Tag Archives: Studios

  1. 03.07.14
    Studio Visit
    Mel Nguyen, Artist

    As an artistically inclined teenager feeling bored and marooned in the suburb of Vadnais Heights, Minnesota, Mel Nguyen did what any millenial in her situation would do: She turned to the internet for creative stimulation. “Even as a high schooler I was looking at all these graphic design blogs, seeing how the field was changing, and thinking, wow,” she says. As soon as she enrolled as an art student at the Minneapolis College of Art and Design, she started her own tumblr, showing off her experiments sliding from 2-D into to 3-D and back again. She managed to build such a following on the site that her work went viral in certain online art and design circles — so much so that it’s hard to believe she’s only 21, and won’t graduate until this spring.

  2. 02.19.14
    Up and Coming
    Studio Visibility, Product Designers

    Sina Sohrab was born in Tehran and raised in Detroit; Joseph Guerra is a native Los Angelean who grew up outside Atlanta. Yet when the pair met as undergrads at RISD, their backgrounds turned out to be their most influential commonality: “There was this emphasis in both our families on earning your possessions and respecting them — it’s something we really connected on,” recalls Sohrab. “Joey’s dad, for example, had this idea that he wanted all of his possessions to reference an older possession he’d had at another point in his life. This timeline of objects and the idea of emotional value became really important to us.” Upon graduating in 2012, the duo knew they wanted to team up; Sohrab moved to New York and took a job at Bec Brittain studio, while Guerra spent six months in Europe working for Industrial Facility and Big-Game before joining him. They’re now hunkered down in Brooklyn preparing to launch their first collaborative collection during ICFF in May, under the name Studio Visibility.

  3. 02.06.14
    The Essentials
    What Your Favorite Designers Are Listening To This Winter

    When winter gets as unbearable as it has been for the past few weeks here in New York, we find the tiniest ways of coping — allowing ourselves to occasionally venture out of the house in our sweatpants, say, or to eat an inadvisable amount of ramen, or to shirk all our errands in favor of staying in bed just a little while longer. Music can’t technically warm us up, of course, but it helps too; it keeps our minds off the cold, keeps us moving. And for those who spend their days in huge, drafty workshops, doubly so. With that in mind — and inspired in part by RoAndCo’s annual “Wintry Mix” — we invited 13 designers and studios to share with Sight Unseen the songs they’ve been listening to this winter, and to tell us what they’ve been working on while listening to them. Check out their playlists on Spotify after the jump.

  4. 11.30.13
    Saturday Selects
    Week of November 25, 2013

    A weekly Saturday recap to share with you our favorite links, discoveries, and events from the past seven or so days. This week: hot guys in design, a new online furniture shop in Berlin, Artsy’s definitive Design Miami preview (including the Jeff Zimmerman ombre vases above), and more.

  5. 11.27.13
    Studio Visit
    Renato D’Agostin, Photographer

    Renato D’Agostin was born and raised in Venice, Italy, “where for most people photography in those days meant weddings and passport pictures,” he says. Yet the city did manage to nurture his future career, if only inadvertently so: After falling in love with a photograph of an elephant that his mother won in a town prize drawing, he commandeered his father’s Nikon, signed up for a local photography class, and spent his teenage years documenting scenes from everyday Venetian life, a process he’s hewed towards ever since. Still, he considers his first foray away from home in 2002, on a road trip through the capitals of Western Europe, to be his most formative experience. “I took that trip to see if interpreting reality was what I really wanted to do,” D’Agostin recalls. “From that moment on, I never had any doubt. I felt like traveling was the place where I wanted to live, and the camera was my extension.”

  6. 11.15.13
    Excerpt: Book
    David Altmejd, from Studio Life by Sarah Trigg

    Sarah Trigg spent more than two years photographing the ateliers of 100 artists around the country for her new book Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process — including boldfaced names like Carol Bove, Rob Pruitt, Theaster Gates, Tauba Auerbach, and Nick Cave. And yet you won’t see any of their actual artwork in its pages (we’ve added our own to the David Altmejd excerpt below), nor will you see any overall depictions of their spaces. That’s because Trigg, an artist herself, took inspiration from the most important elements of her own Brooklyn studio and decided to exclusively zoom in on any residue, mascots, collected objects, rituals, makeshift tools, and architectural details she found during her visits. “I placed a lens on daily studio life without expecting artists to defend or explain their work,” she writes of her process. “It was crucial, therefore, not to overshadow the results with portraits, artwork, or depictions of the overall grandeur of the studios — all of which have established venues for exposure elsewhere.”

