D’Agostin in his brand new studio in Brooklyn's Bed-Stuy neighborhood, sitting atop his BMW R100. “It’s from 1983 — like me!” he says. Behind him is a photograph of a man riding a bicycle in Shanghai, to which he paid three different 10-day visits last year for a book that's coming out soon. D’Agostin only shoots film and only in black and white, making most of his prints himself in his studio darkroom.
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D’Agostin in his brand new studio in Brooklyn's Bed-Stuy neighborhood, sitting atop his BMW R100. “It’s from 1983 — like me!” he says. Behind him is a photograph of a man riding a bicycle in Shanghai, to which he paid three different 10-day visits last year for a book that's coming out soon. D’Agostin only shoots film and only in black and white, making most of his prints himself in his studio darkroom.