01.14.22

Excerpt: Exhibition

A New Exhibition in Sydney Offers Hope That We’re Turning a Corner

Remember before the pandemic, when we wondered why everything in design had started to look like the inside of a cave? Well, if a new exhibition at the Saint Cloche gallery in Sydney is any indication, maybe this is the point at which we begin to emerge.

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01.11.22

Graphic Design

A Pollution-Inspired Skincare Identity, and Other Graphic Design Picks for January

Each month The Brand Identity shares with our readers a selection of the most interesting studios, packaging designs, and branding and identity projects featured recently on their site. This month: a chic rebrand of a construction company, an art museum logo that mirrors the historical monogram of its building, and a skincare brand whose identity abstractly channels the air pollution it's designed to fight (above).

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01.10.22

Excerpt: Exhibition

Marta Gallery Rolls Out a Much-Loved Exhibition in An NYC Bathroom Near You

Co-curated by newly minted PIN-UP editor-in-chief Emmanuel Olunkwa, the latest iteration of Marta Gallery's Under/Over exhibition featured Sight Unseen favorites like Simone Bodmer-Turner, who installed a curvy knob reminiscent of her organic clay vessels over at Emma Scully Gallery; Minjae Kim, whose inky wooden assemblage you could find at Planet Earth; and Sam Stewart over at Matter gallery with a straightforward painted red roller.

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01.08.22

Saturday Selects

Week of January 3, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, a pastel dream interior in Madrid, an incredibly chic tortoise-shell cocktail table, and the best soap dish we've found to date, made by Silo Studio for Ensemble in London.

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10.26.20

Excerpt: Exhibition

In This Banner Year for Outdoor Art, Anders Ruhwald’s IMA Garden Installation is a Standout Favorite

At Newfields, the gardens that surround the Indianapolis Museum of Art, Detroit-based ceramicist Anders Herwald Ruhwald installed an exhibition of 10 large-scale ceramic works. Titled Century Garden, the sculptures — many of which are meant to hold plants — were tucked into the wilder, more overgrown parts of the garden; though the ceramic surfaces appeared almost tie-dyed, mottled as they were with yellows and blues, tangerine oranges and greens, they were camouflaged amongst the flowers and native plants, creating an uncanny effect.

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01.06.22

Up and Coming

With Its Whimsical Ceramics and Mirrored Lounges, Project 213A is Bringing a Bit of Joy to 2022

If you needed more proof that we're living in something of a golden age of small-batch production, look no further than the new design brand and housewares shop Project 213A, which was founded in 2020 by four friends and is based between London, Paris, and Portugal. In the last two years they've built up an enviable portfolio of that mixes the kind of ceramic silhouettes that are popular right now with wild cards that keep you guessing like a fully mirrored low lounge, a multicolored tiled bench, and a chestnut wood milking stool, with one lone leg carved in the shape of a foot.

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01.04.22

Up and Coming

In Mexico City, An Up-and-Coming Design Studio Inspired by Institutional Aesthetics

The objects and furniture made by the Mexico City–based design studio Panorammma are difficult to pin in one particular box. Their concepts pivot from material focus — such as in their Neolithic Thinker chair, an upturned U-shaped seat made of volcanic tezontle stone — to abstract ideas, like the Sisyphean Table, a glass-topped Vignelli-esque cocktail table inspired by the concept of the absurd. But the thread that connects all of these approaches is a steady preoccupation with narrative and memory.

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01.03.22

Interiors

An Insider’s Tour of the French Ski Resort Charlotte Perriand Designed in the 1960s and 70s

From the late 1960s through the 1980s, Charlotte Perriand designed several residential and recreational buildings in France’s Savoy Alps, inspired by the area’s traditional mountain architecture. The monumental project — Les Arcs — became one of the largest ski resorts in the world, and I had the opportunity to spend a few days there last July, documenting its interiors and exteriors.

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12.20.21

Editor's Note

See you in 2022!

Today marks the last day of our 2021 coverage, as we hunker down for another COVID winter and try to get some relaxation in before starting fresh in the new year. We'll be leaving you, as in previous years, with a review of our top stories from the past 12 months, ICYMI. What can we learn from the fact that these 8 stories were so popular? Here are our totally subjective speculations.

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12.18.21

Saturday Selects

Week of December 13, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a reconstructed 1960s apartment by Ettore Sottsass opens in Milan, six London designers exhibit works in glass and metal, and Sweden's David Taylor unveils his latest collection of bent-aluminum furniture and lighting.

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12.16.21

Excerpt: Exhibition

Get Good Vibes Only From this Show of Grandma-Inspired Lamps and Balloon-Like Chairs

Sister-Sister, Léa Mestres's new show at the Paris gallery Scene Ouverte, is a highly photogenic pairing of two sides of the up-and-coming French designer's practice. One the one hand, there are her puffy, balloon-like chairs, benches, and tables. On the other hand, there are her colorful stucco lamps. "I see them as old ladies," she says. "They each have a names and personality. That's why I called the show 'sisters sisters' — it’s an old ladies' gang."

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12.15.21

Excerpt: Exhibition

Sculpture or Furniture? Supaform’s New Collection Puts Feeling Before Function

In Russian designer Maxim Scherbakov's new furniture exhibition at Rome's Contemporary Cluster gallery, he asks the question: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we're not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are.

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