Tag Archives: photography

  1. 03.05.15
    Eye Candy
    Still Lifes by Belgian Photographer Frederik Vercruysse

    Still life photography is having a big week on Sight Unseen — yesterday we featured a pair of stylists who built their reputation on it and are now moving into interiors, and today we’re highlighting a photographer who approaches shooting interiors just as though they were still lifes. Belgian-born talent Frederik Vercruysse, in fact, describes his entire body of work as “still life photography in the broadest sense of the word,” according to his website, applying the approach not just to interiors but to portraits, fashion shows, and the occasional landscape as well (for clients like Wallpaper magazine, Sophie Buhai, and Muller Van Severen). But then, of course, there are his actual still lifes, which we’ve decided to focus on here. Shot mostly for magazines, they represent the purest form of his aim “to photograph the subject in its purest form.”

  2. 02.27.15
    Sighted
    Tekla Evelina Severin on the Urban Outfitters Blog

    At last year’s Milan Furniture Fair, we had an extremely rare — but kind of major — fangirl moment. It wasn’t in response to some big-name Bouroullec-type designer with an installation around town or even Anna Della Russo, who you sometimes see flitting from party to party. It was a Swedish interior architect and photographer named Tekla Evelina Severin — better known on Instagram as Teklan — who we met on a lazy afternoon while exploring Venture Lambrate. Severin has hands down one of the most beautiful Instagrams around, so we were insanely excited to meet her, and even happier when this beauty of a story popped up on Urban Outfitters’ blog earlier this month. On the occasion of Valentine’s Day, Urban asked Severin to provide them with a series of pink photos that said something about the way she sees the world; of her addictive feed, she says, it’s “65 percent impromptu and 35 percent planned. Often it’s just things I notice as I pass them or when I’m traveling. Or sometimes it’s a place I’ve seen and not been able to get over.” Read on for a selection of our favorite images from the story, then click through for even more photos and an interview with the designer. (And if you don’t, follow her on Instagram already, will ya?!)

  3. 02.25.15
    Excerpt: Exhibition
    Barbara Kasten at the ICA Philadelphia

    If Barbara Kasten’s colorful, angular compositions look as though they could have been arranged just last week by some prop stylist in Los Angeles — well, consider that a testament to Kasten’s massive, if massively underappreciated, influence. The Chicago-based artist and photographer is currently the subject of a long overdue solo exhibition at Philadelphia’s Institute of Contemporary Art; Stages spans five decades of work, from fiber sculptures to cyanotype prints to set design to a brand-new, site-specific installation that plays beautifully with the ICA’s interior architecture. For us, though, the exhibition’s highlight is the 1980s-era Constructs series, for which Kasten photographed theatrical assemblages incorporating elements such as metal, wire, mesh, mirrors — not to mention life-sized squiggles, cones, triangles, and columns made from plaster or wood. Constructs blurred the line between object and image and set the stage for nearly every photo shoot you see on blogs like this one today. Kasten was influenced by the Bauhaus, California Light and Space, and Postmodernism, and the program for her exhibition includes a conversation between Peter Shire and Martino Gamper. Considering the previous sentence includes five of our favorite things, you’ll know where to find us come March 25: on the next train to Philly.

  4. 02.21.15
    Saturday Selects
    Week of February 16, 2015

    A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: two new designs by American Design Hot List alums, a solo show by a master of Mono-ha, and various accoutrements for the chicest breakfast table ever, including marble egg cups and this epic speckled pitcher by BTW Ceramics.

  5. 02.19.15
    Invitation
    The Hollyhock House Shot by Gaea Woods

    If you’d happened to wander into L.A.’s Barnsdall Art Park in the middle of the night last Friday, you might have assumed there were concert tickets, or some newfangled iPhone model, about to go on sale the next morning: even into the wee hours, a line of people three hours long snaked all around the property. Amazingly enough, though, the massive crowd had turned out not to buy something but to experience the re-opening of Frank Lloyd Wright’s landmark 1921 Hollyhock House, which we overheard certain over-caffeinated line-goers describe as “super hyped.” Built in 1921 in the so-called California Romanza style, the theater and home turned museum had been closed to the public for more than three years for restoration, and the city was celebrating the unveiling of its face-lift by giving the public continuous free access for 24 hours. We figured the best way to mark the occasion was to send a photographer to shoot the house after dark, a task we entrusted to the up-and-coming L.A. photographer Gaea Woods.

