09.25.24

Excerpt: Exhibition

This Norwegian Studio Devised Its Own Machinery to Make These Joyful, Rainbow-Colored Stools

We learned something new today, so perhaps you will, too: The acronym for the colors of the rainbow in Norwegian is ROGGBIF, which Oslo-based Studio Sløyd has used to title its new collection of stools, as multi-colored and joyful as you’d expect from such a moniker. Comprising 24 different playful shapes, each is designed to explore applications of a newly created dyed wood technique, which founders Herman Ødegaard, Mikkel Jøraandstad, and Tim Knutsen — who decided to work together as students during a late-night karaoke session (extremely relatable) — have been developing over the past couple of years. “Rather than starting with a shape or form, we turned our usual process on its head for this project, experimenting our way to a new material,” says the trio.

09.18.24

Up and Coming

This Swedish Designer Uses a Centuries-Old Technique to Create Mural-Like Landscapes and Domestic Scenes in Wood

In the hands of Swedish designer Carl Martinson, the centuries-old inlay technique of wood intarsia is made modern with compositions that are representational — quiet domestic scenes or landscapes — abstract, or somewhere in between. What runs throughout Martinson’s kitchen cupboards, cabinets, tables, wall works, and sculptural pieces is the soothing palette of wood tones and a material richness and warmth.

09.12.24

Up and Coming

A Speaker That Looks Like a Sculpture, and So Much More, From a New Australian Design Talent

There’s a raw simplicity to Australian designer Tom Fereday’s work that comes from applying simple gestures to great effect. The majority of his pieces are sculpted or constructed from a single material, and have one, carefully considered defining feature. Take his Cor light, a pillar of travertine with fileted corners, from which a curved slice is pared away to reveal a hollow core and a light source that glows from within. Or his Cove Lounge, a chair with a slender metal frame that — rather than wrapping around the backrest — elegantly disappears into the curved panel on one side and reemerges on the other. “I try to add innovation in the pieces from a perspective where we might look, for example, at articulating engineering details with natural materials,” Fereday says. This approach to simplified and sophisticated contemporary form-making is proving to be a hit with design lovers worldwide.

09.11.24

Up and Coming

Carsten in der Elst Lets the Materials Lead Him Where He Wants to Go

Raw is the adjective that first comes to mind when looking at the work of German designer Carsten in der Elst. There's his Graywacke Offcut Series, for which in der Elst exclusively uses the jagged "crust" that's discarded when turning sandstone slabs into German sidewalks; his Accession chair, whose seat is formed from a sawn carpet of latex tubes resembling pasta noodles; and his ongoing Aluskin seating series, whose shells are crafted from the cast-off skins salvaged from high-precision aluminum production and whose cushions are foam remnants that puff up, lumpily, like loaves of sandwich bread. His designs feel contemporary and fresh but continue the red thread of predecessors like JB Blunk, Max Lamb, and Kwangho Lee (the former two in der Elst cites as inspiration). Like in der Elst, all of these designers seem to tease form from a material, allowing its inherent properties to lead to the final shape.

09.03.24

Up and Coming

When Their Commercial Work Dried Up During the Pandemic, This London Studio Bought a Laser Cutter and Started Making Furniture From Aluminum Scrap

As Jamps Studio, a London-based design and fabrication consultancy, Martha McGuinn and Tom Pearson collaborate with artists like Marguerite Humeau and Yinka Ilori and help create the design environments for exhibitions at the Venice Architecture Biennale and the Victoria and Albert Museum. Friends for a decade, McGuinn and Pearson studied together at the Royal College of Art, teaming up on a few small projects while Pearson was employed in fabrication and McGuinn worked as a high-end cabinet maker. Six years ago, they made their own practice official with Jamps Studio. Post-pandemic, that sense of play, inventiveness, and fun has now led to By Jamps, objects and furniture McGuinn and Pearson make out of leftovers — mostly aluminum — from fabrication projects they’ve done. If it’s an exercise in letting nothing go to waste, By Jamps also springs from a love of a particular material: the versatility and mutability of aluminum.

07.18.24

Up and Coming

Designers in America Lack the Infrastructure to Help Build Their Businesses. A New Residency From Colony is Here to Help.

