A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a brilliant Belgian design fair, a predominantly Pomo Chicago auction, and beautiful domestic interiors from Berlin to Brooklyn.
With a studio based out of the UK, artist Rana Begum has exhibited around the globe, from New York to London to Dubai. And it seems fitting that a recent solo exhibition should take place at that latter city's Third Line Gallery, an exhibition space catering to contemporary Islamic art. Begum's Bangladeshi childhood informs much of her work, observing geometric repetition in traditional Islamic patterns and the way light activates the interiors of local mosques. This, combined with the conflicting forms and colors of urban society, can be seen in her most recent pieces, which mostly consist of creased sheet-metal panels, coated in bright mixtures of paint and resin, that seem to fold out from the wall. The three-dimensionality of her pieces causes light to bounce between the reflective panels and creates varying interpretations for viewers as they move about the piece. These subtle changes are what captivate viewers, ensuring each person has a completely different experience with every one of her pieces.
Lots of people on Instagram tend to stop us dead in our tracks as we slavishly scroll through our feed, but Peter Nencini has been one of those arresting image-makers since before the app even existed. An illustrator by training, Nencini did away with the confines of pen and paper after graduating from London’s Royal College of Art in the 1990s and today creates everything from typefaces to ad-hoc sculptures. A keen photographer, he has always recorded the stages of his process, first with a point-and-shoot and now with his iPhone, and has long been the proprietor of one of our favorite inspiration blogs. So when I suggested he walk me through 8 Things for Sight Unseen, the stipulation was that it had to be images from his Instagram, and we’d be digging into his thoughts on the app. He asked me to choose the shots, and then he explained them: That is how it went down.
It was only just last year that we were wondering what brilliance Hazel Stark would produce if ever she turned her attention to designing and making full-time, and already we have the answer. Having left her job with Ally Capellino earlier in the summer, Stark initiated work on her new collection, Naturally Dyed #1, with a long period of research into materials.
Our first introduction to Louie Rigano, a New Jersey-born, RISD-educated designer who's now studying in the Design Products program at RCA, was a piece he'd made for the American Design Club's Trophy Show, back in 2013. Called Glittering Urn, it was a neo-classical form made slightly punk-rock by virtue of its material: a resin that had been almost entirely suffused with glitter. So it came as no surprise when we received an email last week from the designer — who describes his process as a "search for moments of unexpected accord between the spectacular and the practical" — of a new furniture collection he'd created in collaboration with fellow student Avantika Agarwal, which paired relatively simple wooden forms with an audacious coloring process. To create Charcolor Furniture's seared rainbow effect, CMYK pigments are literally burned onto the wood.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: marble, fake marble, and a marbled painting made with a broom. Plus, select highlights from the London Design Festival, which started today.
As much fun as it is, as journalists, to the pick the brains of the artists and designers who inspire us every day, there's something we enjoy even more: being a fly on the wall as two of our favorite creatives spar back and forth about their craft. It's something we'll never understand as intimately as those who are makers themselves, and when those makers are as thoughtful about their work as Los Angeles artists Ricky Swallow and Matt Paweski are, it makes for a most excellent Friday read. Swallow interviewed Paweski in advance of the latter's solo exhibition, opening tomorrow at Herald St gallery in London, and we were lucky enough to nab a transcription of that Q&A. Read on to find out what makes a Matt Paweski, which direction his work is going in, and what the heck a "kerf" actually is.
Sighted this week on Pin-Up magazine's website, making-of images from the latest project of London talent Bethan Laura Wood, a series of summer window displays for Hermès UK called "Fruits of Labor." Pin-Up's editors call the project, which consists of classical still lifes full of oversized fruits and vegetables, "Henry Rousseau in 3-D." Says Wood of the project: "I really wanted these large-scale sets to be hand-painted in order to highlight the layers handcrafted at every stage that make up final Hermès products.”
For the young, French graphic designer and Royal College of Arts grad Marine Duroselle, a relationship to pattern and shape is both instinctive and intuitive, owing in large part to the vast array of objects she was exposed to as a child. Growing up in Peru, her mother an anthropologist specializing in pre-Colombian textiles, Duroselle was continually surrounded by rich fabrics, threads and other types of South American crafts; a period of post-adolescence spent living in New York, on an exchange program at the School of Visual Arts, only further emphasized her interest in textiles and color.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: vases made from plastic bags, lamps made from plant pots, art made from police tactics, and three new emerging designers we discovered via Instagram.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: experimental materials made from chalk and coal (above), a new Book/Shop annex in New York, and our first-ever radio show interview, with Design Sponge's Grace Bonney.
On her Tumblr, Suzanne Antonelli self-identifies as a printed textile designer. But in truth, the Norwich, UK–based designer's graphics have taken on such a life of their own that Antonelli has begun to be more widely known for the patterns themselves. In her webshop, those patterns are applied to vegetable ink–printed recycled paper notebooks, or, more simply, to giclee A1 posters — the better for adorning the walls of your house, which you're going to want to do in spades after perusing these images. Of her interest in print-making — and particularly of the repetitive geometries that have become her signature — Antonelli has said: "I first became interested in pattern when I was doing my foundation in Brighton. There was hardly any room in the studio and desks were on a first come first serve basis; I think that the lack of space made me focus more and I produced a lot of really small detailed work on graph paper using tiny dots to make up different blocks of pattern."