This is only Lewinger’s second studio since he moved to New York five years ago — the first being a cramped communal space shared with two other production potters — but he’s already learned an important lesson: windows. “It turns out that knowing what time of day it is makes a huge difference,” he says. “I’ve got a little post-industrial backyard to look out at here, too.”
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This is only Lewinger’s second studio since he moved to New York five years ago — the first being a cramped communal space shared with two other production potters — but he’s already learned an important lesson: windows. “It turns out that knowing what time of day it is makes a huge difference,” he says. “I’ve got a little post-industrial backyard to look out at here, too.”