Week of September 8, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: marble, fake marble, and a marbled painting made with a broom. Plus, select highlights from the London Design Festival, which started today.
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At New York Design Week 2013, Part V: The Rest

New York Design Week may already feel like a distant memory, but we couldn't move on to covering the upcoming Design Miami Basel fair — or start publishing all the amazing studio visits and house tours we've been saving up for the past few weeks — without doing one last post about all the offsite shows we saw (and didn't see) during this year's ICFF. From magnified eyeballs to garbage arches to our favorite watering can of all time, check out the official Sight Unseen roundup below.
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New Places Necklaces by Karin Johansson

Don't get your hopes up — you won't find Karin Johansson's necklaces in the Sight Unseen shop anytime soon, or at any other shop for that matter. Johansson isn't a fashion designer, after all, but a Sweden-based jewelry artist who's spent nearly two decades learning and refining her metalworking techniques, and her pieces are only available through high-end galleries like Barcelona's Klimt02. That's where we spotted the New Places collection, a colorfully graphic amalgam of handmade elements in enamel, plastic, and precious metals, plus crushed and "reconstructed" stone; Johansson based each necklace on a different photograph she'd taken while traveling inside her own city and beyond. "The inspiration and the starting point for New Places were photos I'd collected for a few years of different views, landscapes, and cities," Johansson explains. "Simply by drawing a line in the picture and connecting the ends, then picking up the colors, I discovered a necklace giving hints of houses, streets, trees, water, sky, lines, and directions."
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Balanced by Mischer’Traxler at Wait and See

Two years ago, we went to Milan for the annual furniture fair and noticed, to our delight, a very Sight Unseen–appropriate theme: Rather than just presenting their work, designers were using their Salone exhibitions to showcase their process alongside their finished products. Last year was no exception to the trend, and this year, one of the most promising Milan preview emails to come across the transom at Sight Unseen HQ saw the Vienna-based duo mischer'traxler poised to create a new piece from the tools and inspirations used to develop their old ones. For Balanced, an installation opening tomorrow at the Milanese concept shop Wait and See — a kind of next-gen 10 Corso Como tucked inside a former monastery — the machine-obsessed couple dug up artifacts from the creation of four of their most popular projects and envisioned them laid out perfectly on either side of four gigantic homemade scales. Mischer'traxler gave Sight Unseen an exclusive first look at the show, by way of images they shot in their studio earlier this month, and told us a bit more about its genesis.
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Julien Renault on Found By James

Julien Renault is the kind of designer who wears his influences on his sleeve. Not only does he create his own utilitarian furnishings — a series of lightweight aluminum stools that appear forged like steel, a desk made from recycled-plastic boards that resemble wood — he collects everyday anonymous objects and keeps them as a kind of inspiration library, like a second-generation Jasper Morrison or third-generation Castiglioni. And as if that's not enough, he also totes around his father's old camera wherever he goes, shooting whatever he's drawn to and saving the images for future study. As a consequence, the Brussels-based designer has not one website, but three: Julien Renault Objects houses his portfolio, Inventory his fly swatters and pumice stones, and Magic Argentic his photo album. We'd been meaning to feature Renault somehow when we came across an interview with him on the enigmatic site Found By James.
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