Since moving to Los Angeles five years ago, the artist Rachel Duvall has been refining an almost scientific approach to handweaving, based as much in foundational considerations like hue and line as in methodical chemical experimentation. She uses only natural dyes and modifiers such as copper and iron to “investigate the subtlety of colors,” she says, though the range she achieves — including a bright neon yellow and purple from fermented lichen she collects herself and then brews in her backyard — is striking.
Gunzler Polmar, led by ceramicist Victoria Gunzler and furniture designer Sara Wright Polmar, haven't churned out a ton of work just yet, but the projects they have designed — including their new textile series launched this week at 100% Norway in London — display an eye for form, proportion, and material that certainly merits further attention.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: From the geometric works of Frank Stella to the bulbous ceramics of Ron Nagle (pictured above), this week was filled to the brim with amazing exhibitions — fall show season is definitely here!
For us, Karen Gayle Tinney was one of those surprises that you're shocked to find lurking in your own backyard — the artist and designer lives in Philadelphia, where for the past year she's been making elaborate woven baskets, planters, and necklaces for stores like Vagabond and Brooklyn's People of 2morrow.
For Dee Clements, who makes beautiful hand-woven goods out of her Chicago design studio, Herron, sustainability is key. “I know it’s an overused buzzword, but it’s really important,” she says. Though she’s talking about the environmental impact of large-scale textile production and why she mainly uses small-farm fibers that aren’t chemically or unethically produced, sustainability, in a creative sense, is also on her mind.
We've seen creatives collaborate in plenty of novel, inventive ways — by mailing materials back and forth, by playing games of exquisite corpse. But sometimes the best joint projects arise more loosely, like the one currently on view at Dream Collective in Los Angeles, featuring work by Bari Ziperstein, Waka Waka, and store owner/jewelry designer Kathryn Bentley.
Justine Ashbee is one of those talents we've been circling around for years — first coveting a fine, copper-threaded special-edition light she did with Iacoli & McAllister, then ogling her beautiful wall hangings in stories like our own home tour with Totokaelo's Jill Wenger and outlets like Maryam Nassir Zadeh. But we've never had a proper introduction to the onetime Seattle-based artist — now living in Brighton, England — until today.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: very on-trend iridescent flatware and terrazzo coasters, gorgeous oil-slick vases from a recent RISD grad, and the debut of the booksleeve (pictured above), an innovation we never realized we needed until now.
Growing up in China, designer Ejing Zhang was fascinated by traditional calligraphy and ink painting — art forms that are both fine and expressive, requiring a fluid interaction with brush and ink. Zhang is now based in London, but at the heart of her work is the same sensitivity to materials that she observed growing up. Four years ago, while studying at the Royal College of Art, she developed a new technique for creating work that involved taking spalted beech wood (partially decayed wood that has a marble-like pattern), wrapping it with colored thread, and casting it in resin, before sanding and polishing it to reveal its beautiful cross-sections.