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Lily Kamper, London Jewelry Designer

Though she studied textiles at London's Royal College of Art, Lily Kamper spent most of her time in the jewelry department experimenting with acrylic, resin, and offcuts of Corian. The lathe became her tool of choice, enabling her to machine pillar-like, geometric forms that could transform those everyday materials into vibrant, beautifully crafted pendants and accessories.
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L.A.’s Newest Design Brand, TOOOLS

Back in 2012, we wrote about the launch of a gallery called Beginnings in Brooklyn, which, a year later, met an untimely and unfortunate end. But two of the gallery's founders have since gone on to forge a new (ahem) beginning, this time giving it a far less superstitious name: TOOOLS, a Los Angeles–based object-design company recently started by artist Caroline Hwang and designer Joel Speaskmaker that aims to be "a new company with an old ethos: form & function." See what the duo have to say about the project, and see tons of images, after the jump.
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Top 5: Transparent Jewelry

A periodic nod to object typologies both obscure and ubiquitous, featuring five of our favorite recent examples. Today, the subject is transparent jewelry, which has evolved beyond its '60s pop connotations to encompass designs both subtle and edgy.
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Designers Interpret the Classic Tolix A Chair

We aren't quite sure how we missed this project — considering both our affinity for the classic Tolix A chair (we might own seven (!) of them ourselves) and our affection for the designers involved — but in Milan last month, the French company celebrated its 80th anniversary and in doing so invited eight design studios to reinterpret its most famous offering.
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Top 5: Dust Pans

Our Top 5 column is a periodic nod to object typologies both obscure and ubiquitous, with five of our favorite recent examples highlighted in each post. Today, the subject is dust pans, whose utilitarian beauty is being rediscovered by a new generation of retailers and designers.
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French Sculptor Cécile Mestelan’s Ceramic Objects

As an MFA student at ECAL, French-born artist Cécile Mestelan got into making small-scale sculptures with plaster for practical reasons — cost and ease of transport — but stuck with the material for more poetic ones: "It’s a very powerful and open material to work with; you can do so much with it, from modeling and sculpting to engraving," she says.
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Thing Industries

When designers approach their medium with such a religiosity that it pushes their work into an unattainable or off-putting place, it can make the viewer a bit uncomfortable. On the other hand, not taking your work seriously enough is a recipe for kitsch, and being relegated to that dustbin of history. Enter Bridie Picot and Matt Smith, two native New Zealanders behind the design studio Thing Industries, whose work flits back and forth between the arch and the architectural.
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Curse The Darkness by The American Design Club With Roll & Hill

When the American Design Club first started back in 2008, the idea was to find new ways to gain exposure for emerging talents in the U.S. scene, a goal pursued primarily via juried exhibitions — and a goal that happened to dovetail perfectly with Sight Unseen's vision for a New York design week event that would put the spotlight on exactly the kind of emerging voices the AmDC comprised. In 2011, the second year of our Noho Design District show (the precursor to Sight Unseen OFFSITE), we hosted the club's fifth exhibition, and last month we were thrilled to host its 12th. Called "Curse the Darkness" and presented in partnership with the lighting brand Roll & Hill, the show invited designers to submit "objects that can hold a candle and light up a room."
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Piet Hein Eek’s Wonder Room at The Future Perfect

In case you missed it, on Saturday we recapped our favorite offerings from around town during NYCxDesign. But there was one location whose showcase we saved for its own story: The Future Perfect, where owner Dave Alhadeff has given over the entire Noho shop to Dutch designer Piet Hein Eek until mid-June.
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Week of May 18, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week we're bringing you a special ICFF edition, with our favorite finds from elsewhere around town (in other words, all the things we would have seen in person if we hadn't been tending to our own event!)
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Brooklyn's Cold Picnic built a landscape out of their new rug blocks, which were wrapped in existing rug designs from their line.

A Tour of the 2015 Show: Part II

...In which we show you the rest of the incredible work we presented this year at Sight Unseen OFFSITE, which took place at Hudson Mercantile and featured the work of more than 100 designers, who hailed from places as varied as Los Angeles, Vancouver, Indianapolis, St. Augustine, FL, Detroit, Seattle, Montreal, and, of course, Brooklyn. If you happened to miss it — or if you just want to relive the glory — check out our slideshow after the jump, which features all of the studios that exhibited on the 6th floor of our show.
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Chris Wolston’s Fetish Lights

One of the many great things about living in this post-Postmodern, cyber-gray area of the 2k10s, is that artists and designers can draw inspiration from pretty much any culture or period and come away with something new and exciting. There's the brightly colored, geometric, “playful” route that has become so popular with today’s makers — and then there’s Brooklyn’s Chris Wolston. His approach to making is often from a primordial or primitive perspective, where senses of the handmade and the human spirit are easily discernable.
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