DesignParadeToulon_Studio Haddou Dufourcq_JPPM-Luc Bertrand - 4

The 2019 Design Parade Festival Is a Total Visual Overload — In the Best Possible Way

If you've ever looked closely at coverage of the annual Design Parade festival in France, we're guessing that like us, your reaction was probably a mixture of bafflement and awe. How do they manage to get so many new objects and new ideas in one (tiny) place, not to mention so many balls-to-the-wall interiors with what appear to be no-expense-spared, move-in-tomorrow production values? Design Parade is practically on the level of the Milan Furniture Fair in terms of the volume of visual inspiration it provides — check out our sprawling overview of 2019's show here.
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Design Parade Toulon

At Design Parade 2019, a Contemporary Homage to the Ancient Roman Triclinium

For the fourth year in a row, the French design festival Design Parade was divided into two distinct parts: a design competition and exhibition taking place at the Villa Noailles in Hyères, and an interior design competition and installation in the neighboring town of Toulon. Tomorrow we'll be posting a full roundup of the projects that were on view across both halves of the show, but today we're focusing on one of our favorites, an entry in the Toulon competition designed by the Brussels duo Sandro Della Noce and Caroline Wolewinski.
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A New Exhibition Asks: Can Digital Representations Eclipse the Experience of Physical Objects?

Soft Baroque's "World of Ulteriors" exhibition at Étage Projects in Copenhagen, which closes this week, features many items that are simply variations on the duo's existing work. The new conceit here is the way in which these items are presented: In each vignette, a collection of furniture sits atop a curved, zero-horizon backdrop — something akin to a seamless, but here depicting a fictional interior that's completed by Soft Baroque's domestic objects.
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In Copenhagen, A Colorful Showcase of Emerging Danish Designers

Among the highlights of last week's 3Days of Design in Copenhagen was DAWN, a showcase of 30 established and emerging talents at Nomad Workspace, curated by Spatial Code and Who’s Agency. Located in a former courthouse turned co-working space, the exhibition featured work by designers and brands like Kristina Dam and Friends & Founders alongside newer companies like Nuura Lighting, &drape, and Lisette Rützou.
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At a Pop-Up Featuring Three In-Demand Interior Designers, Almost Everything — Vintage or New — Is For Sale

A Viso pop-up in Tribeca features a trio of set designs by interiors gurus Andre Mellone, Giancarlo Valle, and Michael Bargo, highlightiung exclusive designs, vintage finds, and personal items that provide context to each designer's favorite Viso items. We visited the space last week and can confirm it's one of the coolest things we've seen during New York Design Week Month this year.
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One of Our Milan Week Favorites? An Adult Playground Made From Industrial Flooring

We're now deep in the age of the Instagram-friendly immersive installation, which was especially evident at this year's Milan furniture fair, where we couldn't help but laugh at how many brands were touting some sort of earnestly dramatic light-based experience. And yet, for materials brands, there really is no better way to inspire visitors — and no one did that better last month than Tarkett, who with Note Design Studio installed a towering forest of playful geometric columns inside one of Milan's most beautiful buildings, the 150-year-old Circolo Filologico Milanese.
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Studiopepe Went Full Mystic For Milan Design Week

A few weeks ago, while other brands and design studios were barraging our inboxes with press releases and preview images pre-Salone, Studiopepe — the Milan-based interiors duo of Arianna Lelli Mami and Chiara Di Pinto — kept relatively mum, announcing only that they would be investigating "the interconnection between matter and the archetypal power of symbols" in a former gold factory in Porta Venezia. In other words: design week catnip.
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Objects for Objects

In LA, A Weekend-Long Show Cheekily Called “Object Permanence”

Two weekends ago, a group of Los Angeles–based designers came together to interpret the candlestick in the first iteration of "Object Permanence," a new, quarterly event co-curated by designer Leah Ring of Another Human and Emma Holland Denvir, head of Hem's U.S. business development. Hosted at Hem’s Los Angeles showroom, the selection of designers and their objects follows a recent trend of reimagining near-relics like the ashtray, the bookend, and the paperweight, in which each object represents a tiny distillation of its designer's aesthetic.
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