A panel of Plexiglas Nguyen painted and used as a backdrop for a clay composition. “The clay pieces are experiments in form,” she explains. “I’m interested in how they naturally create this bacterial imagery. The forms and colors merge into each other, and then I cut them apart again. It’s something I do as a quick exercise between projects. It turns into a photo, I reuse the clay, and nothing exists after the photo.”
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A panel of Plexiglas Nguyen painted and used as a backdrop for a clay composition. “The clay pieces are experiments in form,” she explains. “I’m interested in how they naturally create this bacterial imagery. The forms and colors merge into each other, and then I cut them apart again. It’s something I do as a quick exercise between projects. It turns into a photo, I reuse the clay, and nothing exists after the photo.”