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Some of the final prints (and knits) for fall pinned to two mannequins. Wijnants identified animal skins, “warm and winterish” colors, and lots of layered prints as his main touchpoints for the season's textiles. “I also like to have a link with the summer collection, and summer was very much inspired by central Africa. Even though you don’t clearly see it, I wanted something ethnic, something a bit voodoo-y and mysterious that I couldn’t quite identify. I also wanted these dark neutrals mixed with very bright colors.”