine years before moving to Brooklyn as an online marketer in Los Angeles and Seattle.) What she is, very clearly, is a restless creative spirit; so much so that even though her main focus right now is as a jewelry designer who crafts under the moniker The Things We Keep, she has trouble pinning herself with a specific label.

  17. 12.09.13
    Excerpt: Exhibition
    Martino Gamper’s “Tu Casa, Mi Casa” at The Modern Institute

    I can think of plenty of designers whose works I’ve never even seen, or those I’ve only seen from afar, either raised on some plinth or sheltered under a vitrine. I’ve had the lucky opportunity, though, to not only see but experience the work of London designer Martino Gamper: walking under his colorful Chair Arch in the courtyard of London’s V&A museum, or digging my feet into the hand-knotted wool Houseplan Carpet he designed for Nilufar gallery in 2009. It’s especially nice to experience a designer like Gamper’s work in person because there’s always the possibility that the piece you’re seeing is the only one of its kind that will ever exist. Gamper has always maintained that he prefers to create either pieces for unlimited production, like his lopsided Arnold Circus stool, or one-offs — with no middle ground between the two. Most of the work on view at Gamper’s new exhibition, “Tu Casa, Mi Casa” at Glasgow’s Modern Institute, falls into the latter category. The majority of the 69 designs created for the exhibition are wholly unique:

  18. 11.26.13
    Sighted
    George Nelson’s Kirkpatrick House on WHY

    It’s hard to say, looking at the image above —with its freestanding kiln-like fireplace, its red-palette Persian rug, and its chic indoor garden — whether the interior featured is genuinely vintage or simply one of the excellent contemporary facsimiles that populate board after Pinterest board these days. But in some ways, that’s precisely the point. The interior above, featured this week on Herman Miller’s excellent WHY blog, was designed in the 1950s by George Nelson, and like many of Nelson’s designs, it is as usable and contemporary today as it was half a century ago. Sure there are dead giveaways of the time period in other photographs — the weird stone flooring that looks almost like linoleum, the predominantly mustard-colored rug — but the essential lines of the wood and steel-frame structure make the place seem somewhat timeless. It helps that the house was recently meticulously restored by its current owner; it also doesn’t hurt that these images were taken by Sight Unseen contributor Paul Barbera, who has a knack for making any old thing look new and lovely. In any case, it’s a beautiful story, filled with many more photos and much more text than we’ve excerpted here. Read on, and the click through at the end for the full story.

  19. 11.01.13
    Self Portrait
    Sebastian Herkner’s Pulpo Containers

    You might not recognize it at first glance, but Sebastian Herkner’s new ultra-shiny glass Containers for the German brand Pulpo have a serious high-low thing going on — and not just in one sense, but two. Not only are they inspired by the cheap plastic containers normally used to store things like distilled water and Cheez-Balls, they’re also made using a technique that’s gone from rags to riches in recent history. “Mercury glass was once used as a substitute for real silverware, which was too expensive for poor people to afford,” says Herkner. “Nowadays, though, it’s thought of as unique and rare; there’s one company in Czech Republic which specializes in mercury glass, and Pulpo produces the Containers there.” Like most of our favorite tastemakers, Herkner’s appreciation of both the lowly and the luxurious extends to his personal style, too, which is why we thought it fitting that he should photograph his Containers for us amidst the landscape of his own home, just outside Frankfurt. He told us more about his process and his possessions below.

  20. 09.16.13
    At Home With
    Erin Considine, textile and jewelry designer

    Midway through our visit to Erin Considine’s Greenpoint, Brooklyn apartment earlier this summer, we began talking about her parents, who — no surprise here — are interior designers. She told us a story about her father being on a job site in Connecticut in the 1980s, where a company was giving away all of its Knoll furniture. A set of Mies van der Rohe Brno chairs here, a Saarinen Tulip table there — these are sorts the things the Brooklyn jewelry designer grew up with. When my jaw dropped, she shrugged. “It’s just being in the right place at the right time,” she says.

