“When I was learning, I learned on speckled clay at the clay studio. They do reduction firing, which is with a gas kiln. But there’s no way you could have a gas kiln in this studio, so I had to get an electric one. I’m trying with some of the glazes and clays to produce that effect of being in a gas kiln, a reduction look but with an electric kiln which is oxidation firing.”
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“When I was learning, I learned on speckled clay at the clay studio. They do reduction firing, which is with a gas kiln. But there’s no way you could have a gas kiln in this studio, so I had to get an electric one. I’m trying with some of the glazes and clays to produce that effect of being in a gas kiln, a reduction look but with an electric kiln which is oxidation firing.”