To make each of his books, says D’Agostin, he first pins all of the photographs up on a wall; shown here are images from his Shanghai project, hanging in his old Chinatown studio this spring. “I try to find the relationship between the first and last page, then I arrange all the other ones,” he says. “I make a prototype, looking for tension between the images.”
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To make each of his books, says D’Agostin, he first pins all of the photographs up on a wall; shown here are images from his Shanghai project, hanging in his old Chinatown studio this spring. “I try to find the relationship between the first and last page, then I arrange all the other ones,” he says. “I make a prototype, looking for tension between the images.”