Nearly every spare drawer or shelf in the studio is filled with leftover castings. “I never know exactly how many castings I’ll need, so I usually over-cast,” says Wiseman. “It’s great because I can use them for odds and ends.” He’s currently using these metal leaves and petals to approximate the foliage of manzanitas and sumac plants for a new commission.
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Nearly every spare drawer or shelf in the studio is filled with leftover castings. “I never know exactly how many castings I’ll need, so I usually over-cast,” says Wiseman. “It’s great because I can use them for odds and ends.” He’s currently using these metal leaves and petals to approximate the foliage of manzanitas and sumac plants for a new commission.