  21. 07.30.13
    Sighted
    Ben Medansky Studio Visit on Los Angeles, I’m Yours

    It’s a quiet summer week here at Sight Unseen HQ. August is approaching, we’re spending more and more weekends out of the city, and the time in between them is becoming increasingly shorter and less productive. But that doesn’t mean we don’t know from hard work — we’ve spent the last four years pouring inordinate amounts of time and effort into the stories on this site, and so we’re all the more sympathetic when we see other blogs doing the same. Case in point: the ridiculously extensive, print mag–worthy interview with ceramicist Ben Medansky we spotted recently on the blog Los Angeles, I’m Yours, a city-centric cultural resource founded in 2011 by The Fox Is Black’s Bobby Solomon with editor Kyle Fitzpatrick. We’ve excerpted part of it here, along with a selection of the accompanying studio photos.

  22. 07.15.13
    What We Saw
    At the Brimfield Antique Show, Summer 2013

    If you tell people you’re going to Brimfield — the massive, thrice-yearly outdoor antique fair in central Massachusetts that famously lures the country’s best vintage pickers as well as interiors teams from stores like Ralph Lauren and J. Crew — you start getting loads of conflicting advice: what day to arrive, which of the 21 fields has the best merch, and even whether you should go for the ribs or the lobster roll (or something kind of amazing we discovered this time called the Pilgrim Sandwich. Seriously, get it.) But the one thing everyone agrees on? Don’t go in July.

  23. 07.03.13
    At Home With
    Annie Larson, knitwear designer

    If you follow Annie Lee Larson’s Instagram — and chances are good that you do, considering the New York knitwear designer’s followers almost tip into the five digits — you might envision that she lives in some Peter Halley-meets-Memphis–inspired fantasyland, all primary colors, geometric patterns, and kitschy throwback accessories (hello Bananagrams!) But the truth is, Larson’s 5th-floor East Village walk-up doesn’t appear all that crazy upon first glance. A pretty but small, light-filled, plant-friendly apartment, the place is largely decorated in black and white, save for a trio of painted shelves where Larson keeps her most prized possessions, and a one-two punch of colorful striped and polka-dot bedding. It’s only upon closer inspection (and I mean, really close, considering Larson’s love of miniatures) that her oft-photographed influences begin to reveal themselves — dice, Swatch watches, Japanese toys, and ’80s electronics among them.

  24. 05.28.13
    What We Saw
    At New York Design Week 2013, Part III: Jambox at Noho Next

    This year’s Noho Next show didn’t just look amazing — it sounded amazing, too. That’s because in the exhibition’s flagship space, Sight Unseen created a special installation for Noho Design District sponsor Jawbone, a kind of video listening area decked out not only with the brand’s latest wireless speakers, but with an array of furnishings and objects culled from some of our very favorite designers — from Paul Loebach to Tom Dixon. Styled with the help of Seattle’s Ladies & Gentlemen Studio, the space invited Noho Next visitors to kick back, relax, and experience the sound of Jawbone’s latest BIG JAMBOXES, which are newly available in more than 100 customizable color combinations. Check out the setup after the jump, plus watch the seven designer-made videos that Sight Unseen hand-picked to screen over the weekend.

  25. 04.09.13
    At Home With
    Luren Jenison, Textile and Display Designer

    Luren Jenison tends to describe her professional life as a “wild goose chase” — a neverending manic hunt through thrift stores, flea markets, and even forests to find the vintage oddities, natural artifacts, and textiles she uses in her elaborate installations. She’s constructed woodland scenes with foraged moss and taxidermied foxes for internal meetings at Anthropologie, set up tableaux with vintage books and building blocks for weddings and corporate galas, and even traveled all the way to China once to find a master joss-paper artisan to help her build a shimmery paper R.V. for a Free People store (he later panicked and pulled out of the project). And yet no matter how spectacular the results, at the end of the day they’re almost all temporary, set up for a night or a week or a month and then disassembled into their constituent parts to be trashed or banished to storage. Only the hunt goes on. If there’s one place you’d expect to find any permanent evidence of Jenison’s talents as both a visual stylist and an eagle-eyed picker, though, it would be in her own home.

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