I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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This French Designer is Bringing the Collectible Design Gallery Model to India

“Everyone has their eyes on India,” says French designer Florence Louisy, who ended up in the country herself quite serendipitously but has since carved a path. As co-founder and creative director of the Mumbai gallery Aequo (Æquō) — self-described as “India’s first collectible design gallery” — Louisy encourages international designers to discover and adapt traditional craft techniques from across the country, and to collaborate with artisans to create collections of beautiful contemporary furniture. Thanks to a booming economy, the demand for the gallery’s pieces, which include many of Louisy’s own, has soared. 
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