  7. 10.24.13
    Studio Visit
    Heidi Norton, Artist

    “Being a photographer and being an artist working with materials like resin, plants, and glass — those two worlds should not really mix,” says Heidi Norton. “You have the camera and you have film and you’re trying to keep things clean and archival, and then you have dirt and glass shards everywhere.” Such contradictions are at the core of Norton’s work, from the immaculate glow of her photography to the dirt-under-your-fingernails feel of her sculptural pieces, which typically feature houseplants in some form or another. Norton started incorporating plants into her photographic practice several years ago in a series of still lifes. It was partly a way to bring the natural world she grew up with, in rural West Virginia, into the urban setting of Chicago, where she’s lived since getting her MFA at the School of the Art Institute in 2002. Those photos eventually inspired her to make plant-based sculptures that explore how we create, cultivate, and change ourselves. Therein lies the central paradox: “The idea of preservation, and trying to save the plant while at the same time killing it through that preservation, became really interesting to me,” she says. “All of the mediums I use deal with that idea in different ways.” Even her studio itself, shot by Debbie Carlos for part two of Sight Unseen’s series on Chicago artists, is part of the process.

  8. 10.23.13
    Studio Visit
    Stephen Eichhorn, Artist

    As a four-year-old living in Lenoir, South Carolina, Stephen Eichhorn refused to learn how to read. While everyone else in his class was singing their ABCs, he’d stubbornly deemed it unnecessary — he already knew he was destined to be an artist, communicating through images rather than words. “People asked me, how are you going to read your show cards or write press releases?” Eichhorn recalls. “My answer was, I’m going to marry someone who knows how to read! The resistance was so heavy they put me in a special ed class.” His protest didn’t last more than a few months, luckily, but his uncanny commitment to his future career did: At 14, for example, he interned for a group of Star Wars toymakers who taught him freehand drafting and craft techniques, and at 17 he attended a summer art program at SAIC before enrolling there a year later. Since graduating in 2006 he’s been living the dream instead of planning for it, working independently from a studio he shares with his wife in Chicago, which is where SU’s newest contributor Debbie Carlos visited him this past spring for our two-part series on Windy City artists.

  9. 09.03.13
    Up and Coming
    James Shaw, Furniture Designer

    I recently wrote an article for a forthcoming issue of Architectural Digest on the London talent Anton Alvarez, whose Thread-Wrapping Machine has captivated the design world as of late, and in it, his gallerist Libby Sellers makes the point that what’s so of the moment about his work is that he isn’t just making objects, he’s making the object that makes the objects. And it’s so true: Many of the more interesting young designers we’ve come across in the past few years have been the ones shifting their focus towards developing their own weird and wonderful production processes, like Silo Studio for instance. There’s just something about this unexpected inventiveness that captures people’s curiosity, which explains why the latest project by newcomer James Shaw — a series of homemade “guns” that spray or extrude materials into or onto furnishings — went viral on the design blogs shortly after he presented it at his RCA graduation show. In work like his, it’s about the journey, not just the destination. So Sight Unseen, right?

  10. 07.30.13
    Sighted
    Ben Medansky Studio Visit on Los Angeles, I’m Yours

    It’s a quiet summer week here at Sight Unseen HQ. August is approaching, we’re spending more and more weekends out of the city, and the time in between them is becoming increasingly shorter and less productive. But that doesn’t mean we don’t know from hard work — we’ve spent the last four years pouring inordinate amounts of time and effort into the stories on this site, and so we’re all the more sympathetic when we see other blogs doing the same. Case in point: the ridiculously extensive, print mag–worthy interview with ceramicist Ben Medansky we spotted recently on the blog Los Angeles, I’m Yours, a city-centric cultural resource founded in 2011 by The Fox Is Black’s Bobby Solomon with editor Kyle Fitzpatrick. We’ve excerpted part of it here, along with a selection of the accompanying studio photos.

