SIN OPENER

Virginia Sin Can Make Literally Anything Out of Ceramic

Virginia Sin has been working out of her Brooklyn studio since she moved to New York from Los Angeles years ago, and her ceramics and housewares — typically made from neutral-colored, hand-built clay — have often caught our eye at trade shows and on sites like Need Supply. But her most recent collection takes the Brooklyn ceramicist to a whole other level; in it, Sin tests the structural limits of clay by creating thinly rolled table bases and shelf supports from unglazed stoneware.
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This Translucent, Candy-Colored Lucite Jewelry is All We Want to Wear Right Now

Knots, chains, translucent candy colors — Corey Moranis's SS19 Lucite jewelry collection ticks off more trend boxes that we could possibly count. But in truth, the most beguiling thing about Moranis's jewelry is the Lucite itself — a fascinating material that recalls our obsession with colored glass; it, too, retains the memory of its previously liquid state.
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01.Photo Geray Mena

Milan Preview: Jorge Penadés’ Aquatic-Inspired Aluminum Vases

Jorge Penadés has been popping up on our radar a lot lately, and the Spanish designer’s latest move is a collaboration with the manufacturer BD Barcelona, a furniture brand known for its extensive design catalogue and pioneering technology in aluminum extrusion dating all the way back to the 1970s. Entitled Piscis, the six different vases are made from extruded aluminum profiles, converted from the offcuts of old tables and shelves (including those by Konstantin Grcic) produced over the last 50 years in BD Barcelona's factory.
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Casa Perfect Opens in New York, And It’s Even Better Than the Instagrams

Casa Perfect — the shoppable interior concept from The Future Perfect — finally opened in New York City this weekend after the success of previous Los Angeles iterations, and it was predictably awesome: Copacabana-like tropical lights by Chris Wolston, ethereal glass pieces by John Hogan, lush velvets by Lazzarini & Pickering, oil-finished tables by Floris Wubben, and a spectacular Chipperfield-designed wood staircase that flies up the home's central void, all the way from the subterranean kitchen to the roof.
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You’ll Never Believe How These Ombré Ceramics Are Made

We've seen designers do a lot of crazy things with ceramic in our career, but Philipp Schenk-Mischke's incredibly bizarre process might be our favorite yet — he uses a body vibration plate, co-opted from the fitness industry, to gently jiggle his way to a unique, slumped ceramic form.
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Experiments in Colored Glass, Inspired by the Palette of Mexico

As avowed colored glass evangelists, we practically consider it our saintly duty to bring your attention to one of the coolest, most beautiful glass objects we've seen in years: As part of a residency program supported by the Swiss Design Mexico program and the Swiss Embassy in Mexico, Swiss designer Julie Richoz spent the last year developing these two-toned Isla vases in collaboration with the glass-blowing masters at Nouvel Studio.
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You Need These New, Color-Blocked Goblets by Helen Levi

There's a ceremonial feel to the latest collection from Brooklyn-based ceramicist Helen Levi. First, there are the goblets — a type of stemware more often associated with medieval banquets or religious rituals, to which Levi gives a resolutely modern look by color-blocking and employing a pristine matte finish. Second are the jugs, which might look as though they'd been excavated from a silty river bed were it not for the delicate palette, ranging from stony buff to rose pink.
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These Textured, 3D-Rendered Interiors Are a Study in Abstraction

In their three-dimensionally rendered landscapes, Terzo Piano keeps creating images for worlds we only wish were real. The latest project from the Italian-based agency, with styling by Elisabetta Bongiorni, zooms in a bit from their typical room settings, giving us highly textured elements that beg to be touched.
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A New Ceramics Collection Wants to Sand Down the Edges of Brutalism

Founded by Orion Janeczek, a graphic designer and stylist from Portland, Oregon, New Material's first collection is called Brutalism for Lovers — i.e. thick slabs made cuddly in the form of footed trays and planters, tubetop vases, and a dinnerware set that are all sorts of chunky, cute, and slightly absurd.
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In a New Series, 3D-Rendered Anthuriums Look (Unsurprisingly) Just Like the Real Thing

Appropriately called Digibana, the series finds Anders Brasch-Willumsen exploring the Japanese art of arranging flowers in a digital context, created by way of 3D-rendering software that keeps the flora alive forever. “I like to think of this series as a futuristic Ikebana practice,” Brasch-Willumsen says, “where moments of beauty are created and preserved only by a constant stream of likes and shares.”
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