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05.04.17

Studio Visit

The Glass-Walled LA Loft of New Fashion Brand Everybody is Anything But Basic

As former creative leads at American Apparel, it’s no surprise that Iris Alonzo and Carolina Crespo have an idiosyncratic sense of what counts as basic. After all, these are the women who visually defined a generation by re-proportioning denim and T-shirts into high-waisted mom jeans and plunging V-necks. In leggings as pants and a rainbow array of unitards — and in a now-notorious series of advertisements — was the sense that wearing a uniform could be outré, as well as an embrace of ease that paved the way for the subsequent movements of athleisure and normcore. The duo's new line follows suit: EVERYBODY, a collection of unisex, seasonless basics ranging from a white cotton flightsuit to a perfect garment-dyed denim work coat. We recently visited them in their studio.
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08.20.16

Saturday Selects

Week of August 15, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, it's all about the upgrade: chic, elemental sculptures to brighten up your desk; a perfectly patterned Poäng; and a bathing suit that'll make your design friends green with envy at the beach.
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12.10.14

Studio Visit

Maryanne Moodie, Brooklyn Textile Artist

There are few people who get the opportunity to uproot, relocate, and be instantaneously welcomed by a community of powerful and creative women. But Maryanne Moodie — the Melbourne, Australia native who settled in Brooklyn last year after her husband got a job a Etsy — did just that. Since arriving, she says, “I’ve been able to meet and forge fast friendships with so many amazing textile ladies — inspirational women who are creative as well as business focused. I’ve had the chance to collaborate professionally with them — as well as down a few glasses of wine over plans for world domination.”
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05.03.14

Saturday Selects

Week of April 28, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a website that treats industrial supplies as art, an exhibition that treats styrofoam scraps as furniture, and a side table (pictured above) that comes in three flat-pack, numerically based configurations, each more beautiful than the next.
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04.01.13

Studio Visit

Julianne Ahn of Object & Totem

Like most ceramic artists we know, Julianne Ahn didn’t originally train at the wheel. “I went to school for undergrad in textile design, and then I got an MFA in the Fiber Materials Studies department at SAIC — which is a way more conceptual major,” the Philadelphia-based designer told us when we visited her studio this winter. “I did that on purpose to complement my undergraduate degree, which was about technique and craft-making. Somewhere in the middle, I’ve managed to find a balance between concept and design.”
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09.27.12

Sighted

Isabel Wilson on Freunde Von Freunden

There must have been something in the air back in 2009, because Freunde Von Freunden, the Berlin-based website whose voyeuristic, photography-based interviews are of a piece with our own obsessions (i.e. barging in on people's home and workplaces and showing ourselves around) — started just a few weeks before Sight Unseen's launch at the end of that year. "We never look for apartments but for people," they say, and that's always been our mission as well — to get at the personality behind the product, and the narrative behind each new release. To that end, since we introduced you last week to Isabel Wilson's textile and jewelry line with Chen Chen — and considering we've more than covered her partner in crime — we figured it was high time to get to know the RISD grad's incredible,intricate work. Luckily FvF beat us to it, with a gorgeously photographed editorial by photographer Brian Ferry, which appeared on the site just last month, and which we're excerpting on Sight Unseen today.
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08.29.11

8 Things

Autoban, Furniture and Interior Designers

The Beyoğlu district is one of the oldest neighborhoods in Istanbul, but for centuries, it’s been the Turkish cultural capital's most modern quarter as well. So it's fitting that the creative firm helping to spearhead the growth of modern design in Turkey has all but grown up on Beyoğlu’s cobbled streets. Autoban is housed in a half-baroque, mid-19th-century Italianate building, but inside, the studio is almost seamlessly modern.
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