  11. 07.26.13
    Up and Coming
    Katie Stout, Furniture Designer

    What were you doing at age 24? Muddling through grad school? Working as a CAD monkey? Moving back in with your parents? If so, you might be more than a little jealous of recent RISD grad Katie Stout, who at that tender age already holds the post of gallery director at New York’s Johnson Trading Gallery, where Paul Johnson not only represents her work but encourages her to introduce him to that of her peers (like Noho Next alum and future SU subject Misha Kahn, for example). Before she landed the job, Stout’s only previous employment was a one-summer college internship for the novelty housewares brand Fred and Friends: “I showed the creative director my portfolio, and when he saw a table I’d made as a sophomore that was an udder with milk squirting out of its teats, he asked me what I was on,” she recalls. “Obviously I said nothing.”

  12. 07.10.13
    Up and Coming
    Pauline Deltour, Product and Furniture Designer

    Okay, let’s get this out of the way as quickly as possible: Yes, Pauline Deltour spent a few years as a designer in Konstantin Grcic’s studio. And yes, Grcic may have made a few strategic phone calls on her behalf, jumpstarting her career once she struck out on her own in 2009. But considering that was four years ago, and the 30-year-old Paris-based talent has since turned out more than a few painfully elegant designs for the likes of Discipline and Kvadrat, we thought it was worth stating for the record that she’s become quite the rising star in her own right — not to mention one of design’s most promising new female voices. We checked in with Deltour, who describes her practice as aspiring to create “self-evident” objects, to find out what she’s been up to lately.

  13. 04.17.13
    Sighted
    Matt Olson’s Rauschenberg Residency

    If you had to imagine the place in which you might do your best work, where would it be? Would it be a quiet, remote island? Would it be poolside? Would it be in the company of a dozen other creatives, spurring you on? What if the answer were all of the above? That’s how Matt Olson of Minneapolis’s ROLU studio spent the last month of his winter, engaged in a residency on Captiva Island off the Gulf Coast of Florida, on a massive estate that was once home and studio to Robert Rauschenberg. Olson was part of the residency’s pilot program, which invited artists from different disciplines, all over the world, to spend a month making work, building a community, and generally inhaling the Rauschenberg aura. We spotted this diary by Olson on the Design/Miami blog about his time there, and had to share.

  14. 03.29.13
    Studio Visit
    Nick Van Woert, Artist

    Visit Nick van Woert’s massive studio in Greenpoint, and in all likelihood you’ll find a cluster of white people standing in a corner, naked and clutching each others’ butts — these artificial neo-classical statues have been a recurring theme in the Nevada-born artist’s work since shortly after he began his career in earnest in 2006. Many of them get tipped over and enveloped in a cascade of colored resin that hardens in mid-drip; in one series, he hollowed out their midsections and let the wind give them garbage guts. “It was like a little trap, and the wind would blow weird shit in there that accumulated outside my studio,” van Woert says. “Anything from Doritos bags to Monster Energy drink cans. The DNA of the world outside.” It was his most literal manifestation of the mantra that drives most of his practice: You are what you eat.

  15. 03.21.13
    Sighted
    Gaetano Pesce’s Studio on The Aesthete

    Many Sight Unseen readers will no doubt be familiar with the work of Gaetano Pesce, the Italian design icon most famous for his use of amorphous, Jello-y plastics. But how many of you knew that he’s been based in New York since 1983, with a huge studio in Soho and a workshop near the Navy Yards? You heard me, the Navy Yards! If you had no idea, it’s not really your fault; the man is rarely spotted at design openings or speaking on panels, and he hasn’t had a major solo show in the city in 25 years — until now, that is. To mark the debut of L’Abbraccio, a retrospective of his work that opens tonight at Fred Torres Collaborations in Chelsea, I interviewed Pesce for the online magazine The Aesthete about why he moved to New York in the first place (because it’s a “service city,” aka whatever you want whenever you want it) and why he feels like he “didn’t exist” here until now. Special treat: studio photos shot by SU contributor Brian W. Ferry! Check out a preview of the piece after the jump, then head back to The Aesthete for the full story.

  16. 03.13.13
    Eye Candy
    Pia Howell, Artist

    Pia Howell expresses emotions. Her spirited shapes, abstract but recognizable, may sometimes symbolize a woman, feelings or more directly, brush strokes. “I think about making images with components (whether they’re textures or shapes or lines) that oscillate between representation and abstraction. I’ve been really into starting to paint and enjoying that as an expressive, gestural practice but also going after like ‘the perfect brushstroke,’ or essentially the symbol of a brushstroke.’

