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2019_09_16_T+T18186
09.18.19

Fair Report

Our 35 Favorite Finds at the 2019 London Design Festival

We combed through images from dozens of exhibitions and launches to ferret out the works we were most excited about from this year's London Design Festival, from rainbow tables to iconic reissues to lots and lots (and lots) of wavy furniture. Check out all of our picks after the jump.
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Gregory Beson_Salt Chair_1
09.17.19

Excerpt: Exhibition

A Himalayan Salt Chair and a Purple Ombré Space Bench Were Among Our Favorites at This Year’s In Good Company

There were many quote-unquote "winners" in this year's In Good Company exhibition, which opened last week and was co-curated this time around by Fernando Mastrangelo and Milanese design doyenne Rossana Orlandi. But this year, there was an actual winner as well — someone who would be chosen by a jury of peers and offered $5000 to further their practice.
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Seeds_Masks_Opener5
09.16.19

Excerpt: Exhibition

For LDF, 20 Designers Made Masks Representing How They See Themselves, And the Results Are Hilarious

Having been invited to curate an LDF exhibition for SEEDS gallery on the theme of Nature/Nurture, the design studio M-L-XL decided to focus on human nature, and one of its darkest facets in particular — the masks we put on in order to present an idealized version of ourselves to the world, especially in the image-obsessed age of social media. The resulting show, however, is one of the wittiest, most playful LDF presentations we've seen in awhile, with 20 designers representing their identities through handmade masks ranging from the beautiful to the hilariously grotesque.
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SS_TileBlush_Rideout_Opener
09.14.19

Saturday Selects

Week of September 9, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the latest exhibition of enigmatic work by Jonathan Muecke, several new specimens of curvy and blobby furniture, and a show of paintings by Brian Rideout whose source material is 1970s interior photography (above).
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Fort Makers_The Blue Room 1
09.13.19

Eye Candy

Fort Makers Opens an Yves Klein–Inspired Shop on the Lower East Side

In keeping with the recent theme of New York designers opening their own showrooms and shops, Fort Makers this week opened its own permanent space at 38 Orchard on the Lower East Side, just down the street from Coming Soon. The space will transform every six to eight weeks with an installation curated by Fort Makers creative director Nana Spears; its first iteration takes inspiration from Yves Klein in an installation called The Blue Room.
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MO_Bailey Fontaine_Plane Bench4
09.12.19

Fair Report

10 (More) Things We Loved at Paris Design Week 2019

Consider this the year that Americans took over the French design fair, much like Milan in 2017. The fair had strong showings from other countries as well, of course, and we've included 10 of our favorite projects here. But in a year when it's sometimes been hard to be proud to be an American, this was a bright spot.
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AGO_ALLEY_interior_01 copy
09.11.19

Sighted

This Breakout Korean Lighting Brand Was One of Our Favorites at Maison & Objet

For its debut, the new Korean lighting brand AGO has collaborated with designers from Korea, Switzerland, and Sweden to present eight collections that blur the lines between residential and contract. Each AGO collection has a distinct personality, from the elegant Bell by JWDA — a spotlight that brings a friendly form to traditionally cold track lighting — to the Mozzi by BYMARS, whose gentle dimple recalls lightly-poked mochi.
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Sohyun Yun 4
09.08.19

Saturday Selects

Week of September 2, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, a one-day fashion and furniture pop-up (this weekend only!), a new South Korean design talent, and an indoor fountain in Melbourne meant to honor its designer's Syrian past.
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Jonah Takagi glass brut vessels
09.05.19

The Making of

In a New Collection, Jonah Takagi Reimagines French Brutalism in Shimmering, Colored Glass

Jonah Takagi has always been inspired by architecture. His first foray into the design world, nearly a decade ago, included furniture inspired by Tinkertoys, and an early series of tables for Matter employed architectural elements in miniature, like I-beams, columns, and trusses. “My dad’s an architect, and it was something I considered pursuing,” Takagi says. “Now I make things that go inside buildings.” It makes sense, then, that Takagi’s latest collection — a series of stepped, angular glass vessels in deeply saturated or disco iridescent hues — would be inspired by one of architecture’s most recognizable structures: Le Corbusier’s Brutalist 1952 Unité d’Habitation housing complex in Marseilles, France.
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Andres Reisinger 25_opener
09.05.19

Eye Candy

See How This 3D Artist Rendered 50 Different Proposals for a Real-Life Exhibition

We've talked a lot on this site about how much 3D digital renderings have changed the game — most notably in their capacity to make the editorial photoshoot all but obsolete — but this was a new one even for us: For his first solo exhibition at the Copenhagen gallery Last Resort, Barcelona-based digital artist and designer Andrés Reisinger created more than 50 different 3D renderings for exhibition proposals before settling, with gallery director Peter Amby, on the final concept.
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