Week of October 28, 2013

In a perfect world, we’d all be spending our Saturdays sleeping in, making brunch, then reading the paper in our pajamas all afternoon. Our smartphones would be switched off, and we wouldn’t open our computers until we were forced to get back to work on Monday morning. But who are we kidding? Days like those come around once in a blue moon, and we’re not exactly Luddites over here anyway — we like spending time online, when it’s for our own enjoyment, anyway. Assuming there are those of you out there who agree — or are just helplessly addicted to your RSS — we’ve decided to start a weekly recap each Saturday in order to share with you our favorite links, discoveries, and events from the past seven or so days. If you’re lucky enough to be reading this on Monday, we salute you. But for everyone else, we hope we can make it worth your while to consider spending a little bit of your downtime with us each weekend, pajamas or no.
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AmDC x Outpost Journal: Hometown Homage

Last week, we introduced you to Outpost Journal, a magazine founded by Pete Oyler and Manya Rubinstein that investigates American creative scenes outside the likes of L.A. and New York, focusing on a different secondary city each year. This week, we're showing you the results of the magazine's recent collaboration with the American Design Club, which invited young designers to reflect on their own hometowns across the country, no matter how large or small. Exhibited earlier this month at the ever-changing New York boutique Story, as part of its Made in America showcase, the project — Hometown Homage — included a dozen or so objects intended to celebrate "the origins of our creative identities," as AmDC co-founder Kiel Mead put it in the call for entries. "As creative professionals, the environments from which we come – whether a farm, small town, or large metropolis – help to shape our worldview. The AmDC challenged designers to look retrospectively at their hometown experiences to design an object that reflects their heritage, paying homage to their past with skill sets honed in the present." The show itself closed on Friday, but Sight Unseen picked our favorite pieces to share with anyone who didn't have the pleasure of seeing them in person.
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24-Year-Old Misha Kahn May End Up Being Our Biggest Discovery Yet

The first time we met Misha Kahn, he was slapping gold metallic wallpaper with long-lashed googly eyes onto the walls of a tiny room we’d afforded four RISD students at our 2011 Noho Design District showcase. We were never sure quite what to make of the wallpaper — was it technically even “furniture design,” or was it more a piece of Surrealist art? — but we knew from first sight that we loved it. Which is pretty much how we’ve felt about all of the work that’s followed from the Brooklyn-based, Duluth, Minnesota–born designer’s studio, whether it’s a pink bench made from layers of resin and trash, a series of tables that resemble Froebel blocks on acid, or sewn cement pieces that look like the work of a woozy Jeff Koons.
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The Etienne Aigner Flagship Opening

In many ways, the story of Etienne Aigner is a personal one for us. As a kid growing up in the Midwest, I remember coveting my mother’s gold horseshoe–embossed heels, and then, as a teen, scouring the shoe racks at Marshall’s for a pair of my own. And Monica? I’m pretty sure when we first met she had a dozen pairs of the brand’s vintage loafers and Priscilla heels, and she happily passed that obsession — complete with eBay alerts and frantic Etsy searches — on to me. So we were more than thrilled earlier this year when Sight Unseen was approached by the 63-year-old heritage brand, now led by creative director Daniela Anastasio Bardazzi, to help conceive and curate the opening of their first-ever flagship in New York’s Soho.
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ALL Knitwear Fall Update, featuring RO/LU

We never imagined we'd be the website bringing you images from a fashion brand's lookbook, but the ones we're featuring today were just too perfect to ignore. To launch her fall ALL Knitwear collection — which includes crewnecks and pompom hats in new geometry-inflected patterns and color combos — Sight Unseen fave Annie Larson reached out to another studio with a happily low-tech approach: the Minneapolis-based furniture duo ROLU. It's a serious match made in heaven, as these photos — shot by Mary C. Manning at Mondo Cane in New York — can attest. Both Larson and ROLU make deceptively simple-looking work that belies serious craftsmanship; both studios have Midwestern roots (Larson grew up in Wisconsin and used to work at Target HQ in Minneapolis.) But it also makes perfect sense on another level. ROLU often speak about their affinity for theatrical sets, so though their work is normally shown on a gallery level, we can't imagine a better context than this in which to show it.
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At Capsule New York

Don't worry, we've got eyes on the ground at the mega–big deal trade fair happening this week — i.e. the London Design Festival — but since your editors are sadly missing out on those festivities, we thought we'd first offer a glimpse inside a trade show we ourselves had never attended until this week: Capsule, the six-year-old, 12-times-a-year fashion and lifestyle event for independent designers. This month was the SS14 women's edition, and having mostly attended design fairs we weren't really sure what to expect.
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At Boisbuchet with Snarkitecture

