Konekt

Inspired by Taxco perfume bottles, Konekt created a sconce which takes the form of a chunky brass square or oval with a central void from which light emanates.
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Winston Cuevas

Part of a collection that conjures up stereotypical images of paradise and leisure, the Palm Row pairs a concrete base with "fronds" made from green patinated brass.
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Vissio

Meant to convey the beauty and anxiety of glass balancing precipitously on metal bases, Vissio's 2BIG series explores the formal interplay of rigidity and fragility.
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Upstate

New York designer Kalen Kaminski was inspired to create her new Cuesta series by the color-field paintings of Helen Frankenthaler. Kaminski painted the vase and pitcher on canvas, and glassblower Grace Whiteside brought the pieces to life.
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Ian Cochran

Each time Brooklyn designer Ian Cochran debuts a new piece or color from his Plump resin series, it feels like entering a totally joyful and novel world.
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Trevor Carreon

For his thesis project at the University of Illinois at Chicago, Trevor Carreon created a Brutalist-style end table and planter using his own take on Hempcrete, a carbon-neutral alternative to concrete.
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Garza Studio

Leonardo Garza's Ambient Stool, with its delicate steel frame and sheer acrylic top, evokes the sensation that the piece is half-present.
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Studio Mignone

The latest versions of Studio Mignone's Tavolo Morbido, which is inspired in part by Gae Aulenti's Jumbo table, include one with an ombre color fade and one with legs in mismatched shades of white.
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Soft Geometry

Ello is Soft Geometry's attempt to recreate, in object form, the way light diffuses and glows in a translucent medium — picturing frosted sugar jellies as a visual reference.
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Joel Edmondson

Joel Edmondson's new collection picks up where his Arches bench left off, using the same ribbed vocabulary to build visual interest through repetition.
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Serra Studio

Mike Ruiz-Serra's Pulp tables are made from plaster and recycled paper pulp, but think of it less as paper maché and more as fiberglass, with a hard, stone-like surface.
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Richard Clarkson

Richard Clarkson's new Aurora lights use ethereal colored-resin panels to try to capture the experience of looking down on an aurora borealis from space.
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