At Three Design Hotels, A Sense of Place Rooted in the Local Environment

Hotels are often transitory, sometimes liminal, spaces. But three recently opened or newly renovated ones are rooted in their local environments, taking design cues from their surroundings and creating a distinctive atmosphere. You’re not just anywhere, or even in-between, you’re there: in Fukuoka City, Japan at Hotel Il Palazzo, in Tomales Bay, California at Lodge at Marconi (above), and at Otro Oaxaca, you’re firmly in the southern Mexican city.
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This 1960s Guide to Ikebana is the Resource We Need Right Now

I found The Art of Arranging Flowers, a comprehensive 1960s guide to the Japanese art of ikebana, in Stockholm at the beginning of last year. Too heavy to carry home, I tracked it down from a seller in Indiana and promptly bought it, thinking it would be a nice visual touchstone and a cool thing to display on my coffee table. Little did I know that a year later, I'd be wondering if the book could serve as an actual resource for those currently stuck in their homes, flailing about for ways to express their creativity.
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A Japanese Graphic Designer Whose Still Lifes Look Almost Like They’re Moving

Moodboards at the ready: Here’s a body of work you’re probably going want to bookmark from beginning to end. Mina Tabei is a Japanese graphic designer and art director whose portfolio — which spans everything from CD design to still life compositions to frame-worthy flyers and book covers deserving of display — feels at once playful and scientific.
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Let’s All Take a Moment to Appreciate Tokujin Yoshioka

These days we tend to think of Yoshioka as an old-guard stalwart who makes interesting immersive installations for brands, and nice-enough objects for Glas Italia. So we thought it was worth a reminder that he was one of the godfathers of the current craze for transparent furniture, and that he also made upholstered pieces that — had they been released today — would have been among the best things we'd seen all year.
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Japanese Printmaker Kumi Sugai

Japanese Printmaker Kumi Sugai

As anyone familiar with our Pinterest account (or our archive content) is well aware, we kind of have a thing for unearthing vintage gems. So we were pretty psyched when Ryland's internet searching led us to the Japanese painter and printmaker Kumi Sugai, who died in 1996 but whose work remains completely contemporary and relevant today.
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The Prettiest Plants and Pots You’ve Ever Seen

A new book documents the jaw-dropping collaboration between Japanese plant whisperer Kohei Oda and longtime Sight Unseen favorite Adam Silverman, who over the past year have made a series of potted cacti that are amazing in their complete and total eccentricity.
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Andy Rementer & Margherita Urbani in Tokyo

We here at Sight Unseen consider ourselves to be relatively worldly — I say this literally as Monica touches down in Norway — but if there's one place that's proved a holy grail for the both of us, it's Japan. We've never had the opportunity nor the funds to go, despite being relatively obsessed with the idea of both shopping and scouting there. So when two of our most visually attuned friends offered to provide us with a diary of sorts during their recent trip there, we jumped at the chance: Philadelphia-based partners-in-crime Andy Rementer and Margherita Urbani (whom many of you likely know from their collaborations in Apartamento magazine) were recently in Tokyo for two weeks.
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Matthias Kaiser, artist

I had a long conversation over email this week with Matthias Kaiser, whose masterful ceramic work was a personal highlight of the show I curated for Sight Unseen OFFSITE earlier this year. The exchange reaffirmed my sometimes-waning faith in ceramics, or in anything that suddenly becomes so widely hyped that it can feel like we’re too busy being professionals to remember what struck us through about the practice in the first place. Kaiser, who now lives in the Austrian countryside having previously apprenticed with Japanese master potters and spent a combined two years traveling on the Indian subcontinent, speaks with the deep humility that comes with not taking shortcuts — with digging for your own clay, for example, or moving to Isfahan to study Sufi mysticism. He compares himself to “bad clay,” talks about how losses are a part of the game, and makes a joke about beards.
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Kyouei’s Dish of Light and Random Musical Box

When the latest projects from the Japanese design company Kyouei came across the transom this weekend, we felt a bit like grandmothers. Which is odd, because we're not old enough to be anyone's grandmother, much less a Japanese product designer and sound producer who's nine years our elder. But there was still a burst of "my how you've grown" pride bubbling up, considering we discovered Kouichi Okamoto's firm back in our early I.D. magazine days, when he was still doing clever little Droog-ish housewares like light bulb–shaped paper lanterns and bowls that imitated crater lakes — before the vast majority of our fellow Americans even knew Kyouei existed. And look at Okamoto now! Making sophisticated sound machines, musical tables, and these amazing iron lamps that evoke modernist sculpture.
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Shin Okuda (an excerpt from Paper View)

Today, we introduced a selection of housewares to the Sight Unseen Shop, including Shin Okuda's whimsical plywood and steel Shaped Bookends. We thought this was the perfect opportunity to introduce you to the Los Angeles designer's inspirations and work, which we originally showcased in Paper View, Sight Unseen's first-ever printed edition. Though the book has a limited run, copies are still for sale in our online shop. Get yours here before it's too late, and read on to find out more about one of our favorite up and coming designers.
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Kristin Dickson of L.A.’s Iko Iko

Inside Kristin Dickson’s store Iko Iko in L.A.’s Echo Park neighborhood, there are polka dot shirts and wooden knitting needles, zig-zag coathooks and Mexican moccasins, ceramic urns and jars of jam. There are selections from Dickson’s crystal and vintage-book collections — the latter with titles like “On Weaving” or “On Fiberworks” — plus pieces from her boyfriend Shin Okuda’s furniture line Waka Waka. And as of this month, these items were joined by a haul of objects from a three-week trip the couple took to Okuda’s native Japan, where the fare spanned vintage textiles to traditional trivets to novelties like toothpaste and black Q-tips. It’s a credit to the pair’s curating talents that the shop nevertheless feels like the product of a coherent vision. “I focus on work that balances high design with craft and traditional processes,” says Dickson. “I want it to be a fun exploration of textures, cultural artifacts, utilitarian objects, and beautiful curiosities.”
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