Most of the making happens in the back of the room, where inspiration photos, graphic references, sketches, tests, and models illustrate the process and trajectory of Aladogan’s work in the last five years. On the table in the foreground are two of the pieces she plans to include in the box she’s preparing for her Fons Welters solo show next year. Like most of her drawings, they layer several techniques: litho, offset, and screenprinting, plus etching. The one in back was also manipulated with Photoshop; you can see its digital progression on the splash page of Aladogan’s new website.