Brooklyn's Cold Picnic built a landscape out of their new rug blocks, which were wrapped in existing rug designs from their line.

A Tour of the 2015 Show: Part II

...In which we show you the rest of the incredible work we presented this year at Sight Unseen OFFSITE, which took place at Hudson Mercantile and featured the work of more than 100 designers, who hailed from places as varied as Los Angeles, Vancouver, Indianapolis, St. Augustine, FL, Detroit, Seattle, Montreal, and, of course, Brooklyn. If you happened to miss it — or if you just want to relive the glory — check out our slideshow after the jump, which features all of the studios that exhibited on the 6th floor of our show.
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Chris Wolston’s Fetish Lights

One of the many great things about living in this post-Postmodern, cyber-gray area of the 2k10s, is that artists and designers can draw inspiration from pretty much any culture or period and come away with something new and exciting. There's the brightly colored, geometric, “playful” route that has become so popular with today’s makers — and then there’s Brooklyn’s Chris Wolston. His approach to making is often from a primordial or primitive perspective, where senses of the handmade and the human spirit are easily discernable.
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Sabine Marcelis at Etage Projects

Copenhagen's Etage Projects is one of the newer galleries on the scene, but it's fast becoming one of our picks for the best. In the past two years, exhibition subjects have included SU favorites like Fredrik Paulsen, Jo Nagasaka, and Eva Berendes; the show currently on view includes Dutch designers Luuk van den Broek (who we're working on a much larger story on!) and Sabine Marcelis, who with Brit Van Nerven is responsible for one of our favorite pieces of design from the past year. Marcelis's newest project, called Voie Lights, is the first in a series of two investigations into the manipulation of light paths.
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Anders Ruhwald in PIN-UP No. 18

In the lull between Milan and the frenzy of New York design week, it's easy to become a bit myopic about what's going on elsewhere in the design world. But we'd be remiss if we didn't point out an exhibition happening right now with one of most fascinating concepts we've ever come across: At Chicago's Volume Gallery last week, the Detroit ceramicist Anders Ruhwald opened "The Charred Room," an exhibition that explores "the aftermath of a fire – objects as they should be, recognizable to an extent in shape and position in relation to one another – but charred. Slumped, melted and morphed the objects lose their direct references that create comfort, leaving the viewer with renderings of domestic detritus vaguely familiar." We had the pleasure of speaking with Ruhwald about the lead-up and the process behind that exhibition earlier this year, on assignment for PIN-UP, and with the magazine's permission, we're excerpting that story here today.
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e7’s Zinc Project Was One of This Year’s Salone Satellite Standouts

Our last bit of Milan coverage this week comes from a brand-new design studio comprised of three ECAL grads — Giulia Chéhab from Italy, Micael Filipe from Portugal and Romain Viricel from France — whose Zinc Project caught our eye in the very last row of this year's Salone Satellite. A table and shelf series made from galvanized zinc, the project was inspired by the aesthetic irregularities that arise from the galvanization process.
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At the 2015 Milan Furniture Fair, Part II

Yesterday we introduced you — both on our site and in a massive Facebook album — to all the wonderful objects we photographed while design-hunting our way through the Milan furniture fair. But thanks to seriously horrendous lighting (we're looking at you, Rho Fiera), the times we were in a hurry, and the times our camera just couldn't seem to grasp the concept of white balance while in the presence of LEDs, we couldn't possibly capture a great image of everything we saw that deserved coverage. That is where today's post steps in: Here, we bring you the best press images we gathered of all our favorite designs at this year's Salone, with nearly 50 more on offer over on Facebook.
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At the 2015 Milan Furniture Fair, Part I

Another year, another Milan. Every year we attend the behemoth furniture fair known as Salone expecting to come away with something smart to say about the current state of design. But the truth is, you spend the week bombarded with so much stuff that you're often left with just a few fleeting mental images of your favorite things, whether it's a colorful chair sheathed in Flyknit-esque sneaker material or a particularly delicious gnocchi you nearly licked off the plate. Luckily, that's what cameras are for. We shot nearly everything we saw this year, whether it was for an immediate Instagram, a file-away-for-later trend, or to share with you here, in our best of the best round-up from last week.
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Acme Releases Deadstock Memphis Objects

It was only a week and a half ago that we reported on a cache of original, made-in-the-80s Memphis jewelry designs that the brand ACME has spent the past few months pulling from its archives and posting for sale on its Legacy website (where it appears that even more designs, particularly those by Peter Shire, have since been added). But we had to come in for round two today when we found out that, just this morning, Acme unleashed the motherlode: actual objects, long unavailable and highly rarefied, by the likes of Ettore Sottsass, Andrea Branzi, and Aldo Rossi. Many of them are original prototypes, some of them are one-of-a-kind, and none of them were ever put into mass production. We've posted a selection of the offerings after the jump, along with the bits of history provided by ACME — get them before the collectors do!
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Spotti Milano, Summer Tales interior project, 2014

Studiopepe, Stylists and Set Designers

When describing their sensibility, Arianna Lelli Mami and Chiara Di Pinto of the Milan-based Studiopepe invoke the versatility of classic white shirt: “You can wear it anytime, to go to the supermarket or to a soirée. The same is for design. Good design — whether a masterpiece or anonymous — goes with everything.” Their evocative aesthetic, though, is anything but simple. “Eclecticism and curiosity” are important starting points for them, and their output is rich with visual references, ranging from the harmony of classical forms to the glamour of Italian cinema in the ‘60s. But they don’t merely quote their source material, they transform it.
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Örnsbergsauktionen 2015

Exhibition curators often face a funny dilemma: The more successful they become, the more great people start clamoring be involved in their projects, which ultimately only makes their selection process that much harder. Hence why the minds behind the Swedish design auction Örnsbergsauktionen — which for the past four years has consistently been pretty much the most amazing thing coming out of Stockholm Design Week — decided to tighten the curatorial reins this year, not only requiring that their 30 participants be designers who self-produce their own work in small batches but also leaning heavily towards the ones who work collectively or invent their own materials and processes. Once they managed to narrow their list down to the lucky few, which this year includes folks like Maria Jeglinska and Jenny Nordberg — plus of course founders Simon Klenell, Fredrik Paulsen, and Kristoffer Sundin themselves — they let the magic flow, resulting in the 40 objects that will head to the auction block on February 6. As usual, we've excerpted our favorites after the jump.
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Hallgeir Homstvedt, Designer

As we prepare to welcome the new year, let's all take a moment to reminisce about how great 2014 was. Sure, some had better years than others, but there's one thing that can't be contested — Norwegian designer Hallgeir Homstvedt had an immensely successful run, launching four products to the market and cementing relationships with companies like Muuto, Lexon, and Established & Sons. So what is it exactly that brings manufacturers knocking at his door? We've got a hunch that it's the designer’s ability to be adaptable and cooperative throughout the design process, whilst sticking to a very distinct concept, something he learned on the job during a three-year stint with design studio Norway Says. His products are tactile and interactive, smart and perfectly proportioned.
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Week of November 18, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, and events from the past seven or so days. This week: a cement-truck mural, a furniture collection about shark-hunting, a pretty way to empty your pockets, and more.
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