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Mexico: “With the fruit on the table, this is like a color still life,” says van Eijk. “I’m intrigued by them. The Settings project I did for the Zuiderzee museum was really about setting and still lives. And this was just standing on the street somewhere, not designed at all, like a coincidence. Maybe no one thought about it looking nice. If you really designed it or styled it, it would never look as special as this. Then you almost start thinking, is it good to be a designer? Isn’t it nicer if there are no designers in the world? It’s interesting if you can keep this kind of intuitive thinking in your work, and try not to direct everything, but to let coincidence play a role. It’s really hard to achieve; you have to put a lot of effort into making something effortless.”