  6. 02.09.15
    Excerpt: Exhibition
    Doty/Glasco at CES Gallery

    We had never heard of the photography husband-and-wife team of JR Doty and Joe Glasco — or the LA gallery CES — before this exhibition announcement arrived in our inbox today, but as soon as we saw the photos we were hooked. The two photographers began collaborating professionally back in 2013, and their current work draws from an archive of more than 40,000 images that were taken on a road trip across America over the last year. Doty and Glasco photographed specific locations, like Utah and California, because of their unique geological conditions. “The images represent the essence of nature with an emphasis on the phenomena of time as it affects the landscape’s topography, such as rippling water, striations of marble and the constant changing of landforms,” the press release reads.

  7. 01.29.15
    Eye Candy
    Elizabeth Atterbury, Artist

    While the Maine-based artist Elizabeth Atterbury has done amazing things with just simple shapes cut into paper and steel, lately she’s been getting a wee bit more ambitious — building a 3-by-4-foot sandbox in her studio and photographing compositions she’s raked into it, or using a bandsaw to carve grill bricks into arcs and zigzags then documenting the crumbly results. Aside from photography — which she studied in school — she also exhibits sculptures in clay and painted wood. You can see them in person now through May 10 at Colby College Art Museum in Waterville, Maine, or pick up a copy of Atterbury’s 2013 book with Bodega gallery, “In the Middle, an Oasis.”

  8. 01.22.15
    Self Portrait
    Recreation Center’s Ceramics

    There’s a kind of genius in the way that Josephine Heilpern runs her ceramics studio, Recreation Center. Maybe not in the fact that she does everything — from designing to fabricating to filling orders — 100% on her own, with no help, running herself perpetually (yet gleefully) ragged, but more in how she knows exactly when to keep things simple versus when to let her imagination run wild. In the three years since she’s been making the mugs, lamps, and mobiles we’ve been fortunate enough to stock in our online shop, she’s barely changed her design formula, hewing to basic shapes and consistent patterns that resist becoming tiresome with daily use, yet on her site and her popular Instagram feed, she markets those objects with all the visual pizzazz of a 28-year-old raised on internet culture. When we invited her to shoot some of her creations exclusively for Sight Unseen, she turned up the styling charm, busting out the dollar-store props and studio scraps to bring her aesthetic vision to life.

  9. 01.21.15
    Up and Coming
    Daniel Everett, photographer

    Utah-based artist Daniel Everett has a BFA in photography from Brigham Young and a master’s from the School of the Art Institute of Chicago. But it may have been what happened between his two degrees that had the biggest impact on Everett’s career. “I’d done an internship as part of my undergraduate degree with Edward Burtynsky, and after I finished my undergrad, I traveled with him for just over a year,” Everett remembers. “If you know his work, Burtynsky photographs, like, manmade manipulations of the landscape: the largest open-pit copper mine, or the largest oil field. We were always traveling to some superlative location — the biggest, the widest, the greatest — and I got really interested in the in-between places that we passed through: the nondescript, transitory spaces like subway systems, airports, parking garages, and hotels. Spaces that are meant to be legible regardless of the language, and where the aesthetics are governed by function.”

  10. 01.17.15
    Saturday Selects
    Week of January 12, 2015

    A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week was all about material experiments: ping-pong paddles in Plexi or wood, a yoga-ball holder built from inflated concrete and pigment, and furniture made from the remnants of an imaginary construction site.

  11. 12.17.14
    Up and Coming
    Los Angeles art director Sarah Kissell, aka Pure Magenta

    It can be easy to become immune to the Postmodern references and patterns currently littering the digital ether, but there’s something different about Sarah Kissell, the Los Angeles–based designer behind the graphically-fitting guise Pure Magenta. As she describes it, it’s the simultaneous practice of excess and restraint — especially while exploring questionable taste — that Kissell values the most. “Riding the line between the two is when things become interesting to me,” she says. “It also widens the opportunity to succeed or fail, which is a healthy place to be a young designer.” And healthy is exactly where the designer is right now, dividing her time as senior art director for the terminally trendy fashion retailer Nasty Gal, as well as developing Pure Magenta’s graphic identity and soon-to-launch jewelry line.

