Suprematist-Inspired Vases and Lights by An Emerging Ukrainian Design Studio

Over the past few years, we've had many designers cite the Russian Suprematist Kazimir Malevich as an influence — but never before did those designers actually hail from Malevich's hometown of Kiev, Ukraine. "When you live and work in the city where Malevich was born, studied art, and taught at the Art Academy, and when you even have a workshop on the street that bears his name, it’s only a matter of time until his presence starts to inspire your creation," say Arkady Vartanov and Kateryna Sokolova of NOOM, a new, Kiev-based studio launching its first collection of Malevich-inspired vases and lighting at this weekend's Maison & Objet.
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These Woven, Color-Field Canvases Look Almost Like Paintings

Brooklyn artist Ethan Cook is sometimes referred to as a painter, but we've yet to find an instance of him actually putting a brush to canvas. When we first started following Cook's work, after an introduction in 2012 from Iko Iko in Los Angeles, he was manipulating canvases by way of bleaching and dyeing the fibers; he then moved on to combining hand-woven canvases with store-bought ones in a kind of super high-end, abstract patchwork. His work for the past few years, though, has involved making large-scale woven pieces entirely by hand on a four-harness floor loom — our favorite iteration yet.
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The RCA Grad Who Hacked a Piece of Gym Equipment to Create These Slumped, Ceramic Vases

For Philipp Schenk-Mischke’s recent Process Plug-Ins project, the designer looked at traditional modes of manufacturing, assembly, and use, and introduced physical "plug-ins" that might distort the final outcomes. For his BTM Ceramics — a collection of distorted, high-gloss vases — the still-wet, malleable pieces are placed on a body vibration plate and gently jiggled into more slumped, organic forms.
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Brutalist-inspire ikebana vases by Studio Testo

These Brutalist-Inspired Vases Will Up Your Ikebana Game

Last time we featured Studio Testo, we noted Giulia Dolci and Giulia Fauro Alessi’s uncanny ability to make pieces that are on-trend and effortlessly cool. So it comes as no surprise that their latest collection of sculptural vases has a similarly refreshing vibe, taking cues from Brutalist architecture and adding in some ikebana by Irene Cuzzaniti and fresh textiles by AH/OK.
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A Collection of Mirrors and Vases Inspired by Tribal Shapes and Colors

You heard it here first: Fringe is getting mainstreamed in Milan. When we came across VI+M Studio's divisive Cousin Itt-esque lamps last week, we didn't think to much of it, but this week, there's already been Cristina Celestino's new tables for Editions at Spazio Pontaccio and, around the corner from our Airbnb, these sweet collections of vessels and mirrors at the fashion boutique Malìparmi, designed by Serena Confalonieri,
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These Colorful Vases Are the Latest Sign that Acrylic Is on the Rise

Remember when we named the California Light and Space art movement one of the top trends to watch in 2017? Well, the evidence just keeps mounting. Seoul design trio Hattern say their new series of two-tone acrylic vases were inspired by the way Impressionist painters tried to capture the effects of changing light quality on nature, but we can't help but see elements of Vasa, Helen Pashgian, and Peter Alexander's work. Is acrylic the new marble?
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Ben Branagan's sculptural vases

Sculptural Vases With Scholarly Origins

Among our 30-something friends, collaging is suddenly all the rage. (Maybe it's the new adult coloring book?) But to our minds, there's another use for old books and papers that consistently produces a far more beautiful result: paper pulp, the key ingredient in CHIAOZZA's charming Lump Nubbins, Silo Studio's PPPPP bowls, and now Ben Branagan's Monuments series, which debuted last night in a window installation at London's Darkroom concept shop. For the exhibition, Branagan, a designer and professor in visual communications, transformed the pulped remains deaccessioned library books into a series of totemic, distinctly non-functional pots and vases.
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Ben Medansky sculptural ceramic planters

These Avant-Garde Arrangements Look So Right in Ben Medansky’s Vases

It's no secret that ceramics and plants are two of the biggest styling trends driving the interiors world right now, but our favorite thing is what happens when the two collide: The planting of jaw-dropping specimens in purpose-built pots has become something of a trend itself lately, from Adam Silverman and Kohei Oda's eccentric potted cacti to David Haskell's psychotic plants to Bari Ziperstein's recent ikebana collaboration with Junzo Mori. The latest entrant to that field is Ben Medansky, who partnered with the Los Angeles creative agency We Came In Peace on a series of limited-edition living works, on sale through Monday at Persephone's, a Valentine's-themed botanical pop-up shop in Hollywood.
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Valentina Cameranesi Sgroi’s Associations Vases

Italian product designer Valentina Cameranesi Sgroi worked as lead designer for Diesel Home — developing furniture and lighting for its collaborations with Moroso and Foscarini — for three years before becoming a freelance creative director in 2012. Since then, she's also developed a personal body of work that includes video art, photography, and ceramics, exploring "the relationship between the natural and artificial." Her latest project, Associations, is a series of vases that take inspiration from '70s craftsmanship but with simple, expressive shapes that evoke Ettore Sottsass and the Italian artist Gino de Dominicis. All of the pieces in the collection are made by artisans in Veneto, Italy.
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Shatter Vases by Pete Oyler and Misha Kahn for Assembly

If you have a great design sense, and if you enjoy sending people flowers, you've probably noticed by now that the two don't exactly tend to play well together. Unless you're clued into a place like The Sill, our new favorite Brooklyn-based succulent delivery service, you know your lucky recipient is most likely going to receive their posies in some boring glass trifle that will inevitably end up in the freebie box at his or her next garage sale. That's why when young designers Misha Kahn and Pete Oyler hit up a Salvation Army looking for castoff vessels to experiment with for their latest project, they had absolutely no trouble filling up their cart. It's tough out there for a generic FTD vase, especially one whose emptiness eventually reminds you of a failed relationship or a hospital stay. Kahn and Oyler decided that, just in time for Valentine's Day, they'd take their thrifted castoffs and give them new lives as objets d'art, filling them with colored resin and shattering them in place (hence the name).
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Nicolas Trembley’s Fat Lava vases in Apartamento 07

If I hadn't taken as long as I did to read issue number 07 of Apartamento, which came out around this time last year, I would never have gone stumbling around the web only to realize that Nicolas Trembley's wonderful Sgrafo vs Fat Lava exhibition — which started in Geneva last year, making stops along the way at Galerie Kreo in Paris and Gisela Capitain in Cologne — will end its world tour this June in my own backyard, at the Zachary Currie gallery in New York. In this excerpt from Apartamento, the Parisian art critic and curator explains how his collection of more than 150 instances of the bizarre German ceramics came to be.
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Gaetano Pesce Influenced the Current Generation of Designers More Than Anyone We Know

Earlier this week, I had the occasion to look back at an article we'd published in 2016, where I referred to Donald Judd as the patron saint of Sight Unseen. I was puzzled, even as I reread my own words: "As our tastes and interests have shifted over the years, we could often point to different historical figures — Ettore Sottsass during our heavy Memphis phase; Bruno Munari during our Shape Shop days." I suppose I felt uneasy in my nearly decade-old declaration because in my mind, as we've watched the design landscape mutate and come together over the past few years, there's been one designer who has remained at the top, inspiring more of the current crop of young designers than anyone else we know: Gaetano Pesce, who the world lost today at the age of 84.
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