Sies Marjan FW18

Ever Wonder What Sight Unseen Would Look Like As a Fashion Collection?

As a design magazine, our relationship to fashion can be somewhat tenuous. We tend to cover accessories and jewelry more often than clothes, and while we love to scroll through the runway shows each season, it's mostly to identify which trends have the capacity to translate to interiors. So we were unprepared for the kinship and immediate obsession we felt when we first spied Sies Marjan's hyper-pigmented FW18 collection, which launched last week in New York.
More
MimiJung_Pale_Blue_and_Teal_Live_Edge_Forms_Collectible_2

At Europe’s Newest Design Fair, We’re Presenting New Work by Chen and Kai and Mimi Jung

This winter, we're building on a very exciting trajectory that began with our presence at two Collective Design Fairs in New York, and continued when we presented the work of 13 American studios at the London Design Fair this past fall. From March 8 to 11, Sight Unseen will have a booth at the brand-new Collectible design fair, in Brussels, where we'll showcase new lighting by Chen Chen and Kai Williams and new woven works by Mimi Jung.
More
SS_Produkt_KunsikChoi

Week of February 12, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Alessandro Mendini's wildly colorful Italian vacation home, Mexico City's booming contemporary art scene, and two green benches, created for a Korean sunglasses flagship, that we'd basically kill for.
More
_MG_0202_opener

A Concrete and Pastel Oasis in Spain

Normally we'd dismiss an all-concrete restaurant as a terrible idea — too Meatpacking District circa Sex and the City, too cold and impersonal — but a submission we received today, from the Spanish architecture firm Lucas y Hernández-Gil, may have just opened our minds a little bit. Their interior for Casaplata restaurant in Seville, Spain, softens the chilly material with saturated colors, pale untreated woods, and tactile materials like velvet and perforated metal.
More
0Cubi1

Lauren Clay, Artist

Artist Lauren Clay has a background in painting and printmaking, but her work is hardly confined to the two-dimensional plane. Her body of work began as a series of large paintings on paper. But as she progressed, she became more and more interested in the inherent tendencies of paper to curl away from the wall, and she began to explore the third dimension, bridging the gap between painting and sculpture. We can see this in her delicate cut-out grids on marbled acrylic paper, which naturally curl away from the wall, creating a presence in the viewer's space and a dialogue between paper and wall, paper and viewer, and 2D vs. 3D.
More
VI, VII_Exhibition view_Eva LeWitt at VI, VII_10 Courtesy of VI, VII, Oslo_Photography by Christian Tungeopener

In a New Exhibition in Oslo, Eva LeWitt (Yep, That’s Sol’s Daughter) Comes Into Her Own

It can be difficult to approach the work of New York artist Eva LeWitt and not immediately attempt to place it in context with the work of her father, the late, great conceptual artist Sol LeWitt. So it makes sense that LeWitt, for her new exhibition at VI, VII Gallery in Oslo, might try to escape comparison entirely by using materials in such an opaque way that they reframe your initial appraisal of the work — you first must understand what exactly it is you're looking at.
More
singles_0 29

Iridescent Glass and Canary-Yellow Cushions Soften Up This Architectural Furniture Collection

We first fell in love with the bright, geometric designs of up-and-coming Australian designer Elliot Bastianon when we spotted his Donald Judd–esque acoustic paneled bench a few years back. His latest works, on display this month at M2 Gallery in Sydney (reminding us yet again that now would be a perfect time for an Australian vacation), maintain the designer's strong linear emphasis and poppy use of color.
More
thoreen_zonamaco

Week of February 5, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: hits from Zona Maco, Mexico's art week; a Memphis-y jewelry line we somehow haven’t seen before; and (yet another) pink terrazzo bathroom.
More
Lelièvre collection Evasion

This Parisian Designer is Giving Volcanic Rock a Feminine Touch

For her Lavastone collection, Charlotte Juillard collaborated with the centuries-old stone company Ranieri Pietra Lavica, whose workshops are located at the foot of Mount Vesuvio. The collection includes a daybed, a side table, and mirror with tinted glass; Juillard says she was interested in combining the rough, raw qualities of volcanic rock with a more feminine sensibility.
More
Note Design Studio Stockholm Furniture Fair

The Coolest Booth in Stockholm Was for a Vinyl Flooring Company

While it's not exactly news that formerly uncool materials can be made to look beautiful and sophisticated, it's perhaps never been done as well or on as large a scale as it was this week at the Stockholm Furniture Fair, in a booth Note Design Studio created for the French flooring company Tarkett. Called the Lookout, the booth was made from a mix of wood, textiles, linoleum and a vinyl flooring material called iQ Megalit; the trick was in employing Note's frequent use of geometry and a tight, tonal color palette of rust, coral, apricot, moss green, and mint.
More
Hawkins New York 01_© Pippa Drummond

See How Hawkins New York’s Founders Transformed a 1750s Farmhouse Into a Colorful, Modern Home

Hawkins started out primarily producing work for other designers, including Workstead, Alyson Fox, MINNA, and Slowood Studio, but the brand now specializes in simple, elevated basics designed in-house — think enameled bowls, recycled glassware, insanely chic dustpans (it's a thing), and super-saturated waffle towels. But most of the pieces have evolved from a need in Denoly and Blaine's own home, which they bought in seriously dilapidated fashion almost five years ago and have been working on ever since.
More