I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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This Parisian Interior Deploys Moiré Walls and Animal-Print Rugs and Still Manages to Convey Understated Glamour

If an interior clings to any one time period or design movement, it can seem a bit like a theatrical set — not entirely real, not livable. But mix eras and a space can risk coming off as scattershot or lacking in a strong point of view. It’s a fine line to walk, but Stéphanie Lizée and Raphaël Hugot, of the Paris-based interiors studio Lizée-Hugot, do it gracefully, recently infusing a Parisian residence with an atmosphere that feels refreshed, yet grounded and enduring.
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