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03.05.26

The Weekly

SPOTLIGHT: Everything We Loved at This Year’s 2026 Frieze Week in LA

Despite being in LA in February once again for my annual winter sojourn, I promised myself this year that I would finally take it easy during Frieze week, not run around so much, maybe pick three new artists to spotlight in my newsletter rather than trying to digest it all. Well, dear readers, I failed at that task — hence this extensive roundup of everything I loved.
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04.19.24

Excerpt: Exhibition

If You Like Architectural Details, You’ll Love This Comprehensive Archive of Modernist Buildings and Interiors, On View in Milan

Unless you’re very offline, design-wise, you probably know about Prague-based architecture historian and curator — as well as frequent Sight Unseen contributor! — Adam Štěch. On his well-loved Instagram account, @okolo_architecture, he’s been assiduously and beautifully cataloging 20th-century architecture and interior design details for years. His photographic efforts aren’t simply representative, they’re revelatory, and they’re currently on view as part of Salone in his Elements exhibition at Dropcity, a new center for architecture and design in Milan. By focusing on the parts — the lighting, seating, tables, railings, doors, handles, windows, floors, and more — Štěch’s 3,000 images give us a new sense of the whole: not only the larger project of how a particular building was put together in a cohesive way, but a comprehensive view of how architecture and design developed and moved throughout the last century, charting the differences and similarities of Modernist buildings over time and through place.
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02.04.26

American Design Hot List

Announcing the 2025 American Design Hot List

Welcome to the 13th annual American Design Hot List, Sight Unseen’s unapologetically subjective award for the names to know now in American design. Founded in 2013, the ADHL serves as a guide to the US (born or based) talents influencing the design landscape in any given year, whether through standout launches, must-see exhibitions, or just our innate sense that they’re ones to watch. Considering we’ve recently changed almost everything else about the way we present Sight Unseen to the world, we decided to do things a little differently this year.
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