  12. 12.15.14
    Excerpt: Book
    Down the Long Driveway, You’ll See It

    There’s nothing we love better than when our very talented, creative friends introduce us to their very talented, creative friends, and this week didn’t disappoint: In our inboxes arrived the most beautiful submission from Mary Gaudin, a New Zealand photographer living in Montpellier, France, who was introduced to us through Brian Ferry, one of Sight Unseen’s contributors and a wonderful photographer in his own right. Gaudin recently published a book on modernist New Zealand homes in collaboration Matthew Arnold of Sons & Co called Down the Long Driveway, You’ll See It; the title is a quote from one of the book’s subjects, upon giving directions to his home. The book documents 14 homes built between 1950 and 1974, and it’s a revelation not only for the beautiful way in which it’s photographed but for the peek it gives into New Zealand’s architectural history.

  13. 12.12.14
    Excerpt: Exhibition
    Adi Goodrich at The Standard, Hollywood

    In her day-to-day job as a set designer, Adi Goodrich constructs elaborate environments with her crew on set or in the studio, but the rest of world experiences her work only through photographs. As of last night, however, you can view the Los Angeles designer’s work IRL in an installation on view until the end of December at The […]

  14. 12.04.14
    Eye Candy
    Elise Windsor, Photographer

    The photographs of Montreal artist Elise Windsor are studies in color, shape, and the definition of objecthood. Windsor’s work has been shown internationally, from New York to Russia, and she is currently a MFA Candidate at Concordia University’s Studio Arts Program. These selects, all from her series “IN TOP FORM,” consider the spatial dimensions of everyday objects and “the relationship between geometric form and optical illusions.” Experimenting with how three-dimensional objects might be represented two-dimensionally, the series both riffs on traditional product photography and explores the layered space where photography meets sculpture. It’s also interesting that the images are all formatted as squares — maybe we’re too wrapped up in the present, but we can’t help but think it’s a reference to social media’s influence on sharing, style, and delivery.

  15. 11.19.14
    Studio Visit
    Egg Collective, furniture designers

    When Egg Collective launched their debut furniture collection at ICFF in 2012 — snagging a Best New Designer award in the process — they seemed to the design world to have come out of nowhere. And in fact, though the three — Stephanie Beamer, Crystal Ellis, and Hillary Petrie — met and began collaborating as 18-year-old freshmen at Washington University’s architecture school more than a decade ago, the truth is they had formally joined forces and had begun crafting an ICFF plan only six months earlier. “I remember the three of us sitting outside the Javits Center in our Budget truck, about to move in furniture that we’d been working on with no one having seen for six months,” says Beamer. “I was like, you guys, this is it. People could just walk by us the entire fair. But thankfully we seem to have struck a chord and the work resonated.”

  16. 11.17.14
    Eye Candy
    Meredith Turnbull, artist

    A few Saturdays ago, we featured Australian artist Meredith Turnbull’s incredible, powder-coated brass jewelry, but today we wanted to turn your attention to her equally terrific art practice. Navigating her website, we became intrigued by images of totemic metallic structures that were nevertheless labeled as photography. We asked Turnbull herself to clarify: “My practice as an artist has really been shaped by my training: first studying photography, then doing a degree in Art History, then later a degree in Fine Art specializing in gold and silversmithing. This affected the way I work and made me very interested in ideas in and around discipline, functionality, art and design history, and of course context! I’m preoccupied with theories and ideas about purposeful objects and their relationship to people as well as new contexts for those ideas. So I make objects across a variety of scales. Sometimes I photograph these but only exhibit the photograph; sometimes I show small objects alongside larger installation work. I’m always trying to work with scale and the context in which I’m exhibiting.”

  17. 11.15.14
    Saturday Selects
    Week of November 10, 2014

    A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, it’s almost time to start gifting! We’ve got high and low lights, artist-edition shoes, affordable trays by one of our favorite designers, and a pop-up shop filled with a collector’s curiosities.

  18. 11.12.14
    Sighted
    Marten Elder in 01 Magazine

    Sometimes you have to laugh at your own predictability. It was love at first sight when I first saw these images of Los Angeles photographer Marten Elder’s work in the fantastic new issue of 01 Magazine (which also features SU faves like Oeuffice and Doug Johnston). But when I began to read the article, it became immediately clear to me why: Elder studied at Bard College, where his senior project advisor was Stephen Shore, another visual fascination of mine. But while Elder’s older work is more like Shore’s in its exquisitely faithful representation of a banal reality, his newer work represents a more color-saturated view of those equally ordinary vistas (a concrete street corner, a stack of scaffolding.) The accompanying interview is great, so we’re excerpted part of it, as well as our favorite images, here. Go to 01’s current issue for the full article, then visit Elder’s website for even more images.

