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02.01.24

Interiors

How Do You Make a Home Inside a Monument? Ask the Gachots, Who Just Spent Three Years Living in a Paul Rudolph Masterpiece

In 1976, the architect Paul Rudolph bought the 19th-century townhouse at 23 Beekman Place where he’d had an apartment since the early '60s. While keeping the existing building as residences, he constructed his now-landmarked, multi-level penthouse on top of it: a steel and cement work of art that is rigorous and spare in its lines yet dizzying in its scope and form. Inside, beams clad in reflective material support a light-filled space with few walls, delineated by platforms and catwalks and cantilevered, landscaped terraces with spectacular views out over FDR Drive and the East River. For Rudolph, it was a kind of creative laboratory — and it’s also not hard to imagine it as a site for glamorous, louche, late disco-era parties. But how about a family home? Enter designers John and Christine Gachot, of New York’s Gachot, known for the warm modernism they bring to their high-end interiors.
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03.05.26

The Weekly

SPOTLIGHT: Everything We Loved at This Year’s 2026 Frieze Week in LA

Despite being in LA in February once again for my annual winter sojourn, I promised myself this year that I would finally take it easy during Frieze week, not run around so much, maybe pick three new artists to spotlight in my newsletter rather than trying to digest it all. Well, dear readers, I failed at that task — hence this extensive roundup of everything I loved.
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02.04.26

American Design Hot List

Announcing the 2025 American Design Hot List

Welcome to the 13th annual American Design Hot List, Sight Unseen’s unapologetically subjective award for the names to know now in American design. Founded in 2013, the ADHL serves as a guide to the US (born or based) talents influencing the design landscape in any given year, whether through standout launches, must-see exhibitions, or just our innate sense that they’re ones to watch. Considering we’ve recently changed almost everything else about the way we present Sight Unseen to the world, we decided to do things a little differently this year.
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