6 / 10

Kazimir Malevich, ceiling plan for the Red Theater, Leningrad, 1931. "Yet in our installation of these two works at Phillips, the Ponti is mounted on the wall, and the Malevich is placed on an easel, in space. As a result, are they both ‘re-departmentalized’? Do we allow the wall to become a determining factor in establishing what is Art and what is not?"