Vissio

Meant to convey the beauty and anxiety of glass balancing precipitously on metal bases, Vissio's 2BIG series explores the formal interplay of rigidity and fragility.
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Upstate

New York designer Kalen Kaminski was inspired to create her new Cuesta series by the color-field paintings of Helen Frankenthaler. Kaminski painted the vase and pitcher on canvas, and glassblower Grace Whiteside brought the pieces to life.
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Ian Cochran

Each time Brooklyn designer Ian Cochran debuts a new piece or color from his Plump resin series, it feels like entering a totally joyful and novel world.
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Trevor Carreon

For his thesis project at the University of Illinois at Chicago, Trevor Carreon created a Brutalist-style end table and planter using his own take on Hempcrete, a carbon-neutral alternative to concrete.
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Tantuvi

The abstract color fields in Tantuvi's new Travertine collection reference ancient rock formations in Rajasthan, and their naturally occurring layers of color and texture.
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Supaform

Supaform's Fancy-Routine collection is its first to trade loud colors for a natural rusted metal palette, and yet the Russian studio's signature style is still evident in the work's Brutalism-meets-the-'80s influence.
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Garza Studio

Leonardo Garza's Ambient Stool, with its delicate steel frame and sheer acrylic top, evokes the sensation that the piece is half-present.
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Studio POA

Studio POA's new work hovers between the gestural qualities of art, the technology of 3-D rendering, and the craft of sculpting materials like ceramic, glass, wood, and sand by hand.
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Atelier de Troupe

Inspired by drifting tides, cyclical shades of light, and the long shadows of summer, Atelier de Troupe's new collection is an exploration of movement and the elements of the sea.
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Studio Mignone

The latest versions of Studio Mignone's Tavolo Morbido, which is inspired in part by Gae Aulenti's Jumbo table, include one with an ombre color fade and one with legs in mismatched shades of white.
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Soft Geometry

Ello is Soft Geometry's attempt to recreate, in object form, the way light diffuses and glows in a translucent medium — picturing frosted sugar jellies as a visual reference.
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Simon Johns

Simon Johns works deep in the woods of Southern Quebec, at the top of the Appalachian mountains, and took the surrounding stone formations as inspiration for his new collection.
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