Putting creative work out into the world can be incredibly daunting. There’s not only the pressure to conceive of a strong artistic vision but also the challenge of balancing logistical production details — not to mention the cost, particularly here in the United States, where we lack structural and financial support from the government. The Designer’s Residency Program from Colony, a gallery and design strategy firm in Manhattan, helps guide up-and-comers through all of this. For their 8-month intensive incubator, Colony’s founder Jean Lin and creative director Madeleine Parsons draw on their experience as professors at Parsons and RISD to help emerging, independent designers navigate the stages of launching a studio and breaking into the industry.

06.25.24

Up and Coming

This Parisian Artist Translates His Work Across Three Ancient Art Forms

When a sentence or phrase is translated from one language into another — and perhaps another, returning eventually to its native tongue — the result is often a completely different set of words whose meaning ultimately remains unchanged. For his Traduslation project, French-Swiss artist Réjean Peytavin has created an objects-based version of this kind of kinked-up inspiration funnel. Peytavin's multi-step development process typically involves drawing a found vessel, translating it first to carpet and then to wildly textured ceramics, allowing him to move his concepts through a series of physical states, carrying commonality from one form to another, yet ending up with three totally distinct collections of work.

05.30.24

Fair Report

Inspired by Italian Modernism, the Opulence of Paris, or a Brutalist Viennese Church, These Three Up-and-Coming Design Studios Wowed in Milan

Before we leave the spring design fair season entirely, we'd be remiss if we didn't call out three of our favorite up-and-coming studios from Milan. Milan Design Week this year was, as usual, awash with global brands whose impressive, big-budget presentations took up the majority of space around the city — not to mention air time on Instagram. But that doesn’t mean that the emerging and independent designers weren’t represented as well — they just required a bit more searching among the noise.

05.29.24

Fair Report

Material Intrigue and Rich Details Unite These Three Standout Collections From New York’s Design Festivities

Over-the-top and outrageous has a place in our hearts, but we need to be in the mood for it. What always seems to hit right is design that combines a certain restraint with sumptuous details: material richness, attention to composition, elegance of form. Three of the best collections we saw at New York Design Week — from Sunfish, Nicholas Obeid, and Gregory Beson — do just that: Not too much, but still refreshing and surprising; a little asymmetry, an unusual but just-right choice, or a wow-inducing flourish.

05.06.24

Up and Coming

This New Rug Company Wants You to View Its Products as Works of Art

A serendipitous meeting in the mountains of Nepal birthed a new rug company called Maison Rhizomes, which employs the country’s expert artisans to create its colorful abstract designs based on the work of Belgian-French artist Charlotte Culot. Culot happened upon Berlin-based Hannah Vagedes up in the Himalayas in 2019, and the pair decided to join forces. By 2022 they had launched their first collection of 22 boldly patterned floor coverings, each modeled after a painting from Culot’s oeuvre, and which the duo hopes will be treated like artworks in their own right and passed down through generations.

04.01.24

Up and Coming

This French Designer is Bringing the Collectible Design Gallery Model to India

“Everyone has their eyes on India,” says French designer Florence Louisy, who ended up in the country herself quite serendipitously but has since carved a path. As co-founder and creative director of the Mumbai gallery Aequo (Æquō) — self-described as “India’s first collectible design gallery” — Louisy encourages international designers to discover and adapt traditional craft techniques from across the country, and to collaborate with artisans to create collections of beautiful contemporary furniture. Thanks to a booming economy, the demand for the gallery’s pieces, which include many of Louisy’s own, has soared.

02.27.24

Sight Unseen Collection

Punk and Playfulness Co-Exist in Nice Condo’s Monumental Furniture

Combining influences from Brutalism and Memphis with traditional wood craft, Nice Condo’s Chris Held and Sara Graham create monumental designs that — while often statement-making in some way, from the off-kilter color palette of a dining table to a cabinet with sawtooth hardware — are each intended to anchor a space and fit with a variety of interior styles. "Challenging the expectations of a client in formal ways quickly veers into sculpture, and I'm not interested in making sculpture," Held says. "I'm interested in making things people put in their homes and spill drinks on — live life on and around."