There are people you meet in life to whom you feel a deep and immediate connection, so much so that the particulars of how and why you both arrived at the same place at the same time matter much less than the fact that you did. That’s pretty much how we feel about Su Wu, whose inspiring blog I’m Revolting we admired from afar for months before reaching out two years ago, asking her to collaborate, and becoming instant friends. Earlier this summer, however, when we found out that one of our favorite photographers would be visiting LA, we realized this was the perfect time to find out a bit more about the circumstances that led Wu to where she is right now, both philosophically and quite literally — the downtown LA loft she calls home.
It was only just last year that we were wondering what brilliance Hazel Stark would produce if ever she turned her attention to designing and making full-time, and already we have the answer. Having left her job with Ally Capellino earlier in the summer, Stark initiated work on her new collection, Naturally Dyed #1, with a long period of research into materials.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: We’re having a serious way-back moment — two collections that reference 70s-era Superstudio, a 1960s Cappellini reissue, and a mirror inspired by an engraving from the 14th century.
We’ve heard of something being a product of its environment, but never has that phrase rung so true as it does with the pieces in Steven Haulenbeek’s Ice-Cast Bronze series, on view this month at Chicago’s Casati Gallery, which were made largely in a trough of ice outside Haulenbeek’s studio window during last winter’s deep freeze. Haulenbeek — who knows from frigid winters, having grown up and studied sculpture in Michigan and lived in Chicago for the better part of his adult life — originally conceived the series back in 2011, when he was fooling around with pouring wax into frozen puddles on Chicago’s city streets. But this winter’s extreme conditions — while providing little but consternation for everyone else — gave Haulenbeek the opportunity to take the whole operation onto a much larger scale. We recently spoke with the Chicago-based designer to find out a little more about the origins and making of his new collection.
We are completely intrigued by Australia. It almost feels like a parallel universe sometimes — it’s on the totally opposite side of the world from us, and it has its own thriving design scene that we’re constantly being reminded we know precious little about. That’s how we felt a few weeks ago when the Sydney-based creative studio Page Thirty Three contacted us out of the blue to introduce us to their latest collection, Optical Delusion, which consists of shelves, lamps, chairs, and tables inspired by puzzles, simple mechanics, and neolithic forms. Now we’re introducing it to you. Click through to see images from Page Thirty Three’s new collection, much of which is hand-crafted in their own workshop.
Two things happen when you run a site that features as many beautiful interiors and objects as Sight Unseen does: One, people begin to seriously hit you up for interior design advice (which we can oblige, though please don’t ask us about the art on your walls!). Two, they start to wonder if they can sneak a peek inside your own space. So when we were recently asked to participate in IKEA’s brand-new “Show Us Your IKEA: The First 59” campaign — which focuses on how IKEA pieces can help make the most out of the first hour of your day — we thought this was as good a time as any to invite our readers into one of my favorite spaces and to share a bit of my own morning routine.
Brooklyn-based artist Amy Brener is all about excavating the technological artifact in her large, translucent, crystal-like sculptures. Each standing the height of an average-sized human, the totems are like some colossal peer of Thaddeus Wolfe’s ongoing Assemblage Series. Into these cast resin and concrete monoliths, Brener fossilizes decade-old Nokia phones, Fresnel lenses, and gypsum; once the cast dries, she chisels away, cracking sheets of plastic and remnants of our recent technological past, revealing sculptures that resemble the natural and the geological. The structures stand bright and vertical, weighted in a mix of familiar earthy rock formations and distant ideas of the supernatural. As Brener notes, “My pieces are artifacts from an imagined future.” Enjoy a small selection of our favorites after the jump.
Having branched into retail three years ago with the Sight Unseen Shop — plus a few pop-ups along the way — we can definitively say that the only thing better than buying beautiful objects for ourselves is putting them out into the world for the enjoyment of others. When Marissa Maximo, curator of Space Ninety 8 in Williamsburg, offered us 500 square feet in which to host an event for the month of September, we figured it was the perfect opportunity to bring the work of some of our favorite makers — most of it destined for our fall shop collection — to a much wider audience. Designed by Syrette Lew of Moving Mountains and on view now through October 5, the pop-up consists both of items we admire (Pat Kim’s Soap on a Rope, Heddle & Needle’s wall weavings) and items we’ve commissioned exclusively for the Sight Unseen Shop (Ian Anderson’s Oden pitchers, Sandwich Shop’s Shapes Vase and Two-Tone Artifact Mug). See photos of the space — and our packed opening-night party — after the jump.