  17. 02.25.13
    Up and Coming
    Till Wiedeck of HelloMe, Graphic Designer

    If you’re wondering why we chose to kick off a story about a graphic designer with a series of objects that fall squarely in the art/furniture realm, there are two reasons: First, they were our first introduction — via Pinterest — to Till Wiedeck’s work, and second, they illustrate perfectly what’s so great about the Berlin-based talent. Though he refers to himself as a hyper-functionalist, preoccupied with detail and simplicity and too serious to answer our sillier interview questions about Google searches and fictional characters, somehow he’s still the kind of guy who would take a sizeable chunk of time out of his client schedule to build a suite of semi-useless objects like these. You’ll find the same juxtapositions in the portfolio of his graphics studio, HelloMe, where he might pair spare typography with lush hyper-color flower arrangements, creepy Photoshop smears, or experimental acid-trip paintings he and his cohorts have made by hand. It all comes together in our interview with Wiedeck, who has a thing for both Bauhaus and Memphis, modernist chairs and tchotchkes. Whatever it is, it’s working.

  18. 02.21.13
    At Home With
    Brian W. Ferry, Photographer

    If photographer Brian W. Ferry shoots like he takes absolutely nothing for granted — making us pine hard for moments of intensely quiet, understated beauty that probably already exist in our everyday lives — it’s likely because he feels so grateful to be doing what he’s doing. He may have discovered his inner camera nerd way back when he was growing up in Connecticut, but just a few short years ago, he was working long hours as a corporate lawyer in London, taking pictures merely as a personal creative escape hatch. Only after his blog began delivering fans and potential clients to his digital doorstep did he gather the resolve to quit his job, move to Brooklyn, and make a career out of triggering in people a kind of strange, misplaced nostalgia. “I think a lot about taking photos that are about more than capturing something beautiful, that have a heaviness attached to them,” Ferry told us earlier this winter at his Fort Greene garden apartment, as we rifled through his belongings together.

  19. 02.20.13
    Studio Visit
    Bari Ziperstein, Ceramics Artist

    To know a ceramicist is to see their test pieces, and Bari Ziperstein has the kind of overflowing studio that doesn’t happen in a minute, that comes from years of private experiments and the hard work of learning not to care so much. “I think of these pieces as sculptural doodles,” she says, referring to a series of small, accidental ceramic sculptures. “They’re such a discrepancy from how I usually work, something no more than two inches. It’s really free and immediate.”

  20. 02.18.13
    Studio Visit
    Landon Metz, Artist

    To the extent that we cover art on Sight Unseen, it makes sense that we’d naturally gravitate towards action painting — artists may always have plenty to say about the relationship of their work to the viewer, or to philosophy, or to the context of art history, but most of the time we’re interested in something a little more prosaic than that, like how they get their hands dirty, and why they’ve chosen one medium over another. With gestural works, it’s all about the process, and the liminal moments just before and after materials cease to be ordinary and paintings transform into something more than the sum of their parts. The work of the Greenpoint-based artist Landon Metz is a perfect example: His paintings are about painting, and how colorful enamel shapes laid down on a tilted canvas will move and evolve as their surface interactions and drying times are influenced by factors like humidity, daylight, and temperature. Sight Unseen contributor Paul Barbera visited Metz’s studio recently for Where They Create, and — oh lucky day! — he did our work for us, creating his own podcast interview with the artist which you can listen to after the jump.

  21. 02.15.13
    Sighted
    Shino Takeda in Inventory Magazine

    We first spotted Shino Takeda’s awkwardly lovable, one-of-a-kind ceramic spoons and desert-style dishes at Caitlin Mociun’s store in Brooklyn, but the ceramicist’s work is a testament to the fact that you can still find amazing things on Etsy if you know where to look: Takeda keeps a store there called “Shino’s World,” and browsing its vases and bowls, you really get the sense that she lives inside her own storybook, where tea sets are named after bluebirds and sake cups appear poised to kiss. But we didn’t know much more about the real Shino until last week, when Inventory Magazine took a more literal look inside her world — with editor Ryan Willms photographing her at work in her Brooklyn studio — and so we couldn’t resist the chance to feature the story here in an attempt to put all the pieces together. The text of Inventory’s piece is after the jump, along with a few of the images, but you can see a lot more back at Inventory’s own site, including a portrait of the ceramicist herself.

