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Marie_PLHK_2018_007
11.20.18

Excerpt: Exhibition

At Paris London Hong Kong, a Danish Artist’s Spare, Self-Contained Vignettes

What is it about self-contained vignettes — in which the artist creates not only the work but also the structure the work sits upon — that are so pleasing? This is the second exhibition of its kind that we've featured this week, in which the plinth is part and parcel with the piece: Called "Bit by Bit Above the Edge of Things," Danish artist Marie Herwald Hermann’s first exhibition at Paris London Hong Kong in Chicago presents six of these tableaus — primarily made from porcelain, stoneware, and silicone — framing a small room punctuated by a seventh piece in ceramic, fiber, and wood.
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Christiane_billeder_170818_6942opener
10.29.18

Excerpt: Exhibition

The Matisse- and Picasso-Inspired Danish Artist On the Brink of Stardom

It’s hard not to look at Christiane Spangsberg’s paintings as a cross between Matisse and Picasso, but when you start really exploring the simplicity of the lines, the additions of a lilac or pink or teal, and the titles of the works — they become so much more. The Copenhagen-based artist has found a way to explore the perception of people in their daily and digital lives through her emotive portraits.
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© markus woergoetter 2018
10.23.18

Excerpt: Exhibition

You’ll Never Guess Which European Metropolis Inspired Svenja Deininger’s Latest Body of Work

Sometimes the reason you are drawn to one piece of art or another is obvious. In the case of Viennese artist Svenja Deininger — who opens "Crescendo," her third solo exhibition at Marianne Boesky Gallery, this Thursday — we could say it is because her work falls somewhere pleasingly on the spectrum between figurative and abstract. At its most abstract, it resembles the color-field painters we espouse so heartily on this site; at its most figurative, there is something almost Hockney-esque about her canvases. But sometimes the reason you are drawn to one piece of art or another reveals itself to you only later.
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OPENER_SabineMarcelis_LazySusan_013
10.18.18

Excerpt: Exhibition

Seven Designers Spent the Summer at an Italian Palazzo. Here Are the Results.

It would be a dream brief in any creative field: Set up shop in a 13th-century palazzo at the foot of the Italian Alps with a group of friends, and see what comes of it. And yet that's exactly what Étage Projects founder Maria Foerlev offered to her stable of designers this summer, inviting seven contemporary design practices to Palazzo Monti, an artist's residency program and creativity incubator.
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Blue House 1 Low Res
09.21.18

Excerpt: Exhibition

In the Neighborhood — A Showcase of Local and International Design — is LDF’s Breakout Exhibition

We'll be featuring our favorite new launches from the London Design Festival next week, but judging by our Instagram, the most popular exhibition features hardly any new work at all: In the Neighbourhood is a pop-up exhibition curated by friends and neighbors, interior designer Louisa Grey and The School of Life founder Morgwn Rimel. The conceit? Two different houses organized by palette.
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Pattern for Yemen affordable artist editions
09.19.18

Excerpt: Exhibition

Buying One of These Affordable Artist Editions Will Go to Help a Major Humanitarian Crisis

Pattern for Yemen, an initiative to raise money for the humanitarian crisis in Yemen, was organized by Melbourne's A Friend of Mine and The Souvenir Society, who asked 15 major artists to create an artwork on cloth in an edition of 50 — a wash of green ink from Ronan Bouroullec, an exploded geometry by Nathalie Du Pasquier, colorful grids by Darkroom designer Rhonda Drakeford, a blocky composition by Michael Wall, and more.
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ZETTELER_Adorno_Now Nordic_Copenhagen_Jonas Edvard_DSC00241
09.17.18

Excerpt: Exhibition

LDF Preview: The Online Design Gallery Redefining “Nordic”

For Now Nordic, Adorno invited curators from Copenhagen, Stockholm, Helsinki, Reykjavik and Oslo to assemble a collection from 5-7 designers working at the intersection of art, design, and craft. The point of the exhibition was to explore whether the label "Nordic" — or what the organizers call "design-world shorthand" for clean lines, natural materials, simplicity and functionality — can meaningfully describe an aesthetic or if lumping designs from different countries together actually does each of them a disservice.
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In Good Company2_11_Ian Cochran
09.13.18

Excerpt: Exhibition

14 Up-and-Coming American Designers, In a Show Curated By One of Their Own

As people whose job it is to track emerging designers — particularly those on the American scene — it's rare that we walk into a show to find incredible work by a roster of relative unknowns. And yet that's exactly what happened when I rolled up to Fernando Mastrangelo's studio in deep (deep) Brooklyn last Friday night for the opening party of In Good Company: Material Culture. It's the second exhibition Mastrangelo has curated in his space — this time alongside Architectural Digest's senior design writer Hannah Martin.
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Antia_3174_final
09.11.18

Excerpt: Exhibition

LDF 2018 Preview: A Spotlight on Uruguayan Designers

It's nestled directly between Brazil and Buenos Aires, but you don't hear a whole lot about Uruguay in this part of the world. A new exhibition launching during the London Design Festival next week, though, is set to change that: Hilos Invisibles at Aram Gallery will give seven Montevideo studios a platform to present themselves on the global design scene, and the London-based but Uruguayan-born designer Matteo Fogale has helped groom them for their debut.
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