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06.23.26

The Weekly

I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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11.01.23

Sighted

Dana Arbib’s Vegetable-Themed Murano Glass at TIWA Gallery Has Us In the Mood for Fall

When deciding on the first exhibition for his new TIWA Gallery location in Tribeca, Alex Tieghi-Walker instinctively turned to artist Dana Arbib, whose second collection of Murano glass — this time in the form of both lighting and vessels — were a perfect fit to activate the space, a former manufacturing workshop for electrical parts. Titled Vetro Orto, which translates from Italian as “the glass vegetable garden,” Arbib's pieces are modeled on the forms of gourds, cabbages, and root vegetables.
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