  19. 10.13.14
    Eye Candy
    Valentina Cameranesi Sgroi’s Associations Vases

    Italian product designer Valentina Cameranesi Sgroi worked as lead designer for Diesel Home — developing furniture and lighting for its collaborations with Moroso and Foscarini — for three years before becoming a freelance creative director in 2012. Since then, she’s also developed a personal body of work that includes video art, photography, and ceramics, exploring “the relationship between the natural and artificial.” Her latest project, Associations, is a series of vases that take inspiration from ’70s craftsmanship but with simple, expressive shapes that evoke Ettore Sottsass and the Italian artist Gino de Dominicis. All of the pieces in the collection are made by artisans in Veneto, Italy.

  20. 10.03.14
    Eye Candy
    Thomas Albdorf, photographer

    Still-life photography has been a staple form of expression for photographers since the invention of the camera. And with the rise in popularity of sites like Tumblr and Pinterest, there’s been a noticeable influx of images on the Internet that follow certain preconceived notions of what a contemporary still life ought to consist of: a clean image with a pale colored backdrop, some kind of sliced fruit, maybe some bubble wrap, etc. Enter Thomas Albdorf, the Austrian artist who crossed over into the world of photography after a career in graphic design and art direction. Albdorf shoots with a 35mm camera that results in a grittiness that is refreshing in this digital age, and his background as a designer is clearly evident in his calculated and well-balanced photographs. His still lifes — constructed from mundane objects or littered building materials — are full of texture, pattern, and intrigue.

  21. 09.29.14
    Eye Candy
    First Impressions of Greece, by Mary Manning

    Sam Cate-Gumpert, of the artist’s book publisher Peradam, had, like many of us, been following the photographic essay that is Mary Manning’s life through her blog Unchanging Window for several years before he approached her with the idea of publishing a collection of her images in a real-life book. Initially, Manning explains, she had a whole other idea of what the book would be, but then a succession of events — a spontaneously booked vacation to Greece with her girlfriend Monique and a gift from a friend of a very beautiful copy of Henry Miller’s First Impressions of Greece (accompanied by an elaborate list of tips and recommendations for the trip), led to a very different publication. Manning says that upon receiving the copy of Miller’s book she knew instantly that instead of what she had been planning, her book would be ‘Greece and Monique. Impressions’. The images, which were all captured on film, were curated into the gentle rhythm seen on these pages by Manning herself and show all the characteristic genius of her previous work.

  22. 09.20.14
    Saturday Selects
    Week of September 15, 2014

    A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: We’re having a serious way-back moment — two collections that reference 70s-era Superstudio, a 1960s Cappellini reissue, and a mirror inspired by an engraving from the 14th century.

  23. 09.18.14
    At Home With
    The First 59 Minutes of Jill’s Day


    Two things happen when you run a site that features as many beautiful interiors and objects as Sight Unseen does: One, people begin to seriously hit you up for interior design advice (which we can oblige, though please don’t ask us about the art on your walls!). Two, they start to wonder if they can sneak a peek inside your own space. So when we were recently asked to participate in IKEA’s brand-new “Show Us Your IKEA: The First 59” campaign — which focuses on how IKEA pieces can help make the most out of the first hour of your day — we thought this was as good a time as any to invite our readers into one of my favorite spaces and to share a bit of my own morning routine.

  24. 08.23.14
    Saturday Selects
    Week of August 18, 2014

    A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week had a very geometric vibe, from our favorite picks from the NYNOW gift fair, to a lamp inspired by ’80s virtual reality, to a photography series showcasing the nature of shadows.

  25. 08.22.14
    Eye Candy
    KONTO, Installation and Product Designers

    KONTO is a collaborative installation, interior, and product design project by two Danish creatives, artist Morten Bencke and textile designer Elizabeth Kiss. The pair make things like lamps and trivets, but our favorite projects of theirs are more abstract, like the pastel totem pictured below, created for a friend’s music video, or the experimental sculptural series Montage 1, featured in the rest of this post. The pair describe their work as “based on light, balance, curiosity and colors” — check out more of it after the jump.

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