Designers in America Lack the Infrastructure to Help Build Their Businesses. A New Residency From Colony is Here to Help.

Putting creative work out into the world can be incredibly daunting. There’s not only the pressure to conceive of a strong artistic vision but also the challenge of balancing logistical production details — not to mention the cost, particularly here in the United States, where we lack structural and financial support from the government. The Designer’s Residency Program from Colony, a gallery and design strategy firm in Manhattan, helps guide up-and-comers through all of this. For their 8-month intensive incubator, Colony’s founder Jean Lin and creative director Madeleine Parsons draw on their experience as professors at Parsons and RISD to help emerging, independent designers navigate the stages of launching a studio and breaking into the industry.
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I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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