Berlin illustrator and photographer Sarah Illenberger turned her recent six-week trip to Porto, Portugal, into an extended personal art project, collecting leaves from local botanical gardens and then decorating and photographing them for her new Wonderplants series.
Chicago-based photographer Robert Chase Heishman got his start at the ripe age of 18 at the world-renowned Merce Cunningham Dance Company in New York. There, Heishman was entrusted to create a set design for the work Split-Sides. Cunningham — known for his frequent collaborations with musicians John Cage and David Tudor and artists like Robert Rauschenberg and Bruce Nauman — worked closely with Heishman, and thus the photographer’s appreciation for chance-operations, collaborations, and process-based art was born.
When we first invited one of our favorite prop stylists, Seattle's Amanda Ringstad, to create a shoot around Q+Q's line of waterproof, solar-powered watches last year, she attempted to abstract the simple, color-blocked designs into ambiguous shapes and arrangements. For its 2015 collection, however, the Japanese brand — who partnered with us for a second time at this year's Sight Unseen OFFSITE — went wild with pattern, so we thought it would be especially compelling to return to Ringstad once again and see how that might change her aesthetic approach. The result is a series of playful, summery images shot inside a big bucket of water that imagine the watches as eye-catchingly outfitted, anthropomorphized bathers.
When we asked Brooklyn's Wintercheck Factory — who debuted their latest collection with us at Sight Unseen OFFSITE last month — to shoot those new pieces in the most appropriate scenario they could imagine for our Self Portrait column, their choice of venues ended up being even more fitting than they themselves realized. A 1910 bank building in Bed-Stuy is about to become the duo's new studio, and clearly it makes for a stunning backdrop, but having been ripped up, painted, retiled, left to rot, bricked up, and, now, appropriated as a creative space, it can also be read as a symbol of Wintercheck Factory's own gradual reinvention.
Sight Unseen OFFSITE opens today, and front and center at this year's show is an undulating structure that, from a distance, looks incredibly mysterious — its walls are made from an unusual material, and they periodically emit a strange, pulsing blue glow. As you approach the structure, you first pass through a very narrow entryway that obscures your view of what's inside, but once you arrive there — well, that's the magic of the Dynamic Sanctuary, an installation by the Brooklyn design studio The Principals that's a kind of poetic metaphor for the design ideas behind Ford's 2015 Edge vehicle.
We first came across the work of UK photographer Kate Jackling through a collaboration with COS that was endlessly re-pinned a few months back. That campaign — with its clothes draped over pink, yellow, and blue geometric forms — was so good that we had to know more about the photographer responsible for styling such a fun and playful set. Once we came across her website, we knew we'd hit the jackpot. Jackling’s photos are clean, playing with shadows and reflections to elevate product photography into something more artistic — photos that sell the product, yet also sell Jackling herself as someone who clearly understands her craft.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Three particularly timely design objects that launched in Milan, one peculiar woven-glass lamp that didn't, and a show by the design world's most beloved artist, Carol Bove, pictured above.
Over four days spent in Milan last week at the annual furniture fair, we saw dozens of exhibitions, spent 9 hours at the fairgrounds, and shot more than 800 photos. Pretty overwhelming. While we take a moment to regroup and put together our official coverage, which starts tomorrow, we figured we'd share with you one of the few projects that we didn't photograph in Milan, but didn't need to — SU alums Josephine Choquet and Virgil Thévoz launched an extensive new collection of marble tables and housewares with the Italian marble producer Bloc Studios, and thanks to the duo's superior art directing skills, it came complete with the perfectly styled set of images you'll see after the jump.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: While the international design community (including Jill and Monica) convened in Milan for the Salone del Mobile, we put Ryland on the case to round up a few of his favorite finds, ranging from the dark, moody objects of Blackman Cruz at Wright (pictured above) to a Technicolor Instagram account involving pool noodles and sneakers.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week was all about designers doing mesmerizing things with very simple shapes: from Nendo's new color-gradient cube tables to a series of interactive geometric projections to the London grad who's pushing the boundaries of jewelry with his mixed-material compositions (pictured).
B-FIT, a project by the Seoul-based design collective Fact Non Fact, is the very definition of eye candy — the geometric shapes it comprises are meant not to function in specific ways, but merely to look pretty and highlight the materials they're made from, which include iron, brass, plaster, terra cotta, marble, wood, glass and concrete. If "A-FIT," according to Fact Non Fact, refers to all the objects in our lives that are optimized for specific functions, like chairs or door handles, "B-FIT" refers to the kinds of objects that aren't. After making the pieces, designers Jinsik Kim, Yuhun Kim, and Eunjae Lee brought them to life in three ways: as a physical installation, as a conceptual deskscape, and as the Assemblage images you see here.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a Bahamian ceramics wunderkind Instagrams her way into our hearts, a group design show makes us wish we lived in Saint-Étienne, and two Greek designers kill it with the most beautiful house (above) and choker necklace we've seen in recent memory.