Week of February 8, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: avant-garde chairs designed by third-graders, a fresh look at classic Verner Panton furniture, and a peek into the Manhattan studio of Giancarlo Valle.
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Fabien Cappello Mexico City studio

Fabien Cappello’s Studio is an “Island of Quiet” in the Middle of Mexico City

When asked about his relationship to color, furniture and interior designer Fabien Cappello stifles a laugh. “I find this so funny,” he says, “but I am colorblind.” This comes as somewhat of a shock after having seen the inside of Cappello’s Mexico City studio, a 1,075 square-foot space littered with designs in various stages of development: yellow and red fiberglass plant pots; a woven lounge chair with teal legs; lantern-like prototypes made of blue, orange, and pink wire.
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Three Designers Turned Their Hotel Rooms Into Studios for A Weekend Residency — Here are the Results

With the help of the design-forward travel app HotelTonight — which allows designers to choose from a curated selection of hotels that might drive creative inspiration — we issued a challenge to three designers: Spend a weekend in a city you've never been to, bringing with you only the tools you can fit into a carry-on, and use your hotel room as a mobile studio in which to create a design object inspired by your travels.
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At 83, Vasa — and His Famed Acrylic Sculptures — Are Still On Top of the LA Art World

When our friend and sometime contributor Robin Stein emailed us to reveal that Los Angeles artist — and longtime SU obsession — Vasa Mihich was an old family friend, and ask if we might be interested in shooting his Los Angeles studio and archives, we jumped at the chance. What Stein's photos reveal is something that we, who often focus on design's newest and youngest practitioners, rarely have access to: a portrait of an octogenarian artist, still producing at a rapid clip, at the height of his career and his potential; a maker clearly in love with both his materials and his process.
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This Copenhagen Design Duo Uses 3D Software to Create Interiors — And Art

When we first encountered Swedish-born Anny Wang’s furniture and 3D illustrations via Instagram, she was fresh out of design school, where she had studied interior architecture. At the time she was moving to Copenhagen and launching her first project with Tim Söderström, her partner and a fellow 3D whiz with a background in architecture. Recently, however, the two decided to make their business partnership official, opening a Copenhagen-based studio called Wang & Söderström, where they create illustrations and animations for clients such as Nike, Refinery29, The New York Times, Apartamento and more.
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Inside the Downtown Los Angeles Loft Where Five Creatives Collaborate

Somebody knew somebody. That’s the short answer, according to Claire Cottrell, to the question of how five creatives — Cottrell, Michael Felix, David Rager, Cheri Messerli, and Saul Germaine, each distinguished in their respective fields — found themselves working out of a shared studio in LA’s Arts District, and occupying its airy second floor. “There are two degrees of separation between all of us,” she says.
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Week of March 23, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: two amazing but different geometric mirrors (including this beach house–ready one by Alex Drew & No One), a digitally rendered interior that has us ready to move in, and vintage napkin rings that look like cool-girl jewelry — by none other than Nathalie du Pasquier.
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Jacqueline Klassen, Ceramicist

Jacqueline Klassen didn’t grow up around design; her father was a therapist and her mom a case management worker, and their family’s greatest joy was good food. She didn’t study it either; she holds an undergraduate degree in English literature and was often told, “Go to school! You’d be a great teacher!” But rather than teach, Klassen instead signed up for more classes herself — only this time it was a six-week course in ceramics. “I immediately was in love,” Klassen remembers. “I was always grasping for something that would be a good fit for me; I was trying to make something work, but I hadn’t yet found it.” Over the next year, she toyed with the idea of going to grad school for art history. But when she found herself in the studio, at the wheel more often than not, it became apparent that perhaps she should listen to her gut.
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Huy Bui on Freunde Von Freunden

Though we have a particular fondness for so many of the designers we've featured or worked with in the five years since Sight Unseen began, Huy Bui might be the only one who can lay claim to being both one of our favorite designers and the co-founder of one of our favorite New York restaurants. As the founder of Plant-In City — or what he calls architectural terrariums for "the 21st century" — Bui was one of the inaugural exhibitors at our Sight Unseen OFFSITE showcase last year. And as the designer and co-founder of the Lower East Side Vietnamese eatery An Choi, Bui's provided the backdrop for many a late-night design date. So when Freunde von Freunden reached out with the opportunity to co-publish a story on Bui's Brooklyn apartment and studio — complete with cameos by the designer's sweet dog Loopy, one of the more popular attractions at OFFSITE last year — we jumped at the chance.
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The Grantchester Pottery

What happens when two conceptual artists meet on a retreat in the English countryside and get to grips with ceramics in an abandoned studio? In the case of The Grantchester Pottery, they form a decorative arts collective that feels more like a piece of conceptual art — which is a bit misleading, considering The Grantchester Pottery sounds a lot like a heritage brand, and these guys don’t just throw pots. In fact, they don’t throw at all. “It’s not that we have not tried!” says co-founder Giles Round.
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