This Designer’s Interior Design Secret? Make It a Little Bit Weird

During a career spanning almost two decades, Julia King has worked for several of the interior design world’s heavy hitters — from Kelly Wearstler to Michael Smith to Charles DeLisle — and absorbed a little of each of their dramatically disparate design styles along the way. Now, after setting up her own business, Studio Roene, this aesthetic mash-up is delightfully evident in her first wave completed projects, which borrow a little of their resident’s personalities, and blend King’s eye for color and compositions of vintage and contemporary furniture. “I always try to think: ‘How can we make it a little bit weird?’” King says. “It doesn't have to be in your face, but let's just add one thing in each room that gives it a bit of funkiness.”
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I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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