For those of you who haven't heard of it, Domaine de Boisbuchet is basically glorified summer camp for designers: It's an old chateau and grounds in the middle of the French countryside where, each week for 12 weeks, two or three contemporary designers or studios are invited to host a creative workshop for a group of students and professionals. During downtime, you can canoe, swim in the lake, lay in the grass, drink beers, swing from trees, attend dance parties, or sit around a bonfire and stargaze — it's pretty much rural heaven. So it was a tiny bit funny to be there last week with Daniel Arsham and Alex Mustonen of Snarkitecture, who are best-known for their work with white styrofoam, fancy fashion brands, and hip-hop superstars, and who this week are hard at work back in New York installing a 20-foot-tall carved-foam mountain as a backdrop for the runway show of leather-sweatpant purveyor (and Kanye favorite) En|Noir. Luckily you can not only take the boys out of the city, you can take the city out of the boys, whose first instruction to the participants in their "Excavations" workshop was to dredge up wheelbarrows full of dirt, clay, and sand from the lake and its surroundings. The group then spent five days doing hand-casting experiments in the sunshine, in order to "take familiar, everyday objects and find ways to manipulate and alter them to make them serve new and unexpected purposes," as Mustonen put it. After the jump, check out all the photos we took documenting the process from start to finish.
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Our 2013 Honorees

Last week on L'Arcobaleno, Jill was asked to cover the recent rebirth of New York design, discussing the transformation with key players like Jason Miller, Lindsey Adelman, and Dave Alhadeff. "Once again there’s a scene that’s celebrated internationally," said Alhadeff, and we couldn't agree more — ever since we founded the Noho Design District in 2010, which is largely devoted to American talents, we have been asked countless times by global designers and journalists to share our take on all the exciting things happening on our home turf, and we're always happy to oblige. After a while, though, it got us thinking: Why wait for people to ask? Why not create an easy resource we can share with everyone? And so, introducing the American Design Hot List, a totally unscientific, unapologetically subjective portfolio of the emerging and semi-emerging furniture and product designers we think you should know now.
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Pattern Box

We were already pretty sold on the idea of Pattern Box — a new postcard box set curated by New York's Textile Arts Center — which gathers together 100 different prints by 10 of our favorite illustrators and textile designers. We imagined sending off thank yous backed by Eskayel's dreamy, washed-out blues or get well soons accompanied by Leah Goren's graphic black cats. (With 100 cards to blow through, even our garage guy might get a holiday bonus paper clipped to Helen Dealtry's abstract florals.) But then we found the little booklet tucked inside, which contains wonderful, Sight Unseen–like Q&As that delve into the inspiration and process behind each designer and we knew we had to share.
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David Kirshoff, Designer

If New York designer David Kirshoff's bright, blobby lamps and chairs have an element of the grotesque to them, to some degree it was fated: “I was raised around a shop that makes special effects for movies and TV, where my brother and I used to hide out and coat each other with fake blood,” says the 25-year-old Pratt grad. “I’ve been welding and machining, blowing things up, setting things on fire, and most importantly, making things with my hands since I was a little kid. That’s how I learned to be a craftsman.” Thanks to these formative experiences, Kirshoff developed a healthy knack for experimentation, and for not being afraid to work outside the normal boundaries of form and function. We discovered his wacky work through Zoe Fisher, whose upcoming Handjob Gallery Store project includes a special edition of his lamps. We'll be helping Fisher launch her entire collection very soon, but in the meantime, you can get a sneak peek by way of our interview with Kirshoff after the jump.
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The BYCO Design Contest Results!

A few months ago, we launched a contest with BYCO, the new micro-financing site for fashion and housewares designers, founded by Jesse Finkelstein of JF & Son and his sister Meredith. The Kickstarter-like site invites designers to submit products, which then must be funded by supporters in order to cover the costs of making a prototype. Our contest allowed readers to submit designs that, if chosen by Sight Unseen’s editors, would bypass the funding stage and move straight to production. At the time, we had no idea what would happen. Would anyone enter? If they did, would those brave souls be plucked from the world of designers we were already familiar with? Happily, the pool was wider than we ever could have imagined. The five chosen designers, who were picked relatively blindly, range from an ITP design student to a contractor-turned-artist in San Diego to — just one! — former Sight Unseen subject, the lovely Jennifer Parry Dodge of Ermie (whose Kid Gunta duvet is shown above). Which just goes to show that BYCO isn’t merely for amateurs looking to get a foot in the door: Even for a pro like Dodge, BYCO offers opportunities that would never be possible with a small-scale production set-up. “This was an amazing opportunity, and it's a fantastic service that BYCO is providing to independent designers such as myself,” Dodge says. We couldn’t agree more! Read on to get to know the winners of the Sight Unseen/BYCO contest and click here to purchase their incredibly cool designs.
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Katie Stout, Furniture Designer

What were you doing at age 24? Muddling through grad school? Working as a CAD monkey? Moving back in with your parents? If so, you might be more than a little jealous of recent RISD grad Katie Stout, who at that tender age already holds the post of gallery director at New York's Johnson Trading Gallery, where Paul Johnson not only represents her work but encourages her to introduce him to that of her peers (like Noho Next alum and future SU subject Misha Kahn, for example). Before she landed the job, Stout's only previous employment was a one-summer college internship for the novelty housewares brand Fred and Friends: "I showed the creative director my portfolio, and when he saw a table I'd made as a sophomore that was an udder with milk squirting out of its teats, he asked me what I was on," she recalls. "Obviously I said nothing."
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