More of said items, along with some half-finished marbled clocks. “Any flat surface in the studio is an opportunity for accumulation and randomness,” Lewinger says. “Like Robert Smithson, I see opportunity in entropy. I like these corners as ways for ideas and objects to be put down, but not go away.”
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More of said items, along with some half-finished marbled clocks. “Any flat surface in the studio is an opportunity for accumulation and randomness,” Lewinger says. “Like Robert Smithson, I see opportunity in entropy. I like these corners as ways for ideas and objects to be put down, but not go away.”