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BLUE
11.26.14
Excerpt: Magazine
Color Palette, From PIN–UP #17

When PIN–UP editor Felix Burrichter asked me to put together a product-driven color story for the magazine’s new fall issue, which just came out last week, I said yes without hesitation — then secretly panicked later. It turns out that defining yourself by a single hue can be strangely intimidating. After thinking about it for ages, I resolved not to think at all, resorting to an idea that’s been kicking around Sight Unseen’s Pinterest feed for months now: electric blue, reimagined for the magazine as the more whimsical-sounding “peacock.” I rounded up 14 of our favorite examples, which PIN–UP contributor Fausto Fantinuoli turned into the gorgeous illustration pictured above, along with the selections of Ambra Medda (dolphin), Tauba Auerbach (vermillion), and Paloma Powers (blush). Burrichter was kind enough to let us share the full story, which you can view after the jump.

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AVJ_opener
11.25.14
Eye Candy
Ann Veronica Janssens, Artist

Lately it feels like whenever we’ve seen a piece at an art fair that we love, it’s turned out to be the work of one of a very small group of our favorite artists (Alicja Kwade, Thea Djordjaze, Jonas Wood, David Korty, etc) whose work seems to pops up again and again in such contexts. One of the most frequent is Ann Veronica Janssens, a British-born, Brussels-based artist whose practice is based around finding ways to visualize light and other ephemeral forces while balancing them against the more tangible qualities of architecture. Janssens has been around for awhile — she represented Britain at the 1999 Venice Biennale — but we’re particularly fond of her most recent body of work, which is more object-based than light-based. See a selection of it after the jump.

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Sight Unseen's 5th Anniversary Dance Party Sponsored By BOMBAY SAPPHIRE Gin
11.24.14
Sight Unseen Presents
Our 5th Anniversary Party

Two weeks ago, Sight Unseen celebrated our 5th anniversary with a post full of birthday cards made for us by our favorite designers and readers. But we couldn’t possibly mark such a momentous occasion with a web post alone — we had to throw a party, of course! Last Thursday night, we gathered 200 of our closest friends and clients together at the stunning roof bar of the McCarren Hotel & Pool in Williamsburg, Brooklyn, where we sipped Bombay Sapphire cocktails, danced to music spun by DJs Kyle Garner and Jon Santos under a piñata by Confettisystem, tossed around pool-toy dance props crafted by Misha Kahn, and ate adorable hand-shaped cookies and a golden birthday cake baked by Fredericks & Mae. There were even custom zig-zaggy funhouse mirrors by Chiaozza on hand to freak us out once we got tipsy. It was a memorable night for all involved, and we’re grateful to our partners at Bombay Sapphire and Chelsea Hotels for helping to make it happen. It’s definitely going to be hard to top come 2019!

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FR Install_opener
11.22.14
Saturday Selects
Week of November 17, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A new series of prints by Nathalie du Pasquier, two art galleries dabbling in design, and the prettiest darn tool boxes and switchblades we’ve seen.

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Velho_opener
11.21.14
Eye Candy
Marcello Velho, illustrator

We’ve become quite fond of these late-Friday hits of pure joy, and this one arrived in our inboxes just in the nick of time. Marcello Velho is a United Kingdom–based graphic artist. His abstract compositions have quite justly made the blog rounds in recent months, but we particularly love the new styled photos he sent of his work below, which mix Tumblr-inspired art with modern furniture icons. Velho works across different mediums including publications, posters, and textile design. His prints are currently for sale via the Australian shop Visions, alongside another favorite artist of ours: Kristina Krogh. Happy Friday!

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red_cups_opener
11.20.14
Q&A
Matthias Kaiser, artist

I had a long conversation over email this week with Matthias Kaiser, whose masterful ceramic work was a personal highlight of the show I curated for Sight Unseen OFFSITE earlier this year. The exchange reaffirmed my sometimes-waning faith in ceramics, or in anything that suddenly becomes so widely hyped that it can feel like we’re too busy being professionals to remember what struck us through about the practice in the first place. Kaiser, who now lives in the Austrian countryside having previously apprenticed with Japanese master potters and spent a combined two years
traveling on the Indian subcontinent, speaks with the deep humility that comes with not taking shortcuts — with digging for your own clay, for example, or moving to Isfahan to study Sufi mysticism. He compares himself to “bad clay,” talks about how losses are a part of the game, and makes a joke about beards.

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Francis_staged2
11.19.14
Studio Visit
Egg Collective, furniture designers

When Egg Collective launched their debut furniture collection at ICFF in 2012 — snagging a Best New Designer award in the process — they seemed to the design world to have come out of nowhere. And in fact, though the three — Stephanie Beamer, Crystal Ellis, and Hillary Petrie — met and began collaborating as 18-year-old freshmen at Washington University’s architecture school more than a decade ago, the truth is they had formally joined forces and had begun crafting an ICFF plan only six months earlier. “I remember the three of us sitting outside the Javits Center in our Budget truck, about to move in furniture that we’d been working on with no one having seen for six months,” says Beamer. “I was like, you guys, this is it. People could just walk by us the entire fair. But thankfully we seem to have struck a chord and the work resonated.”

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Turnbull_Opener
11.17.14
Eye Candy
Meredith Turnbull, artist

A few Saturdays ago, we featured Australian artist Meredith Turnbull’s incredible, powder-coated brass jewelry, but today we wanted to turn your attention to her equally terrific art practice. Navigating her website, we became intrigued by images of totemic metallic structures that were nevertheless labeled as photography. We asked Turnbull herself to clarify: “My practice as an artist has really been shaped by my training: first studying photography, then doing a degree in Art History, then later a degree in Fine Art specializing in gold and silversmithing. This affected the way I work and made me very interested in ideas in and around discipline, functionality, art and design history, and of course context! I’m preoccupied with theories and ideas about purposeful objects and their relationship to people as well as new contexts for those ideas. So I make objects across a variety of scales. Sometimes I photograph these but only exhibit the photograph; sometimes I show small objects alongside larger installation work. I’m always trying to work with scale and the context in which I’m exhibiting.”

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