  22. 02.08.13
    Up and Coming
    Ya Wen Chou, Textile and Product Designer

    Ahh, design school — where navel-gazing and the pretentions of identity art are not only tolerated, but encouraged (on days when the lesson plan doesn’t focus on sustainability or people with disabilities, of course). It’s easy for lesser talents to get sucked too far into these themes and end up with over-baked work that either borders on kitsch or is completely irrelevant to the wider world, but when done right, the results can be both beautiful and culturally illuminating — as in the case of Ya Wen Chou, who used her time in the RCA’s textile department to dig into the traditions of her grandmother and her home country of Taiwan. “My grandmother’s house was always full of handicrafts made by Taiwanese artisans,” she told the Arts Thread blog last year, explaining a main source of her inspiration. And her Precious Objects project — which first caught our eye on Pinterest — explores her culture’s traditional reverence for nature’s role in everyday life, which does feel rather universal, having a lot in common with everything from Icelandic elf mythology to Native American spirituality. Read more about Chou’s point of view in our interview after the jump.

  23. 12.20.12
    Up and Coming
    Fabien Cappello, Furniture Designer

    Whatever Fabien Cappello’s studies at ECAL may have taught him about luxury, his subsequent grad degree at the RCA may have un-taught him: The London-based designer has made stools carved from trashed Christmas trees, Venetian glass vessels melted onto lowly bricks, and benches constructed from shipping pallets or punctuated with cheap street-vendors’ umbrellas. That’s not to say, of course, that Cappello’s work isn’t high end — it’s been shown at the likes of Libby Sellers Gallery and has won him an Elle Decoration New Designers Award — just that the materials and ideas he sees value in wouldn’t exactly be considered the norm. If he’s come a long way since setting up his own studio in 2009, it’s because his focus on local and overlooked resources has captured the curiosity of the design world, not just its eyes or its wallets. That said, with the world headed where it’s headed, his style of economical chic may become the new luxury before long, so we figured he was worth checking in with. He gave Sight Unseen a quick glimpse into his practice below.

  24. 12.04.12
    Up and Coming
    Ladies & Gentlemen Studio, Furniture and Product Designers

    After Jean Lee met Dylan Davis while studying industrial design at the University of Washington, and after a string of successful school collaborations led them to start dating, the two of them did a semester abroad together in Rome. “Those were the good times,” laughs Lee. “We saw all these independent studios there, and designers working more as artists, and it was really inspiring for us. That wasn’t happening at all in Seattle.” And so after they graduated in 2005, Lee went on to work for a messenger bag company based in Philadelphia, while Davis joined the team at Henrybuilt. They did a small trade selling vintage finds on Etsy for awhile, and eventually started repurposing those objects into new designs as a hobby. But what finally led them to join forces as Ladies & Gentlemen in 2009 were the first signs that they might be able to find in Seattle what they experienced in Rome after all: Not only had studios like Iacoli & Mcallister and Grain begun to flourish by making and selling their own work, their new coalition Join was gathering together local designers to collaborate and exhibit together. “Jamie Iacoli asked us to contribute to a show, and were like ‘What the hell? Let’s do it!’”

  25. 11.12.12
    What We Saw
    At the 2012 Dutch Design Week

    It’s been a tough two years for Dutch design. First a newly elected right-wing government slashed the tiny country’s legendary arts funding, causing seemingly irreparable damage to its institutions and grant programs, and then a series of high-profile resignations called into question the inner workings of Eindhoven’s hallowed Design Academy. But even if there are signs that the fairy-tale may not last — that creativity and experimentalism can’t elude the death-grip of capitalism forever, even in a place where designers still benefit from squatters’ rights — we still look forward to Dutch Design Week as a reminder of the happier consequences of those values. While we couldn’t attend this year ourselves, we asked our faithful contributor Marco Tabasso, who’s second-in-command at Rossana Orlandi gallery in Milan, to report back on his experiences at the festival — from his mixed feelings about the Design Academy show to the paella dinner he and Rossana shared with Nacho Carbonell in the designer’s studio, above.

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