You Need These New, Color-Blocked Goblets by Helen Levi

There's a ceremonial feel to the latest collection from Brooklyn-based ceramicist Helen Levi. First, there are the goblets — a type of stemware more often associated with medieval banquets or religious rituals, to which Levi gives a resolutely modern look by color-blocking and employing a pristine matte finish. Second are the jugs, which might look as though they'd been excavated from a silty river bed were it not for the delicate palette, ranging from stony buff to rose pink.
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The 2018 American Design Hot List, Part III

Today, get to know the third group of honorees in our sixth annual American Design Hot List, an unapologetically subjective editorial award for the 20 names to know now in American design. The list acts as Sight Unseen’s guide to those influencing the design landscape in any given year — whether through standout launches, must-see exhibitions, or just our innate sense that they’re ones to watch — and in exciting news, it's now shoppable on Moda Operandi!
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Objects of Common Interest

New York and Athens, objectsofcommoninterest.com Founded by the Greek couple Eleni Petaloti and Leonidas Trampoukis, Objects of Common Interest is not only one of the most prolific studios we’ve seen in recent memory — constantly launching high-profile collections and installations, all while running a separate architecture firm at the same time — it’s also one of those rare outfits that seems to produce only hits, no misses. The pair simply have a killer aesthetic. What is American design to you, and what excites you about it? Contrasts, freedom, and openness to cultural interpretation has been our interpretation of American design in the way that we are a part of it, blending our European background with our American experience and international activity. American design offers an unprecedented openness to ideas, and a fertile ground for experimentation, innovation, and expression of personal identity. What are your plans and highlights for the upcoming year? We’ve started planning a major installation for the Art Athina fair in Greece. This is the 3rd year in a row where we’ve been invited to present a public installation piece, and it’s been our ground for experimentation, setting up our new ideas for the year and letting us explore materiality and concepts. Our office in Athens is moving to new exciting space and we’re doing some special objects for that space. We’re also designing a new series of light pieces that will result in an installation and a new collection. We’re working on an interior project for a dance studio in Williamsburg, for which we’ll create custom objects. And finally, a commissioned series of lounge pieces will be permanently installed at the rooftop of the Essex Crossing Development site in New York by the end of this year. What inspires or informs your work in general? Architecture — and ideas about volume, structure, articulation, materiality, plus dual notions of lightness and weight, transparency and opaqueness, and light and shadow — has always been our core source of inspiration, and a parallel discipline of ours by way of our separate architecture practice LOT. We’re attracted to simplicity, illusion, and natural references of momentary beauty that define mood and bring out certain feelings. We look at art rather than design in a search for clarity of concept, leading to stripping ideas down to an abstract expression, then injecting practicality to make our work balanced with room for personal interpretation.
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Week of September 10, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Your weekly pink interior from Melbourne, enigmatic lighting inspired by the Wiener Werkstätte (casual!), and an expansive exhibition that confronts the limits of materiality.
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Week of July 2, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, here are a few of our favorite things: Floor to ceiling carpet, emerging designers, Lucite, '70s-inspired interiors, Quarry jewelry, Rana Begum and the color yellow.
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In Her Debut Collection, Sarah Ellison Channels the ’70s Through a Distinctly Australian Lens

Armed with years of research, Australian stylist and designer Sarah Ellison debuted her first collection of furniture late last year, inspired by the playful proportions of '70s. In her pieces, these references are reinterpreted through a distinctly Australian lens, with colors and textures from the coastline captured through material choices such as travertine, mirrored glass, ceramic, and linen.
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Kim Markel's Glossier furniture

Candy-Colored Furniture Made From Recycled Glossier Packaging

Kim Markel's new series of translucent, candy-colored colored furniture pieces in reclaimed plastic is composed partly of Glossier’s pink-hued packaging empties, which the brand asked its employees to collect for months. The collection includes a cabinet, chairs, side tables, and mirrors, as well as a vanity table made from spun stone dust, a new material Markel developed using a by-product of the quarrying process.
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Vonnegut/Kraft and Mary Ping Team Up to Showcase a New Custom Textile-Design Service

When a textile has a pattern woven into it rather than just printed onto its surface, it gains a unique property: It’s equally visually interesting on both sides. That was the first element fashion designer Mary Ping and furniture studio Vonnegut/Kraft seized upon when they teamed up to work with the new textile start-up Weft — which offers users the ability to design jacquard fabrics online and order them on demand — and it inspired their collaboration in more ways than one.
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Week of May 7, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Three projects that prove our 2018 trend predictions were true, three achingly hip new retail and restaurant interiors, and three unexpected double-designer collabs, including the Anna Karlin x Fernando Mastrangelo mash-up pictured above.
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Detroit designer Chris Schanck at Friedman Benda

In a New Show, Chris Schanck Debuts Furniture Fit for an Alien King

If you're familiar with Detroit-based designer Chris Schanck's work, you can probably easily conjure an image of it in your mind — primitive yet shiny, lumpen yet somehow slick at the same time. Since 2011, when he was an MFA student at the Cranbrook Academy of Art, Schanck has been developing and refining a technique he calls Alufoil, which is responsible for that shiny, otherworldly aesthetic — it often looks as though Schanck is making executive furniture for an alien king.
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