Interior shot of studio with Omega Point: "On this painting, I used an industrial vinyl screen that’s used on buses. I stumbled on this process through the artist Glenn Baldridge, actually — he did a sunset like the one he did at BAM at our gallery, and when we peeled it off at the gallery, I thought it was perfect. It’s made up of all these tiny circles that are holes that you can press wax and oil paint through. It’s very imperfect but it leaves a pattern. And it’s a more physical way to make a pattern than the lithograph process. I wanted it to make a mess but still retain a form of non-human mark-making."